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The Best DVD & Blu-rays of 2013

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The Best DVD and Blu-rays of 2013


  • Billy Liar (StudioCanal) / Blu-ray
  • The Impossible (Entertainment One) / Blu-ray and Normal
  • Amateur (Artificial Eye Blu-ray / Normal
  • One Hour Photo (20th Century Fox Home Ent.) / Blu-ray and Normal /
  • Rear Window (Universal Pictures) Blu-ray / Normal /
  • The Birds (Universal Pictures) Blu-ray / 50th Anniversary Edition /
  • Bullhead (Soda Pictures) Blu-ray / Normal /
  • The Sessions (20th Century Fox Home Ent.) Blu-ray with Digital Copy – Double Play /
  • Blow Out (Arrow Video) Blu-ray Special Edition /
  • My Left Foot (ITV DVD) Blu-ray / Normal /
  • The Unbelievable Truth (Artificial Eye) Blu-ray / Normal /

The Best DVD & Blu-ray Releases of 2012
2013 in Film

Written by Ambrose Heron

December 31st, 2013 at 7:48 pm

Posted in DVD & Blu-ray,Lists

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The Best Films of 2013

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Best of 2013

* The following list is in alphabetical order *

12 Years a Slave (Dir. Steve McQueen): The British director brought us a stunning historical drama with its haunting depiction of US slavery. Chiwetel Ejiofor and Michael Fassbender were the highlights of an outstanding ensemble cast.

All is Lost (Dir. J.C. Chandor): Robert Redford alone on a sinking boat provided a multifaceted drama of survival, with Redford’s best role in years. After his brilliant debut Margin Call (2011), Chandor is clearly a talent to watch.

Before Midnight (Dir. Richard Linklater): The conclusion (?) to a unique trilogy provided director Richard Linklater and actors Ethan Hawke and Julie Delpy another opportunity to explore their charming characters in another beautiful setting.

Blue Is The Warmest Colour (Dir. Abdellatif Kechiche): An intimate epic of the heart, this year’s Palme D’or winner featured two outstanding lead performances (Adèle Exarchopoulos and Léa Seydoux) and a refreshing approach to portraying relationships on screen.

Blue Jasmine (Dir. Woody Allen): The rise and fall of a rich society wife (Cate Blanchett) provided rich pickings for Allen and his superb supporting cast featuring Sally Hawkins, Alec Baldwin and Andrew Dice Clay. A bittersweet treat with a memorable lead performance.

Captain Phillips (Dir. Paul Greengrass): This true life tale of a US tanker captain (Tom Hanks) taken hostage by Somali pirates (led by Barkhad Abdi) was an expertly constructed thriller that also managed to examine the sharp end of globalization.

Enough Said (Dir. Nicole Holofcener): One of the lighter pleasures of the year was a romantic comedy that was both clever and funny. A middle-age romance between two divorcees (Julia Louise Dreyfus and the late James Gandolfini), it contained numerous delights.

Gravity (Dir. Alfonso Cuaron): Perhaps the most ambitious film of the year was this stunning drama, with two astronauts (Sandra Bullock and George Clooney) adrift in space. Cuaron, DP Emmanuel Lubezki and VFX maestro Tim Webber took on screen visuals to another level.

Inside Llewyn Davis (Dir. The Coen Bros): The New York folk scene of 1961 provided the backdrop for this bittersweet tale of a struggling folk singer (Oscar Isaac). Intricately crafted, with a great soundtrack produced by T Bone Burnett and a great cat, this is top-tier Coens.

Nebraska (Dir. Alexander Payne): Another road movie from the director of About Schmidt (2002) and Sideways (2004) provided a great role for veteran Bruce Dern in the twilight of his career. Shot in atmospheric black and white, the supporting cast is also note perfect.

Short Term 12 (Dir. Destin Daniel Cretton): One of the unexpected delights of the year was this beautifully crafted drama set in a foster home. Brie Larson and John Gallagher Jr were excellent in the lead roles but there are many aspects to admire, not least Cretton’s direction.

The Act of Killing (Dir. Joshua Oppenheimer): One of the most disturbing and unique documentaries in film history, Oppenheimer secured a remarkable degree of access amongst the former death squads of the Indonesian revolution. A landmark work.

The Great Beauty (Dir. Paolo Sorrentino): Wonderfully rich look at the twilight of the Berlusconi era, with Tony Servillo again proving an excellent foil for his director. As usual for Sorrentino, the visuals and location shooting are of the highest order.

Upstream Colour (Dir. Shane Carruth): Returning from a 9-year absence, Carruth crafted a dazzling puzzlebox of a film, performing multiple duties (acting, writing, directing and music) alongside his impressive co-star Amy Seimetz. Fascinating, complex and brilliant.


Philomena (Dir. Stephen Frears)
Iron Man 3 (Dir. Shane Black)
Mystery Road (Dir. Ivan Sven)
The Look of Love (Dir. Michael Winterbottom)
The East (Dir. Zal Batmangajli)
The Wolf of Wall Street (Dir. Martin Scorsese)

Find out more about the films of 2013 at Wikipedia
End of year lists at Metacritic

Sight And Sound’s Top Films Of 2012


This year’s Sight and Sound end-of-year poll has been topped by Paul Thomas Anderson’s The Master.

As usual, the UK film magazine polled around 100 critics and but have refrained from publishing it online for now.

But my print copy arrived in the post this morning and I can confirm that the list is as follows:

1. The Master (Paul Thomas Anderson, USA)

2. Tabu (Miguel Gomes, Portugal/Germany/France)

3. Amour (Michael Haneke, France/Germany/Austria)

4. Holy Motors (Leos Carax, France/Germany)

5. Beasts of the Southern Wild (Benh Zeitlin, USA)

=  Berberian Sound Studio (Peter Strickland, UK/Germany)

7. Moonrise Kingdom (Wes Anderson, USA)

8. Beyond the Hills (Christian Mungiu, Romania/France/Belgium)

= Cosmopolis (David Cronenberg, Canada/France/Portugal/Italy)

= Once Upon a Time in Anatolia (Nuri Bilge Ceylan, Turkey/Bosnia & Herzegovina)

= This is Not A Film (Jafar Pahani & Mojtaba Mirtahmaseb, Iran)

N.B. Because of the crossover of UK and US release dates some titles have been duplicated from last year’s list.

Sight and Sound on TwitterFacebook and YouTube
> 2012 reviews at Metacritic
Wikipedia on 2012 in film

Written by Ambrose Heron

December 1st, 2012 at 3:26 pm

Posted in Lists,News

Tagged with

The Best Films of 2011

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Although it was a year with a record number of sequels, there was much to feast on if you really looked for something different.

The year will be remembered for momentous events which overshadowed anything Hollywood could come up with: the Arab Spring, the Japanese Earthquake, Hackgate, the death of Osama Bin Laden and the continuing meltdown of the global economy.

But cinema itself underwent some seismic changes: in April the thorny issue of the theatrical window raised its head, whilst James Cameron suggested films should be projected at 48 frames per second instead of the usual 24.

But by far the biggest story was the news that Panavision, Arri and Aaton were to stop making film cameras: although the celluloid projection will effectively be over by 2013, it seems the death of 35mm capture is only a few years away.

So the medium of film, will soon no longer involve celluloid. That’s a pretty big deal.

As for the releases this year, it seemed a lot worse than it actually was.

Look beyond the unimaginative sequels and you might be surprised to find that there are interesting films across a variety of genres.

Instead of artifically squeezing the standout films into a top ten, below are the films that really impressed me in alphabetical order, followed by honourable mentions that narrowly missed the cut but are worth seeking out.


A Separation (Dir. Asghar Farhadi): This Iranian family drama explored emotional depths and layers that few Western films even began to reach this year.

Drive (Dir. Nicolas Winding Refn): Nicolas Winding Refn brought a European eye to this ultra-stylish LA noir with a killer soundtrack and performances.

George Harrison: Living in the Material World (Dir. Martin Scorsese): Scorsese’s in-depth examination of the late Beatle was a passionate and moving tribute to a kindred soul.

Hugo (Dir. Martin Scorsese): The high-priest of celluloid channelled his inner child to create a stunning digital tribute to one of the early pioneers of cinema.

Jane Eyre (Dir. Cary Fukunaga): An exquisite literary adaptation with genuine depth, feeling and two accomplished lead performers that fitted their roles like a glove.

Margin Call (Dir. J.C. Chandor): The best drama yet to come out the financial crisis is this slow-burn acting masterclass which manages to clarify the empty heart of Wall Street.

Melancholia (Dir. Lars von Trier): Despite the Cannes controversy, his stylish vision of an apocalyptic wedding was arguably his best film, filled with memorable images and music.

Moneyball (Dir. Bennett Miller): The philosophy that changed a sport was rendered into an impeccably crafted human drama by director Bennett Miller with the help of Brad Pitt.

Project Nim (Dir. James Marsh): A chimpanzee raised as a human was the extraordinary and haunting subject of this documentary from James Marsh.

Rango (Dir. Gore Verbinski): The best animated film of 2011 came from ILMs first foray into the medium as they cleverly riffed on classic westerns and Hollywood movies.

Senna (Dir. Asif Kapadia): A documentary about the F1 driver composed entirely from existing footage made for riveting viewing and a truly emotional ride.

Shame (Dir. Steve McQueen): The follow up to Hunger was a powerful depiction of sexual compulsion in New York, featuring powerhouse acting and pin-sharp cinematography.

Snowtown (Dir. Justin Kerzel): Gruelling but brilliant depiction of an Australian murder case, which exposed modern horror for the empty gorefest it has become.

Take Shelter (Dir. Jeff Nichols): Wonderfully atmospheric blend of family drama and Noah’s Ark which brilliantly played on very modern anxieties of looming apocalypse.

The Artist (Dir. Michel Hazanavicius): An ingenious love letter to the silent era of Hollywood is executed with an almost effortless brilliance.

The Descendants (Dir. Alexander Payne): Pitch-perfect comedy-drama which saw Alexander Payne return to give George Clooney his best ever role.

The Guard (Dir. John Michael McDonagh): Riotously funny Irish black comedy with Brendan Gleeson given the role of his career.

The Interrupters (Dir. Steve James): The documentary of the year was this powerful depiction of urban violence and those on the frontline trying to prevent it.

The Skin I Live In (Dir. Pedro Almodovar): The Spanish maestro returned with his best in years, as he skilfully channeled Hitchcock and Cronenberg.

The Tree of Life (Dir. Terrence Malick): Moving and mindblowing examination of childhood, death and the beginnings of life on earth.

Tinker Tailor Soldier Spy (Dir Tomas Alfredson): Wonderfully crafted John le Carre adaptation which resonates all too well in the current era of economic and social crisis.

Tyrannosaur (Dir. Paddy Considine): Searingly emotional drama with two dynamite lead performances and an unexpected Spielberg reference.

We Need To Talk About Kevin (Dir. Lynne Ramsey): Audio-visual masterclass from Ramsay with a now predictably great performance from Tilda Swinton.

Win Win (Dir. Thomas McCarthy): Quietly brilliant comedy-drama with Paul Giamatti seemingly born to act in this material.


A Dangerous Method (Dir. David Cronenberg)
Anonymous (Dir. Roland Emmerich)
Another Earth (Dir. Mike Cahill)
Attack the Block (Dir. Joe Cornish)
Bobby Fischer Against The World (Dir. Liz Garbus)
Confessions (Dir. Tetsuya Nakashima)
Contagion (Dir. Steven Soderbergh)
Four Days Inside Guantanamo (Dir. Luc Cote, Patricio Henriquez)
I Saw the Devil (Dir. Kim Ji-woon)
Into the Abyss (Dir. Werner Herzog)
Life in a Day (Dir. Kevin MacDonald)
Martha Marcy May Marlene (Dir. Sean Durkin)
Midnight in Paris (Dir. Woody Allen)
Page One: Inside The New York Times (Dir. Andrew Rossi)
Super 8 (Dir. JJ Abrams)
The Adventures of Tintin (Dir. Steven Spielberg)
The Beaver (Dir. Jodie Foster)
The Deep Blue Sea (Dir. Terence Davies)
The Girl with the Dragon Tattoo (Dir. David Fincher)
The Ides of March (Dir. George Clooney)


Armadillo (Dir. Janus Metz)
Beginners (Dir. Mike Mills)
Cave of Forgotten Dreams (Dir. Werner Herzog)
Submarine (Dir. Richard Ayoade)
Cold Weather (Dir. Aaron Katz)
Tabloid (Dir. Errol Morris)

Find out more about the films of 2011 at Wikipedia
End of year lists at Metacritic
> The Best Film Music of 2011
The Best DVD and Blu-ray Releases of 2011

Sight and Sound’s Top Films of 2011

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This year’s Sight and Sound poll has been topped by Terrence Malick’s The Tree of Life.

The UK film magazine polled around 100 critics and – as usual – the list has surfaced on various websites before the official one, even though they have confirmed the top two films on their Twitter feed:

“Most of you guessed right: our film of 2011 is The Tree of Life (by a country mile)”

Which begs the question, why has this film got the reputation of being critically divisive?

Whilst a minority booed at the Cannes press screening and it presumably baffled some audiences, if you look at the filtered critical consensus there is a lot of love for Malick’s opus: 85/100 on Metacritic, 84% on Rotten Tomatoes, 79/100 on Movie Review Intelligence and 7.3/10 on IMDb.

As is often the case, there is a good spread of European auteur royalty amongst the list (Von Trier, Dardennes and Tarr), which makes it read a bit like Thierry Frémaux‘s contacts book, but its good to see Michel Hazanavicius, Tomas Alfredson and Asghar Farhadi join the club with films of real distinction and class.

1. The Tree of Life (Dir. Terrence Malick).

2. A Separation (Dir. Asghar Farhadi).

3. The Kid With a Bike (Dir. Luc and Jean-Pierre Dardenne).

4. Melancholia (Dir. Lars von Trier).

5. The Artist (Dir. Michel Hazanavicius).

=6. Once Upon a Time in Anatolia (Dir. Nuri Bilge Ceylan).

=6. The Turin Horse (Dir. Béla Tarr)

8. We Need to Talk About Kevin (Dir. Lynne Ramsay).

9. Le Quattro Volte (Dir. Michelangelo Frammartino).

=10. Tinker Tailor Soldier Spy (Dir. Tomas Alfredson).

=10. This Is Not a Film (Dir. Jafar Panahi and Mojtaba Mirtahmashb)

Sight and Sound (follow them on Twitter or connect on Facebook)
Wikipedia on 2011 in film

Written by Ambrose Heron

December 1st, 2011 at 6:49 pm

Time Out’s List of The 100 Best British Films

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UK listings magazine Time Out have selected a list of The 100 Best British Films, topped by Don’t Look Now (1973).

Voted for by 150 film experts including critics, filmmakers, actors and ‘industry players‘, it is a very solid selection overall, with the top ten featuring a healthy mix of established greats alongside some interesting choices.

However, if we are talking about British films (that is films produced by British companies) the team that put this together have made a major blunder by including Stanley Kubrick films which were American films that just happened to be shot in the UK.

2001: A Space Odyssey (1968) was produced by MGM, whilst A Clockwork Orange (1971) and Barry Lyndon (1975) were funded by Warner Bros – both large US studios.

Brazil (1985) was also US financed (by Embassy International Pictures, whilst Universal released it) and Nil By Mouth (1997) – whilst seemingly very British – was actually co-financed with French money.

This might seem like nitpicking but it is worth highlighting where the money comes from, especially in the current era where it prospects look fairly bleak for homegrown UK production.

However, there are plenty of films here to feast on and a few personal favourites I’d highly recommend are: If… (1968), Performance (1970), The Offence (1971), Witchfinder General (1968), Local Hero (1983) and Hunger (2008).

You can also check out the individual lists of each Time Out contributor here.


  1. Don’t Look Now (1973)
  2. The Third Man (1949)
  3. Distant Voices, Still Lives (1988)
  4. Kes (1969)
  5. The Red Shoes (1948)
  6. A Matter of Life and Death (1946)
  7. Performance (1970)
  8. Kind Hearts and Coronets (1949)
  9. If… (1968)
  10. Trainspotting (1996)
  11. Naked (1993)
  12. Brief Encounter (1945)
  13. The 39 Steps (1935)
  14. The Life and Death of Colonel Blimp (1943)
  15. Withnail & I (1987)
  16. Black Narcissus (1947)
  17. A Canterbury Tale (1944)
  18. The Innocents (1961)
  19. Barry Lyndon (1975) *
  20. Monty Python’s Life of Brian (1979)
  21. Nil by Mouth (1997) *
  22. Saturday Night and Sunday Morning (1960)
  23. Lawrence of Arabia (1962) *
  24. Brazil (1985) *
  25. Great Expectations (1946)
  26. I Know Where I’m Going! (1945)
  27. The Bill Douglas Trilogy (1972, 1973, 1978)
  28. The Wicker Man (1973)
  29. Peeping Tom (1960)
  30. The Ladykillers (1955)
  31. The Ladykillers (1955)
  32. Get Carter (1971)
  33. Secrets & Lies (1996) *
  34. A Clockwork Orange (1971)
  35. The Servant (1963)
  36. The Loneliness of the Long Distance Runner (1962)
  37. It Always Rains on Sunday (1947)
  38. Went the Day Well? (1942)
  39. London (1994)
  40. Ratcatcher (1999)
  41. Witchfinder General (1968)
  42. Listen to Britain (1942)
  43. Fires Were Started (1943)
  44. Sabotage (1936)
  45. Repulsion (1965)
  46. The Fallen Idol (1948)
  47. Blow-Up (1966)
  48. Hunger (2008)
  49. Gallivant (1996)
  50. Culloden (1964)
  51. Local Hero (1983)
  52. Robinson in Space (1997)
  53. This Sporting Life (1963)
  54. Monty Python and The Holy Grail (1974)
  55. Radio On (1980)
  56. Caravaggio (1986)
  57. 2001: A Space Odyssey (1968) *
  58. Gregory’s Girl (1981)
  59. Blackmail (1929)
  60. The Long Good Friday (1980)
  61. Walkabout (1971)
  62. Deep End (1970)
  63. Nuts In May (1976)
  64. Topsy-Turvy (1999)
  65. Dracula (1958)
  66. Wonderland (1999)
  67. Whisky Galore! (1949)
  68. Dead of Night (1945)
  69. Oliver! (1968)
  70. Bad Timing (1980)
  71. Edvard Munch (1974)
  72. The Long Day Closes (1992)
  73. The Man in the White Suit (1951)
  74. Four Weddings and a Funeral (1994)
  75. A Room for Romeo Brass (1999)
  76. Penda’s Fen (1974)
  77. Piccadilly (1929)
  78. Billy Liar (1963)
  79. The Offence (1972)
  80. Under the Skin (1997)
  81. Dr No (1962)
  82. Orlando (1993)
  83. A Cottage on Dartmoor (1929)
  84. Fish Tank (2009)
  85. I’m All Right, Jack (1959)
  86. The Bridge on the River Kwai (1957)
  87. Night and the City (1950)
  88. This Is England (2006)
  89. The Go-Between (1970)
  90. Blue (1993)
  91. Land and Freedom (1995)
  92. Dead Man’s Shoes (2004)
  93. Zulu (1964)
  94. 24 Hour Party People (2002)
  95. London to Brighton (2006)
  96. Theatre of Blood (1973)
  97. 28 Days Later… (2002)
  98. School for Scoundrels (1960)
  99. The Railway Children (1970)
  100. In This World (2002)

> Time Out Film Section
> Wikipedia lists of great films

Written by Ambrose Heron

February 8th, 2011 at 12:00 pm

Posted in Lists,News

Tagged with ,

Interesting Links of 2010

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As an alternative to the current end-of-year lists here is a collection of film-related links to things that caught my eye during 2010.

The spectrum is pretty broad but ranges from the location of the crop-dusting sequence in North By Northwest, James Dean punching Ronald Regan, an unaired Orson Welles TV pilot (genius) and a graphic explaining Inception.

Any interesting links you’d like to share? Leave them below.

> The Best Films of 2010
> 2010 in Film at Wikipedia

Written by Ambrose Heron

December 31st, 2010 at 5:19 pm

Posted in Interesting,Lists

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The Best Film Music of 2010

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My favourite film music of the year included albums by Trent Reznor, Hans Zimmer and Daft Punk, whilst tracks by various artists including Zack Hemsey and Grizzly Bear also stood out.


Tron Legacy (EMI): The sequel to Tron was a mixed bag (great visuals, mediocre script) but the score by Daft Punk was unbeliveably epic, fusing their trademark electronica with an orchestra. [Amazon / YouTube]

Inception (Reprise): Hans Zimmer’s score for Christopher Nolan’s sci-fi blockbuster mixed electronic elements, strings and the guitar of Johnny Marr to brilliant effect. [Amazon / YouTube]

The Social Network (Pid): Trent Reznor and Atticus Ross gave David Fincher’s film about the origins of Facebook a dazzling electronic flavour, at turns pulsating and atmospheric. [Official site / Amazon / YouTube]

The Kids Are Alright (Lakeshore Records): A traditional, but shrewdly assembled collection of traditional and modern songs (featuring the likes of MGMT and David Bowie) which fitted the themes of Lisa Colodenko’s film perfectly. [Amazon / YouTube / The Playlist]

Greenberg (Parlophone): A solid collection of songs from James Murphy alongside tracks by The Steve Miller Band, Duran Duran, Nite Jewel and Galaxie 500. [Amazon / YouTube]

127 Hours (Polydor): Danny Boyle films usually have a memorable soundtrack and this is no exception, featuring music from A.R. Rahman and tracks by various artists including Free Blood, Bill Withers and Sigur Ros. [Amazon / YouTube]

Black Swan (Sony): For Darren Aronofsky’s reworking of Swan Lake, Clint Mansell reworked elements of Tchaikovsky’s original music to spectacular effect. [Amazon / YouTube]

N.B. The soundtracks for Somewhere and Blue Valentine would have easily made the list if they were available to purchase in the UK.


The following tracks are not all directly from soundtracks, but may also have featured on trailers and TV spots for various films.

You can download most of these tracks as a Spotify playlist here or just click on the relevant links to listen to them.

If you have any pieces of film related music you want to share, leave a comment below.

> The Best Films of 2010
> The Best DVD & Blu-ray releases of 2010

The Best Films of 2010

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As usual these are my favourite films of the year in alphabetical order (just click on each title for more information).


Animal Kingdom (Dir. David Michôd): The outstanding debut feature from director David Michôd is a riveting depiction of a Melbourne crime family headed by a sinister matriarch.

Another Year (Dir. Mike Leigh): A moving, bitter-sweet drama about relationships, filled with great acting, is arguably the peak of Mike Leigh’s career.

Biutiful (Dir. Alejandro González Iñárritu): Searing exploration of life and death in a modern European city, featuring a tremendous central performance from Javier Bardem.

Black Swan (Dir. Darren Aronofsky): Swan Lake is retold with glorious intensity, channelling Polanski and Cronenberg whilst giving Natalie Portman the role of a lifetime.

Carlos (Dir. Olivier Assayas): Scintillating and immersive depiction of a 1970s terrorist with a tremendous performance by Edgar Ramirez.

Enter the Void (Dir. Gaspar Noé): Technically dazzling depiction of a dead drug dealer that also features what is possibly the greatest opening title sequence of all time.

Exit Through The Gift Shop (Dir. Banksy): An ingenious and hilarious hall of mirrors which is brilliantly executed and so much more than a ‘Banksy documentary’.

Inception (Dir. Christopher Nolan): The ingenious puzzles of Christopher Nolan’s early films were given the scale of his blockbusters in this hugely ambitious sci-fi actioner.

Inside Job (Dir. Charles Ferguson): Devastating documentary about the financial crisis which plays like a heist movie, only this time it is the banks robbing the people.

Tabloid (Dir. Errol Morris): The media feeding frenzy surrounding a bizarre 1970s sex scandal provided Errol Morris with the raw material for one of the most entertaining documentaries in years.

The Fighter (Dir. David O’Russell): A boxing story which follows a familiar path but remains energetic, inspirational and funny, with Christian Bale on career-best form.

The Kids Are Alright (Dir. Lisa Cholodenko): A perfectly pitched comedy-drama that explores modern family life with genuine heart and humour.

The King’s Speech (Dir. Tom Hooper): Wonderfully crafted period drama with two brilliant lead performances and a moving story filled with hilarious one liners.

The Social Network (Dir. David Fincher): The inside story of Facebook is a riveting tale of ambition and betrayal, which sees Fincher, Sorkin and a young cast firing on all cylinders.

Toy Story 3 (Dir. Lee Unkrich): The ground breaking animated series gets a worthy final chapter whilst maintaining Pixar’s impeccable standards of story and animation.


127 Hours (Dir. Danny Boyle)
Blue Valentine (Dir. Derek Cianfrance)
Catfish (Dir. Ariel Schulman and Henry Joost)
Four Lions (Dir. Chris Morris)
Let Me In (Dir. Matt Reeves)
Restrepo (Dir. Tim Hetherington and Sebastian Junger)
Somewhere (Dir. Sofia Coppola)
The American (Dir. Anton Corbijn)
The Ghost Writer (Dir. Roman Polanski)
The Illusionist (Dir. Sylvain Chomet)
Winter’s Bone (Dir. Debra Granik)

> Find out more about the films of 2010 at Wikipedia
> End of year lists at Metacritic
> The Best DVD and Blu-ray Releases of 2010

Sight and Sound’s Top Films of 2010

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Sight and Sound have selected their best films of 2010 and it has been topped by The Social Network.

They asked 85 critics from across the globe to select their five favourite films of the past year and the titles that appeared the most were then selected for this list which will appear in their January 2011 issue.

(Note that the list can be a little out of sync with US and foreign release dates).

The final selection has already reached the magazine subscribers, although it won’t be on the Sight and Sound website until December 7th.

Here is the list in full (with some ties):

1. The Social Network (Dir. David Fincher, USA)

2. Uncle Boonmee Who Can Recall His Past Lives (Dir. Apichatpong Weerasethakul, Thailand)

3. Another Year (Dir. Mike Leigh, UK)

4. Carlos (Dir. Olivier Assayas, France/Germany)

5. The Arbor (Dir. Clio Barnard, UK)

=6. I Am Love (Dir. Luca Guadagnino, Italy)
=6. Winter’s Bone (Dir. Debra Granik, USA)

=8. The Autobiography of Nicolae Ceausescu (Dir. Andrei Ujică, Romania)
=8. Film Socialisme (Dir. Jean-Luc Godard, France/Switzerland)
=8. Nostalgia for the Light (Dir. Patricio Guzmán, France/Germany/Chile)
=8. Poetry (Dir. Lee Chang-dong, South Korea)
=8. A Prophet (Dir. Jacques Audiard, France)

=13. Certified Copy (Dir. Abbas Kiarostami, France/Iran/Italy)
=13. Meek’s Cutoff (Dir. Kelly Reichardt, USA)

=15. Dogtooth (Dir. Giorgos Lanthimos, Greece)
=15. Enter the Void (Dir. Gaspar Noé, France/Germany/Italy)
=15. Mysteries of Lisbon (Dir. Raúl Ruiz, Portugal/Brazil/France)
=15. Of Gods and Men (Dir. Xavier Beauvois, France)

=19. Aurora (Dir. Cristi Puiu, Romania/Switzerland/Germany/France)
=19. Exit Through the Gift Shop (Dir. Banksy, UK/USA)
=19. Four Times (Dir. Michelangelo Frammartino, Italy/Switzerland/Germany)
=19. The Ghost Writer (Dir. Roman Polanski, France/Germany/United Kingdom)
=19. Over Your Cities Grass Will Grow (Dir. Sophie Fiennes, UK/France/Netherlands)

> Sight and Sound (follow them on Twitter or become a fan on Facebook)
> MUBi and InContention on this year’s list
> Wikipedia on 2010 in film

Written by Ambrose Heron

November 28th, 2010 at 8:11 pm