Categories
Awards Season News

Oscar Winners

Here is the full list of winners for the 82nd Academy Awards, which saw The Hurt Locker win Best Picture, Kathryn Bigelow become the first woman to win Best Director, whilst Jeff Bridges and Sandra Bullock won in the major acting categories.

  • BEST PICTURE: The Hurt Locker
  • BEST DIRECTOR: Kathryn Bigelow (The Hurt Locker)
  • BEST ACTOR: Jeff Bridges (Crazy Heart)
  • BEST ACTRESS: Sandra Bullock (The Blind Side)
  • BEST SUPPORTING ACTOR: Christoph Waltz (Inglourious Basterds)
  • BEST SUPPORTING ACTRESS: Mo’Nique (Precious)
  • BEST FOREIGN LANGUAGE FILM: El Secreto de Sus Ojos – The Secret of Their Eyes (Argentina)
  • BEST ORIGINAL SCREENPLAY: Mark Boal (The Hurt Locker)
  • BEST ANIMATION: Up
  • BEST ADAPTED SCREENPLAY: Geoffrey Fletcher (Precious: Based on the Novel Push by Sapphire)
  • BEST ART DIRECTION: Avatar
  • BEST CINEMATOGRAPHY: Avatar
  • BEST SOUND MIXING: The Hurt Locker
  • BEST SOUND EDITING: The Hurt Locker
  • BEST ORIGINAL SONG: The Weary Kind (theme from Crazy Heart) from Crazy Heart by Ryan Bingham, T Bone Burnett
  • BEST ORIGINAL SCORE: Up (Michael Giacchino)
  • BEST COSTUMES: The Young Victoria
  • BEST DOCUMENTARY FEATURE: The Cove
  • BEST DOCUMENTARY SHORT: Music by Prudence
  • BEST FILM EDITING: The Hurt Locker
  • BEST MAKE-UP: Star Trek
  • BEST VISUAL EFFECTS: Avatar
  • BEST ANIMATED SHORT FILM: Logorama
  • BEST LIVE ACTION SHORT FILM: The New Tenants
Categories
Awards Season News

BAFTA Winners

Here is the full list of tonight’s BAFTA winners.

  • Best Picture – The Hurt Locker
  • Best Actor – Colin Firth, A Single Man
  • Best Actress – Carey Mulligan, An Education
  • Best Director -Kathryn Bigelow for The Hurt Locker
  • Best Supporting Actor – Christoph Waltz, Inglourious Basterds
  • Best Supporting Actress: Mo’nique, Precious (Based On The Novel Push By Sapphire)
  • Original Screenplay: Mark Boal for The Hurt Locker
  • Adapted Screenplay – Jason Reitman & Sheldon Turner for Up In The Air
  • Cinematography – Barry Ackroyd for The Hurt Locker
  • Editing – The Hurt Locker
  • Production Design: Rick Carter, Robert Stromberg & Kim Sinclair for Avatar
  • Makeup and Hair: Jenny Shircore for The Young Victoria
  • Costume Design: Sandy Powell for The Young Victoria
  • Visual Effects – Avatar
  • Sound – The Hurt Locker
  • Music – Michael Giacchino for Up
  • Film not in the English Language – Un Prophete
  • Animated Film – Up
  • Orange Rising Star Award – Kristen Stewart
  • Outstanding British Film: Fish Tank
  • Outstanding British Debut: Duncan Jones for Moon
  • Short Film – I Do Air
  • Short Animation – Mother Of Many

Just for the record, I managed to correctly predict all the main categories in a tweet earlier.

Below is a Flickr slideshow of photos from the night:

Categories
In Production News

Clint Eastwood filming Hereafter in London

[ad]

Clint Eastwood and Matt Damon have recently been filming their latest movie Hereafter at the Charles Dickens Museum in London.

Scripted by Peter Morgan, the IMDb plot summary says it is:

A supernatural thriller centered on three people – a blue-collar American, a French journalist and a London school boy – who are touched by death in different ways.

Check out more photos here and some production info at Wikipedia.

 

Categories
Awards Season News

Oscar Nominations – Full List

[ad]

The Oscar nominations have been announced and Avatar and The Hurt Locker lead the field with 9 nominations each.

Nominations were announced this morning by Academy of Motion Picture Arts & Sciences president Tom Sherak and Anne Hathaway.

The final ballots get mailed out on February 10th and are due back at PricewaterhouseCoopers offices on Tuesday 2nd March (my birthday as it turns out).

The actual awards take place on Sunday 7th March at the Kodak Theatre in Los Angeles and will be hosted by Alec Baldwin and Steve Martin.

Here is the list in full:

Best Picture

  • Avatar (James Cameron and Jon Landau, Producers)
  • The Blind Side (Nominees to be determined)
  • District 9 (Peter Jackson and Carolynne Cunningham, Producers)
  • An Education (Finola Dwyer and Amanda Posey, Producers)
  • The Hurt Locker (Nominees to be determined)
  • Inglourious Basterds (Lawrence Bender, Producer)
  • Precious: Based on the Novel ‘Push’ by Sapphire (Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers)
  • A Serious Man (Joel Coen and Ethan Coen, Producers)
  • Up (Jonas Rivera, Producer)
  • Up in the Air (Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers)

Best Director

  • James Cameron, Avatar
  • Kathryn Bigelow, The Hurt Locker
  • Quentin Tarantino, Inglourious Basterds
  • Lee Daniels, Precious: Based on the Novel ‘Push’ by Sapphire
  • Jason Reitman, Up in the Air

Best Actor

  • Jeff Bridges in “Crazy Heart”
  • George Clooney in “Up in the Air”
  • Colin Firth in “A Single Man”
  • Morgan Freeman in “Invictus”
  • Jeremy Renner in “The Hurt Locker”

Best Actress

  • Sandra Bullock in “The Blind Side”
  • Helen Mirren in “The Last Station”
  • Carey Mulligan in “An Education”
  • Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
  • Meryl Streep in “Julie & Julia”

Best Supporting Actor

  • Matt Damon in “Invictus”
  • Woody Harrelson in “The Messenger”
  • Christopher Plummer in “The Last Station”
  • Stanley Tucci in “The Lovely Bones”
  • Christoph Waltz in “Inglourious Basterds”

Best Supporting Actress

  • PenĂ©lope Cruz in “Nine”
  • Vera Farmiga in “Up in the Air”
  • Maggie Gyllenhaal in “Crazy Heart”
  • Anna Kendrick in “Up in the Air”
  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Writing (Adapted Screenplay)

  • “District 9” Written by Neill Blomkamp and Terri Tatchell
  • “An Education” Screenplay by Nick Hornby
  • “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
  • “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

  • “The Hurt Locker” Written by Mark Boal
  • “Inglourious Basterds” Written by Quentin Tarantino
  • “The Messenger” Written by Alessandro Camon & Oren Moverman
  • “A Serious Man” Written by Joel Coen & Ethan Coen
  • “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Animated Feature Film

  • “Coraline” Henry Selick
  • “Fantastic Mr. Fox” Wes Anderson
  • “The Princess and the Frog” John Musker and Ron Clements
  • “The Secret of Kells” Tomm Moore
  • “Up” Pete Docter

Art Direction

  • “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
  • “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
  • “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
  • “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
  • “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

  • “Avatar” Mauro Fiore
  • “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
  • “The Hurt Locker” Barry Ackroyd
  • “Inglourious Basterds” Robert Richardson
  • “The White Ribbon” Christian Berger

Costume Design

  • “Bright Star” Janet Patterson
  • “Coco before Chanel” Catherine Leterrier
  • “The Imaginarium of Doctor Parnassus” Monique Prudhomme
  • “Nine” Colleen Atwood
  • “The Young Victoria” Sandy Powell

Documentary (Feature)

  • “Burma VJ” Anders Østergaard and Lise Lense-MĂžller
  • “The Cove” Nominees to be determined
  • “Food, Inc.” Robert Kenner and Elise Pearlstein
  • “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
  • “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

  • “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
  • “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
  • “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
  • “Music by Prudence” Roger Ross Williams and Elinor Burkett
  • “Rabbit Ă  la Berlin” Bartek Konopka and Anna Wydra

Film Editing

  • “Avatar” Stephen Rivkin, John Refoua and James Cameron
  • “District 9” Julian Clarke
  • “The Hurt Locker” Bob Murawski and Chris Innis
  • “Inglourious Basterds” Sally Menke
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

  • “Ajami” Israel
  • “El Secreto de Sus Ojos” Argentina
  • “The Milk of Sorrow” Peru
  • “Un ProphĂšte” France
  • “The White Ribbon” Germany

Makeup

  • “Il Divo” Aldo Signoretti and Vittorio Sodano
  • “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
  • “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

  • “Avatar” James Horner
  • “Fantastic Mr. Fox” Alexandre Desplat
  • “The Hurt Locker” Marco Beltrami and Buck Sanders
  • “Sherlock Holmes” Hans Zimmer
  • “Up” Michael Giacchino

Music (Original Song)

  • “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
  • “Take It All” from “Nine” Music and Lyric by Maury Yeston
  • “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Short Film (Animated)

  • “French Roast” Fabrice O. Joubert
  • “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
  • “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
  • “Logorama” Nicolas Schmerkin
  • “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

  • “The Door” Juanita Wilson and James Flynn
  • “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
  • “Kavi” Gregg Helvey
  • “Miracle Fish” Luke Doolan and Drew Bailey
  • “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

  • “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
  • “The Hurt Locker” Paul N.J. Ottosson
  • “Inglourious Basterds” Wylie Stateman
  • “Star Trek” Mark Stoeckinger and Alan Rankin
  • “Up” Michael Silvers and Tom Myers

Sound Mixing

  • “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
  • “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
  • “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
  • “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
  • “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

  • “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
  • “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
  • “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Categories
Awards Season News

Oscar nominations to look out for

[ad]

The Oscar nominations are announced tomorrow (Tuesday 5.30am PST and 1.30pm GMT) and here are some of the films and people to look out for in the major categories.

BEST PICTURE

The is the most interesting category of all because this year the Academy expanded the number of nominees from 5 to 10 in order to let in films that were more commercially successful.

It was basically a move to pacify ABC executives tired of declining ratings for the telecast and low grossing winners.

Obviously it was a move that goes against everything the Oscars should stand for (like awarding excellence rather than box office) and as it turned out, Avatar would have made it in to the final five anyway.

With that in mind, these films are cast-iron certainties to get in to the final 10:

  • The Hurt Locker
  • Avatar
  • Up in the Air
  • Precious
  • Inglourious Basterds

After that, it gets a little trickier but I reckon that Up, Star Trek, District 9, An Education and A Serious Man will fill out the remaining slots. However, Invictus and A Single Man are possibilities.

BEST DIRECTOR

This is going to follow the Best Picture category with the following directors:

  • James Cameron, Avatar
  • Kathryn Bigelow, The Hurt Locker
  • Lee Daniels, Precious
  • Quentin Tarantino, Inglourious Basterds
  • Jason Reitman, Up in the Air

BEST ACTOR

This category is also relatively straightforward, with Jeff Bridges emerging as the frontrunner to win.

  • Jeff Bridges, Crazy Heart
  • George Clooney, Up in the Air
  • Jeremy Renner, The Hurt Locker,
  • Colin Firth, A Single Man
  • Morgan Freeman, Invictus

BEST ACTRESS

Another straightforward category with Sandra Bullock likely to win. Emily Blunt isn’t a dead cert for the fifth slot, which could go to Helen Mirren for The Last Station.

  • Sandra Bullock, The Blind Side
  • Meryl Streep, Julie & Julia
  • Carey Mulligan, An Education
  • Gabourey Sidibe, Precious
  • Emily Blunt, The Young Victoria

BEST SUPPORTING ACTOR

For this category Christophe Waltz is a dead cert to win after scooping virtually every guild and critics award. The fifth slot is a hard one to call but if there is any justice Anthony Mackie should get a nod.

  • Christophe Waltz, Inglourious Basterds
  • Woody Harrelson, The Messenger
  • Stanley Tucci, The Lovely Bones
  • Matt Damon, Invictus
  • Anthony Mackie, The Hurt Locker

BEST SUPPORTING ACTRESS

Another category where the winner is almost certain before the nominations are announced. Mo’Mique is the actress equivalent of Waltz in that she has dominated the critic and guild awards and a dead cert to win. This is quite a hard one to call and other possibles could include Diane Kruger (Inglourious Basterds), Penelope Cruz (Nine) and Mariah Carey (Precious).

  • Mo’Nique, Precious
  • Anna Kendrick, Up in the Air
  • Vera Farmiga, Up in the Air
  • Maggie Gyllenhaal, Crazy Heart
  • Julianne Moore, A Single Man

Of course, I could have got a few of these wrong but we shall see when Anne Hathaway and Tom Sherak announce them at a news conference at the Academy’s Samuel Goldwyn Theater in Beverly Hills on Tuesday.

The Oscars themselves are on Sunday 7th March.

> Official site
> Get the latest awards season news at AwardsDaily and InContention

Categories
Awards Season News

Kathryn Bigelow wins the DGA Award

[ad]

Kathryn Bigelow won the DGA award last night for directing The Hurt Locker and became the first woman ever to scoop the honour.

Bigelow beat out fellow nominees Lee Daniels (Precious), Jason Reitman (Up in the Air), Quentin Tarantino (Inglourious Basterds) and James Cameron (Avatar).

Some pundits favoured Cameron after his win at the Golden Globes and Avatar’s extraordinary box office success, which recently passed Titanic to become the highest grossing film of all time.

However, The Hurt Locker has been the most acclaimed film of the awards season, winning most of the critics and guild awards that pave the way to the Oscars next month.

Bigelow’s victory is her 15th award for her work on the film which examines the experiences of a bomb disposal unit in the Iraq War.

She is now the frontrunner for the Best Director Oscar, which the DGA has correctly predicted for 56 of its 62-year history.

We should also mention that her directorial team were:

  • Unit Production Manager: Tony Mark
  • First Assistant Director: David Ticotin
  • First Assistant Director (Canadian Unit): Lee Cleary

* Have a listen to our interview with Kathryn Bigelow and screenwriter Mark Boal about The Hurt Locker *

[ad]

Categories
News

Miramax effectively closes down

Disney effectively decided to shut down Miramax on Thursday as they announced that the New York and Los Angeles offices of the art house movie studio will close.

Although Disney may decide to keep it as a distribution label within their major film division, effectively as a shell of its former self, 80 employees will lose their jobs and the company as we once knew it, is now essentially over.

At the moment there doesn’t appear to be an official line on what will happen but according the the New York Times, around 20 employees will be folded into their major studio operations and the six films awaiting release will come out under the Miramax banner.

Although closure had been on the cards for some time, especially when former president Daniel Battsek left back in the Autumn, the move is still a powerful reminder of harsh times the film business faces with squeezed finances due to the recession.

As to who will be in charge of winding it up, selling it or keeping it as a production label nothing has officially been announced yet.

If Disney did sell the studio, the handful of films in currently in production, the Miramax name and the valuable library of around 500 films – including Pulp Fiction, The English Patient, Good Will Hunting, Shakespeare in Love, Chicago and Kill Bill – could fetch over $1.5 billion according to Variety.

Nikki Finke is reporting that Summit are interested in buying Miramax, the logic would appear to be that they have a lot of cash from the Twilight franchise and it would be a way for the young studio to acquire projects and a library in one go.

Back in 2008, before the demise of Lehman Brothers and the near-collapse of the global financial system, New Line and Paramount Vantage were just two high profile casualties of studios reining back their specialty divisions.

The indie film boom of the 1990s and subsequent creation of dependent divisions such as Fox Searchlight, Vantage, Focus Features and Warner Independent, was in large part due to the success of Miramax who managed to make or acquire lower budget films and market them to awards and box office glory.

Founded in 1979 by Bob and Harvey Weinstein, the company broke into movie distribution with The Secret Policeman’s Other Ball in 1982 and established a knack for acquiring films from international filmmakers and rebranding them for US audiences.

In 1989 they achieved a breakthrough successes with sex, lies, and videotape (1989), which established Steven Soderbergh as a director (he won the Palme D’Or at Cannes that year) and also set the template for the Sundance film festival as a mecca for filmmakers and buyers, where indie movies could be bought and then distributed at a decent profit.

When Disney acquired Miramax in 1993, things went up to another level as the new injection of corporate cash gave the Weinsteins greater power to buy independent films, which they then marketed with an extraordinary focus and panache, controlling the post-production and campaigning them aggressively for Oscar voters.

Despite controversies over their larger than life methods, they were hugely successful with a remarkable run of 13 Best Picture Oscar nominations in 11 years (from 1992 until 2002), with films as diverse as The Crying Game, Pulp Fiction, Il Postino, The English Patient, Good Will Hunting, Life Is Beautiful, Shakespeare in Love, Chicago, City of God, Kill Bill all hits at the box office and with the Academy.

Pulp Fiction was to the 90s indie scene what Star Wars had been to the Hollywood of the 70s – a film that rewrote the business and artistic rule book by grossing over $100 million at the US box office on a budget of just $8.5 million (and $10 million marketing costs) before going on to make over $200 million worldwide.

The fact that the film (effectively funded by Disney) could feature relentless profanity, male rape and several violent deaths and scoop several Oscar nominations (and win for Best Screenplay) shows how far Miramax had come.

For a decade from the mid-90s onwards their hold on the awards season was incredible. Films like The English Patient (1996) and Shakespeare in Love (1999) won Best Picture and in 2002 they had no less than 3 of the 5 Best Picture nominees: The Hours; Gangs of New York and the eventual winner Chicago.

But they weren’t all about winning awards. Their less glamorous sister division Dimension was very profitable with films like Scream (1996), Spy Kids (2001) and Scary Movie (2000) all launching franchises.

With success though, came behind-the-scenes rancour and conflict, not only with film-makers who felt burnt by their hands on business methods and ‘creative input’, but more significantly with Disney head Michael Eisner.

He famously turned down the Lord of the Rings trilogy when Miramax wanted to film the trilogy of books as a 2-film adaptation (apparently it was ‘too dark’ for the Mouse House) and was also increasingly alarmed at the growing budgets of films like Cold Mountain (2003) as well as the hot potato release of Michael Moore’s Fahrenheit 9/11 (2004).

By 2005 the Weinsteins left to form their own studio (The Weinstein Company), although they have struggled ever since to have the same level of success and many observers think that could struggle to survive in the current financial climate.

In the meantime the rebooted Miramax, under new British president Daniel Battsek, managed to achieve some notable critical and commercial successes with Tsotsi, The Queen, Gone Baby Gone, The Diving Bell and the Butterfly and two landmark co-productions with Paramount Vantage in 2007: No Country for Old Men and There Will Be Blood.

However, the Oscars at which No Country For Old Men triumphed in March 2008 would mark the end of an era – budgets were down and the number of releases was way back from what was the norm in the company’s heyday.

By 2009 Disney was rethinking its approach to the specialty market to just three films a year and when Battsek, who had done a remarkable job in many ways, left in October, the writing was on the wall.

When the long time chairman of Disney’s movie division Dick Cook was effectively ousted, a new corporate approach to movies was apparent under the leadership of Bob Iger and it was one in which Miramax didn’t appear to have a place.

Speaking to The Wrap, Harvey Weinstein said he felt nostalgic about the studio he founded:

“I’m feeling very nostalgic right now. I know the movies made on my and my brother Bob’s watch will live on as well as the fantastic films made under the direction of Daniel Battsek. Miramax has some brilliant people working within the organization and I know they will go on to do great things in the industry.”

Another Miramax alumnus was director Kevin Smith, who got his break when his debut feature Clerks was acquired at Sundance in 1994. Writing for The Wrap he said he was crushed by the closure of the studio:

What Harvey and Bob built from scratch resembled an old studio star-factory; but this time, the stars were the filmmakers.

It was a gang (of New York), and like any good gang, it was dripping with street cred. Just being a part of that gang sent a message: I run with rebels.

But Miramax wasn’t just a bad-boy clubhouse, it was a 20th century Olympus: throw a can of Diet Coke and you hit a modern-day deity. And for one brief, shining moment, it was an age of magic and wonders.

I’m crushed to see it pass into history, because I owe everything I have to Miramax. Without them, I’d still be a New Jersey convenience store register jockey. In practice, not just in my head.

The most recent Miramax film was the Robert De Niro comedy-drama Everybody’s Fine (an ironic title given the company’s current woes) which grossed just $9 million following its December release.

Upcoming releases include The Debt (a thriller directed by John Madden and starring Helen Mirren); The Tempest (by director Julie Taymor, also starring Helen Mirren and Russell Brand); Don’t Be Afraid of the Dark (written by director Guillermo del Toro); The Baster (a comedy starring Jennifer Aniston); Gnomeo and Juliet (starring James McAvoy and Emily Blunt) and Last Night (starring Sam Worthington, Eva Mendes and Keira Knightley).

For a deeper history of Miramax, you should read Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, the 2004 book by Peter Biskind which explored the rise of US independent cinema in the 1990s.

You can also listen to an interview I did with him back in the summer of 2008 where we discussed Miramax at length here.

Categories
Box Office News

Avatar beats Titanic to break all-time box office record

James Cameron has conquered the worldwide box office again as Avatar has now beaten previous record holder Titanic to become the highest worldwide grosser of all time.

With weekend figures for his latest film adding up to a staggering $1.838 billion worldwide, this weekend’s expected $15 million US earnings allowed it to do what many thought was unthinkable and surpass his 1997 epic, which had a worldwide gross of $1.842 billion.

‘Titanic’ still remains the highest grosser domestically in the US with $600.8 million, but it only seems like a matter of time before Cameron’s latest film catches up after already earning $551.7 million as of Monday.

It is a remarkable achievement, as Titanic seemed a one off that would never be repeated, but the combination of multiple repeat viewings and the higher ticket prices for 3D screenings helped turn it into a tsunami of cash for 20th Century Fox.

Part of the key to its mainstream success lies in the fact that this is the first live action 3D film for a mass mainstream audience. Although 3D has become the norm at cinemas for animated films over the last 18 months, live action films such as The Final Destination were gimmicky and few and far between.

But Avatar was designed from the beginning as a spectacular and immersive 3D experience which would be shown on as many new digital screens as possible.

It was a calculated gamble for Fox and Cameron to push this technology on such a high profile film, which wasn’t an established property or sequel, but it has paid off handsomely.

Another aspect worth noting is how well it has done in markets such as China and Russia, which were harder to tap back in the late 1990s and this certainly helped its global box office numbers.

Why has it hit such a chord with audiences?

The combination of ground breaking visuals and a universal story line that fits neatly into many global cultures would appear to be the primary reasons but we should also bear in mind the Christmas box office, which features less competition than the summer.

Can it break the $2 billion barrier? At this point few would bet against it.

Categories
Awards Season News

BAFTA Nominations

The final BAFTA nominations were announced this morning with An Education, Avatar and The Hurt Locker leading the field with eight nominations each.

District 9 has seven nominations, while Tarantino’s Inglourious Basterds and Up in the Air have six nominations each.

Given the opportunity, BAFTA members love to award homegrown talent (Atonment beating out No Country for Old Men and There Will Be Blood for Best Film in 2008 comes to mind) and it would seem An Education is favourite for Best Film and Best Actress, despite not being one of the Oscar big hitters this year.

The awards takes place at London’s Royal Opera House on Sunday 21st February.

BAFTA NOMINATIONS

Best Film

  • Avatar
  • An Education
  • The Hurt Locker
  • Precious
  • Up in the Air

Outstanding British Film

  • An Education
  • Fish Tank
  • In the Loop
  • Moon
  • Nowhere Boy

Director

  • Kathryn Bigelow, The Hurt Locker
  • Neill Blomkamp, District 9
  • James Cameron, Avatar
  • Lone Scherfig, An Education
  • Quentin Tarantino, Inglourious Basterds

Actor

  • Jeff Bridges, Crazy Heart
  • George Clooney, Up in the Air
  • Colin Firth, A Single Man
  • Jeremy Renner, The Hurt Locker
  • Andy Serkis, Sex & Drugs & Rock & Roll

Actress

  • Carey Mulligan, An Education
  • Saoirse Ronan, The Lovely Bones
  • Gabourey Sidibe, Precious
  • Meryl Streep, Julie & Julia
  • Audrey Tautou, Coco Before Chanel

Supporting Actor

  • Alec Baldwin, It’s Complicated
  • Christian McKay, Me and Orson Welles
  • Alfred Molina, An Education
  • Stanley Tucci, The Lovely Bones
  • Christoph Waltz, Inglourious Basterds

Supporting Actress

  • Anne-Marie Duff, Nowhere Boy
  • Vera Farmiga, Up in the Air
  • Anna Kendrick, Up in the Air
  • Mo’Nique, Precious
  • Kristin Scott Thomas, Nowhere Boy

Original Screenplay

  • The Hangover
  • The Hurt Locker
  • Inglourious Basterds
  • A Serious Man
  • Up

Adapted Screenplay

  • District 9
  • An Education
  • In the Loop
  • Precious
  • Up in the Air

Film not in the English Language

  • Broken Embraces
  • Coco Before Chanel
  • Let the Right One In
  • A Prophet
  • The White Ribbon

Animated Film

  • Coraline
  • Fantastic Mr Fox
  • Up

Cinematography

  • Avatar
  • District 9
  • The Hurt Locker
  • Inglourious Basterds
  • The Road

Costume Design

  • Bright Star
  • Coco Before Chanel
  • An Education
  • A Single Man
  • The Young Victoria

Editing

  • Avatar
  • District 9
  • The Hurt Locker
  • Inglourious Basterds
  • Up in the Air

Make-Up & Hair

  • Coco Before Chanel
  • An Education
  • The Imaginarium of Doctor Parnassus
  • Nine
  • The Young Victoria

Music

  • Avatar
  • Crazy Heart
  • Fantastic Mr Fox
  • Sex & Drugs & Rock & Roll
  • Up

Production Design

  • Avatar
  • District 9
  • Harry Potter and the Half-Blood Prince
  • The Imaginarium of Doctor Parnassus
  • Inglourious Basterds

Sound

  • Avatar
  • District 9
  • The Hurt Locker
  • Star Trek
  • Up

Visual Effects

  • Avatar
  • District 9
  • Harry Potter and the Half-Blood Prince
  • The Hurt Locker
  • Star Trek

Short Animation

  • The Gruffalo
  • The Happy Duckling
  • Mother of Many

Short Film

  • 14
  • I Do Air
  • Jade
  • Mixtape
  • Off Season

Outstanding Debut by a British Writer, Director or Producer

  • Lucy Bailey, Andrew Thompson, Elizabeth Morgan Hemlock, David Pearson (directors/producers, Mugabe and the White African)
  • Eran Creevy (writer-director, Shifty)
  • Stuart Hazeldine (writer-director, Exam)
  • Duncan Jones (director, Moon)
  • Sam Taylor-Wood (director, Nowhere Boy)

Orange Rising Star Award

  • Jesse Eisenberg
  • Nicholas Hoult
  • Carey Mulligan
  • Tahar Rahim
  • Kristen Stewart
Categories
Box Office News

UK Box Office at Seven Year High

UK cinema admissions in 2009 reached their highest level since 2002, according to data from the UK Film Council.

Last year there were 173.9m customers, who collectively bought ÂŁ944m worth of tickets with the most successful films being:

  1. Harry Potter and the Half-Blood Prince – ÂŁ50.72m
  2. Avatar – ÂŁ41.00m
  3. Ice Age III – ÂŁ35.02m
  4. Up – ÂŁ34.42m
  5. Slumdog Millionaire – ÂŁ31.66m
  6. The Twilight Saga: New Moon – ÂŁ27.08m
  7. Transformers: Revenge Of The Fallen – ÂŁ27.06m
  8. The Hangover – ÂŁ22.12m
  9. Star Trek – ÂŁ21.40m
  10. Monsters Vs. Aliens – ÂŁ21.37m  [Source: Nielsen EDI, UK Film Council]

Ticket sales have varied in the past seven years, peaking in 2002 with a total of 175.9m admissions and dipping to 156.6m in 2006.

The World Cup was a factor for both of these years, as televised games in the summer always eat into the summer box office.

But the very early kick off times in the 2002 tournament (when the tournament was in Korea and Japan) didn’t have the same effect as in 2006 when a lot of games in Germany were in the same time zone.

However, the big trend for last year was the surge in ticket sales which was helped in part by three films: Harry Potter and the Half-Blood Prince, Twilight: New Moon and Avatar.

Potter is the most bankable film franchise in history, New Moon has brought younger female audiences out in droves and Avatar is essentially the new Titanic.

It is also worth looking at how successful family friendly animated films are: Up, Monsters vs Aliens and Ice Age III have all done major business. The international grosses of the latter are truly mind boggling given how relatively cheap it was to make.

I don’t always subscribe to the notion that cinema does well in a recession but if the right mix of films hit the spot for mass audiences across the board then it is cheaper than other leisure activities and an escape from going down the pub and discussing how miserable life is.

It remains doubtful that 2010 will be as successful as 2009 and I imagine Avatar will cast a long shadow over fellow box office rivals.

But summer releases that look set to do serious business include Iron Man 2, Sex and the City 2 (God help us), Robin Hood, Toy Story 3, Twilight: Eclipse and Harry Potter and the Deathly Hallows Part 1 in November.

Categories
Awards Season News

Golden Globes Winners

Here are the winners at the Golden Globes, which took place in Beverley Hills earlier today.

FILM

Best Picture (Drama): Avatar
Best Picture (Comedy/Musical): The Hangover
Best Director: James Cameron, Avatar
Best Actress (Drama): Sandra Bullock, The Blind Side
Best Actor (Drama): Jeff Bridges, Crazy Heart
Best Actress (Comedy/Musical): Meryl Streep, Julie & Julia
Best Actor (Comedy/Musical): Robert Downey Jr, Sherlock Holmes
Best Supporting Actress: Mo’Nique, Precious
Best Supporting Actor: Christoph Waltz, Inglourious Basterds
Best Foreign Language Film: The White Ribbon
Best Animated Feature: Up
Best Screenplay: Jason Reitman & Sheldon Turner, Up in the Air
Best Original Score: Michael Giacchino, Up
Best Original Song: The Weary Kind, Crazy Heart

[ad]

TV

Best TV Series (Drama): Mad Men
Best TV Series (Comedy): Glee
Best TV Miniseries: Grey Gardens
Best Actress, TV Miniseries: Drew Barrymore, Grey Gardens
Best Actor, TV Miniseries: Kevin Bacon, Taking Chance
Best Actress, TV Drama: Julianna Margulies, The Good Wife
Best Actor, TV Drama: Michael C. Hall, Dexter
Best Actress, TV Comedy: Toni Collette, United States of Tara
Best Actor, TV Comedy: Alec Baldwin, 30 Rock
Best Supporting Actress, TV: Chloe Sevigny, Big Love
Best Supporting Actor, TV: John Lithgow, Dexter

[ad]

The Golden Globes should always be taken with a pinch of salt, as they are voted for by a select group of foreign journalists in Los Angeles who basically try to second guess what the Oscar nominations will be.

The win for Robert Downey Jnr in Sherlock Holmes is reflective of the nonsensical, showbiz tastes that are rife amongst the ageing cabal of hacks that make up the HFPA.

With that in mind, the major winners could mirror the Oscars this year with Avatar, James Cameron, Jeff Bridges and Sandra Bullock all looking very strong in their respective categories.

Oscar pundits will tell you that Christoph Waltz and Mo’Nique have been virtual certainties in the supporting categories for quite a while and their wins here were no surprise.

> Official site
> More about the Golden Globes at Wikipedia

Categories
News

Malcolm Tucker on Cancertalk Week

Malcom Tucker (Peter Capaldi) from In the Loop and The Thick of It has a message in support of Macmillan Cancer Support’s Cancertalk Week, which runs from 18th-24th January 2010.

For more information on the campaign and to find out more about the charity just visit their website at www.macmillan.org.uk/cancertalkweek or call 0808 808 00 00

Categories
Awards Season News

DGA Nominations

The nominees for this year’s DGA Awards have been announced and they are:

It is seems highly likely that this will be the final five for the Oscars next month.

> Director’s Guild of America
> Find out more about the DGA at Wikipedia

Categories
Awards Season News

BAFTA Long List

The official long list of the BAFTAs was announced today, with An Education leading the field with 17 mentions.

Other films with quite a few nominations include Inglourious Basterds (15 mentions), The Hurt Locker (12 mentions), Avatar (11 mentions and The Lovely Bones (11 mentions).

Perhaps the suprising underdog of the pack – given the lack of US awards heat – is Moon which received 10 mentions, including the big categories of Best film, director and actor.

The process involves around 6000 members of BAFTA who vote in three rounds to decide the winners at the Orange British Academy Film Awards on February 21st.

The long list is the result of Round One voting, which whittles down eligible films down to fifteen in each category.

Round Two voting will then reduce these fifteen contenders down to the final five nominees which will be announced on Thursday 21st January at BAFTA HQ in London.

The asterisks below show the top 5 (or in certain cases 6) voted by each chapter of the Academy in this first round. (Have a listen to my interview with BAFTA’s Amanda Berry from 2008 for further details on how the voting system works).

As ever with BAFTA watch out for delayed releases (Gran Torino is a 2008 film which Warner Bros couldn’t be bothered to screen in time for last year’s deadlines) and the British bias (Carey Mulligan and Colin Firth seem like slam-dunks to win in their respective categories – not that they aren’t deserving, but there is something a little parochial when BAFTA voters go for the ‘home vote’).

Here is the long list in full:

BEST FILM
Avatar
District 9
An Education
Gran Torino
The Hurt Locker
Inglourious Basterds
Invictus
Moon
Precious: Based on the Novel Push by Sapphire
The Road
A Serious Man
A Single Man
Star Trek
Up
Up in the Air

DIRECTOR
Avatar *
Bright Star
District 9 *
An Education *
Fish Tank
Gran Torino
The Hurt Locker *
Inglourious Basterds
Invictus
Moon
Precious: Based on the Novel Push by Sapphire
A Prophet *
A Serious Man
Up
Up in the Air

LEADING ACTOR
Aaron Johnson (John Lennon) – Nowhere Boy
Andy Serkis (Ian Dury) – Sex & Drugs & Rock & Roll *
Ben Whishaw (John Keats) – Bright Star
Brad Pitt (Lt. Aldo Raine) – Inglourious Basterds
Clint Eastwood (Walt Kowalski) – Gran Torino
Colin Firth (George) – A Single Man *
George Clooney (Ryan Bingham) – Up in the Air *
Jeff Bridges (Bad Blake) – Crazy Heart
Jeremy Renner (SSgt. William James) – The Hurt Locker *
Michael Sheen (Brian Clough) – The Damned United
Morgan Freeman (Nelson Mandela) – Invictus *
Peter Capaldi (Malcolm Tucker) – In the Loop
Peter Sarsgaard (David) – An Education
Sam Rockwell (Sam Bell) – Moon
Viggo Mortensen (Man) – The Road

LEADING ACTRESS
Abbie Cornish (Fanny Brawne) – Bright Star *
Amy Adams (Julie Powell) – Julie & Julia
Audrey Tautou (Gabrielle ‘Coco’ Chanel) – Coco Before Chanel
Carey Mulligan (Jenny) – An Education *
Emily Blunt (Queen Victoria) – The Young Victoria
Gabourey Sidibe (Precious) – Precious: Based on the Novel Push by Sapphire *
Helen Mirren (Sofya Tolstoy) – The Last Station
Katie Jarvis (Mia) – Fish Tank
Maggie Gyllenhaal (Jean Craddock) – Crazy Heart
Marion Cotillard (Luisa Contini) – Nine
Melanie Laurent (Shosanna Dreyfus) – Inglourious Basterds
Meryl Streep (Jane) – It’s Complicated
Meryl Streep (Julia Child) – Julie & Julia *
Penelope Cruz (Lena) – Broken Embraces
Saoirse Ronan (Susie Salmon) – The Lovely Bones *

SUPPORTING ACTOR
Aaron Wolff (Danny Gopnik) – A Serious Man
Alan Rickman (Professor Severus Snape) – Harry Potter and the Half-Blood Prince
Alec Baldwin (Jake) – It’s Complicated
Alfred Molina (Jack) – An Education *
Anthony Mackie (Sgt. JT Sanborn) – The Hurt Locker
Brian Geraghty (Specialist Owen Eldridge) – The Hurt Locker
Christian McKay (Orson Welles) – Me and Orson Welles *
Christoph Waltz (Col. Landa) – Inglourious Basterds *
Christopher Plummer (Leo Tolstoy) – The Last Station *
Dominic Cooper (Danny) – An Education
Matt Damon (Francois Pienaar) – Invictus
Stanley Tucci (Mr Harvey) – The Lovely Bones *
Stanley Tucci (Paul Child) – Julie & Julia
Timothy Spall (Peter Taylor) – The Damned United
Zachary Quinto (Spock) – Star Trek

SUPPORTING ACTRESS
Anna Kendrick (Natalie Keener) – Up in the Air
Anne-Marie Duff (Julia) – Nowhere Boy *
Claire Danes (Sonja Jones) – Me and Orson Welles
Diane Kruger (Bridget von Hammersmark) – Inglourious Basterds
Emma Thompson (Headmistress) – An Education
Julianne Moore (Charley) – A Single Man *
Kristin Scott Thomas (Mimi) – Nowhere Boy *
Mariah Carey (Mrs Weiss) – Precious: Based on the Novel Push by Sapphire
Mo’Nique (Mary) – Precious: Based on the Novel Push by Sapphire *
Olivia Williams (Miss Stubbs) – An Education
Penelope Cruz (Carla) – Nine
Rachel Weisz (Abigail Salmon) – The Lovely Bones
Rosamund Pike (Helen) – An Education *
Susan Sarandon (Grandma Lynn) – The Lovely Bones
Vera Farmiga (Alex Goran) – Up in the Air

ADAPTED SCREENPLAY
Crazy Heart
The Damned United
District 9 *
An Education *
Fantastic Mr Fox
In the Loop *
Invictus
Let the Right One In *
The Lovely Bones
Me and Orson Welles
Precious: Based on the Novel Push by Sapphire *
The Road
A Single Man
Star Trek
Up in the Air *

ORIGINAL SCREENPLAY
Avatar
Bright Star
Broken Embraces
Fish Tank
Gran Torino
The Hangover
The Hurt Locker *
Inglourious Basterds *
It’s Complicated
Moon *
Nowhere Boy
A Prophet
A Serious Man *
Up *
The Young Victoria

MAKE UP & HAIR
Avatar
Bright Star *
Coco Before Chanel *
District 9
An Education *
Harry Potter and the Half-Blood Prince
The Imaginarium of Doctor Parnassus *
Inglourious Basterds
Julie & Julia
Me and Orson Welles
Nine
Nowhere Boy
The Road
Star Trek
The Young Victoria *

SPECIAL VISUAL EFFECTS
2012 *
Avatar *
District 9 *
Fantastic Mr Fox
Harry Potter and the Half-Blood Prince *
The Hurt Locker
The Imaginarium of Doctor Parnassus
Inglourious Basterds
The Lovely Bones
Moon
The Road
Star Trek *
Transformers: Revenge of the Fallen
Watchmen
Where the Wild Things Are

SOUND
Avatar *
District 9 *
An Education
Fantastic Mr Fox
Harry Potter and the Half-Blood Prince
The Hurt Locker *
Inglourious Basterds
The Lovely Bones
Moon
Nine
Nowhere Boy
The Road
Star Trek *
Up *
Where the Wild Things Are

EDITING
Avatar *
Bright Star
District 9 *
An Education
The Hurt Locker *
Inglourious Basterds *
The Lovely Bones
Moon
Precious: Based on the Novel Push by Sapphire
The Road
A Serious Man
A Single Man
Star Trek
Up
Up in the Air *

COSTUME DESIGN
Avatar
Bright Star *
Coco Before Chanel *
District 9
An Education *
Harry Potter and the Half-Blood Prince
The Imaginarium of Doctor Parnassus
Inglourious Basterds
Me and Orson Welles
Nine
Nowhere Boy
Sherlock Holmes
A Single Man *
Star Trek
The Young Victoria *

PRODUCTION DESIGN
Avatar
Bright Star *
Coco Before Chanel
District 9 *
An Education
Harry Potter and the Half-Blood Prince *
The Hurt Locker
The Imaginarium of Doctor Parnassus *
Inglourious Basterds
The Lovely Bones
Moon
The Road
Sherlock Holmes *
A Single Man
Star Trek

CINEMATOGRAPHY
Avatar *
Bright Star *
Coco Before Chanel
District 9
An Education
Harry Potter and the Half-Blood Prince
The Hurt Locker *
Inglourious Basterds *
The Lovely Bones
Moon
The Road
A Serious Man *
A Single Man
Star Trek
Up in the Air

ANIMATED FILM
Coraline *
Disney’s A Christmas Carol
Fantastic Mr Fox *
Ice Age 3: Dawn of the Dinosaurs
Up *

MUSIC
Avatar *
Bright Star
Coraline *
Crazy Heart *
An Education
Fantastic Mr Fox *
The Hurt Locker
Inglourious Basterds
The Lovely Bones
Moon *
Nine
Nowhere Boy
Sex & Drugs & Rock & Roll
Up *
Up in the Air

FILM NOT IN THE ENGLISH LANGUAGE
Broken Embraces
Coco Before Chanel
Let the Right One In
A Prophet
The White Ribbon

> Official BAFTA site
> Interview with BAFTA chief executive Amanda Berry from 2008

Categories
Awards Season News

Golden Globe nominations

Golden Globe Nominations

This year’s Golden Globe nominations have been announced and here the the film categories.

BEST MOTION PICTURE – DRAMA

  • Avatar (Lightstorm Entertainment; Twentieth Century Fox)
  • The Hurt Locker (Voltage Pictures C/O 42West; Summit Entertainment)
  • Inglourious Basterds (The Weinstein Company)
  • Precious: Based On The Novel Push By Sapphire (A Lee Daniels Entertainment / Smokewood Entertainment; Lionsgate)
  • Up In The Air (Paramount Pictures)

BEST ACTRESS – DRAMA

  • Emily Blunt – The Young Victoria
  • Sandra Bullock – The Blind Side
  • Helen Mirren – The Last Station
  • Carey Mulligan – An Education
  • Gabourey Sidibe – Precious: Based On The Novel Push By Sapphire

BEST ACTOR – DRAMA

  • Jeff Bridges – Crazy Heart
  • George Clooney – Up In The Air
  • Colin Firth – A Single Man
  • Morgan Freeman – Invictus
  • Tobey Maguire – Brothers

BEST PICTURE – COMEDY OR MUSICAL

  • (500) Days Of Summer (Watermark Pictures; Fox Searchlight Pictures)
  • The Hangover (Warner Bros. Pictures)
  • It’s Complicated (Relativity Media, Scott Rudin Productions; Universal Pictures)
  • Julie & Julia (Columbia Pictures; Sony Pictures Releasing)
  • Nine (The Weinstein Company)

BEST ACTRESS – COMEDY OR MUSICAL

  • Sandra Bullock – The Proposal
  • Marion Cotillard – Nine
  • Julia Roberts – Duplicity
  • Meryl Streep – It’s Complicated
  • Meryl Streep – Julie & Julia

BEST ACTOR – COMEDY OR MUSICAL

  • Matt Damon – The Informant!
  • Daniel Day-Lewis – Nine
  • Robert Downey Jr. – Sherlock Holmes
  • Joseph Gordon-Levitt – (500) Days Of Summer
  • Michael Stuhlbarg – A Serious Man

BEST ANIMATED FILM

  • Cloudy With A Chance Of Meatballs (Columbia Pictures And Sony Pictures Animation; Sony Pictures Releasing)
  • Coraline (Laika, Inc.; Focus Features)
  • Fantastic Mr. Fox (American Empirical Picture; Twentieth Century Fox)
  • The Princess And The Frog (Walt Disney Pictures/Walt Disney Animation Studios)
  • Up (Walt Disney Pictures/Pixar Animation Studios)

BEST FOREIGN LANGUAGE FILM

  • Baaria (Italy)
  • Broken Embraces (Spain)
  • The Maid (Chile)
  • A Prophet (France)
  • The White Ribbon (Germany)

BEST SUPPORTING ACTRESS

  • PenĂ©lope Cruz – Nine
  • Vera Farmiga – Up In The Air
  • Anna Kendrick – Up In The Air
  • Mo’Nique – Precious: Based On The Novel Push By Sapphire
  • Julianne Moore – A Single Man

BEST SUPPORTING ACTOR

  • Matt Damon – Invictus
  • Woody Harrelson – The Messenger
  • Christopher Plummer – The Last Station
  • Stanley Tucci – The Lovely Bones
  • Christoph Waltz – Inglourious Basterds

BEST DIRECTOR

  • Kathryn Bigelow – The Hurt Locker
  • James Cameron – Avatar
  • Clint Eastwood – Invictus
  • Jason Reitman – Up In The Air
  • Quentin Tarantino – Inglourious Basterds

BEST SCREENPLAY

  • Neill Blomkamp & Terri Tatchell – District 9
  • Mark Boal – The Hurt Locker
  • Nancy Meyers – It’s Complicated
  • Jason Reitman & Sheldon Turner –  Up In The Air
  • Quentin Tarantino – Inglourious Basterds

BEST ORIGINAL SCORE

  • Michael Giacchino – Up
  • Marvin Hamlisch – The Informant!
  • James Horner – Avatar
  • Abel Korzeniowski & Karen O – A Single Man
  • Carter Burwell – Where The Wild Things Are

BEST ORIGINAL SONG

  • “Cinema Italiano” – Nine (Music & Lyrics By: Maury Yeston)
  • “I Want To Come Home” – Everybody’s Fine (Music & Lyrics By: Paul McCartney)
  • “I Will See You” Avatar (Music By: James Horner, Simon Franglen, Lyrics By: James Horner, Simon Franglen, Kuk Harrell)
  • “The Weary Kind (Theme From Crazy Heart)” — Crazy Heart (Music & Lyrics By: Ryan Bingham, T Bone Burnett)
  • “Winter” Brothers (Music by: U2, Lyrics by: Bono)

The winners will be announced at the official ceremony on January 17th, 2010.

> Official Golden Globes site
> Find out more about the HFPA at Wikipedia

Categories
News

Reel Geezers back on indieWIRE

The Reel Geezers (screenwriter Lorenzo Semple Jnr and producer Marcia Nasatir) are back reviewing films on indieWIRE with this examination of Precious.

Categories
News

Avatar premieres in London

James Cameron’s Avatar premiĂšred in London last night.

There have been some press screenings around the globe (London, LA, New York) with an embargo on reviews – that is, journalists sign a form saying they won’t publish a review until a certain date.

Given that a lot of journalists respect this process, it was therefore suprising to hear a critic on a UK national radio station review it yesterday afternoon, see The Guardian website run a half-hearted non-review and The Hollywood Reporter publish a full review.

Some might argue that if embargoes are broken like this, why have them in the first place?

Categories
Lists News

Sight and Sound’s Top Films of 2009

Sight and Sound - January 2010British film magazine Sight and Sound have published their top 10 films of 2009.

They asked 60 critics for their favourites of the past year and the titles that appeared the most were then selected for their January 2010 issue.

Here is the final list (with some ties):

1. Un ProphĂšte (Dir. Jacques Audiard, France)
=2. The Hurt Locker (Dir. Kathryn Bigelow, USA)
=2. 35 Shots of Rum (Dir. Claire Denis, France)
4. The White Ribbon (Dir. Michael Haneke, Austria-Germany)
5. Let the Right One In (Dir. Tomas Alfredson, Sweden)
=6. Up (Dir. Pete Docter, USA)
=6. White Material (Dir. Claire Denis)
=8. Bright Star (Dir. Jane Campion, UK-Australia)
=8. Antichrist (Dir. Lars Von Trier, Denmark-Germany-Sweden-France-Italy)
10. Inglorious Basterds (Dir. Quentin Tarantino, USA)

With the exception of Antichrist (a sloppy, faux-controversial work) I find it hard to argue with the selection here.

As is often the case, the list can be a little out of sync with US and foreign release dates (Un ProphĂšte doesn’t open in the UK until January 22nd) although that hasn’t affected this year’s selection too much.

[ad]

> Sight and Sound (Follow them on Twitter or become a fan on Facebook)
> Wikipedia on 2009 in film
> Every film that came out in the UK in 2009
> My favourite films of 2008

Categories
Interesting News

Flop of the Decade: The Adventures of Pluto Nash

Rosario Dawson and Eddie Murphy in Pluto Nash

The Hollywood Reporter recently compiled a list of the biggest flops of the decade and the ‘winner’ was The Adventures of Pluto Nash.

This is the kind of project that gives studio executives night sweats just by thinking about it.

It was a 2002 comedy directed by Ron Underwood (who since seems to have done mostly TV) starring Eddie Murphy as the owner of a ‘lunar nightclub’.

Made for an estimated cost of $100 million it ended up grossing $4.4 million in the US. Its total worldwide gross was about $7.1 million. Ouch.

It is so bad that you can’t even find a trailer for it on YouTube. Instead check out this German TV promo.

Although Murphy has had his fair share of box office misfires across the decade (Meet Dave, Imagine That) it should be noted he still has a decent box office track record (Shrek, Norbit, Dr Dolittle, Daddy Day Care) – even if the films are cack.

The other flops on the list are Battlefield Earth, Land of the Lost, Gigli, Town and Country, Catwoman, The Invasion, Rollerball (the 2002 remake), Grindhouse and The Spirit.

Categories
Events News

Up in the Air premiere on Livestream

The red carpet action at the US premiĂšre of George Clooney’s new film Up in the Air was shown on Livestream earlier (above is a repeat).

Clooney plays a man employed to fire people, who spends most of his life at airports and on planes.

It is the third – and so far best – film directed by Jason Reitman with Oscar and BAFTA nominations a very strong possibility.

Clooney seemed to be getting into the spirit of things on the red carpet.

UITA Premiere on Livestream

Read my full thoughts on the film here.

> Official site for Up in the Air
> An interesting official Tweeting site for the film
> George Clooney and Jason Reitman at the IMDb

[Image via Rachel Sterne and Twitpic]

Categories
News

EA British Academy Childrens Awards

The EA British Academy Children’s Awards took place last night at the London Hilton Hotel.

They celebrate excellence in the art forms of the moving image for children – from film and television to video games and websites.

Check out the above video to find out who won in the various categories and find out more at the official Children’s BAFTA website.

Categories
News

Edgar Wright vs The Times

Edgar Wright in The Times

Director Edgar Wright recently penned a moving tribute to the late Edward Woodward on his blog only to see it turn up without permission in The Times.

I read a trimmed down version of it in Tuesday’s print edition and assumed that the man behind Shaun of the Dead, Hot Fuzz and TV’s Spaced had given the go ahead for them to run it.

Only he wasn’t actually aware of it and was understandably less than happy that the newspaper had copied and re-edited his article without even asking him.

As he said on his Twitter feed:

Wright twitter

In a succession of tweets he points out that:

I took great care in writing my tribute. I didn’t ask some writer with a deadline to copy it and gut it of all feeling.

…they edited out the last time I saw him. My last remembrance of him.

I didn’t know about it until I did an interview with ‘The Last Word’ and they said “We saw your piece in the Times”.

For the record, I don’t want compensation. But an apology, a reprint of the full tribute and donation to Edward’s memorial would be nice.

In reply, another Twitter user (unloveablesteve) also points out that they give away the ending of The Wicker Man for good measure:

See also the Times tribute which gives away the end of The Wicker Man in its one-sentence summary of the plot.

Would it really have been that hard for someone at The Times to contact the director and ask for a quote, or even credit his blog without making out that he was a contributor?

The paper has since run a clarification on their website:

Times Edgar Wright clarification

All this is rather ironic given that Times editor James Harding has recently been giving his opinions on newspapers and the web.

They plan to start charging for their content in the near future as Times owner Rupert Murdoch hates ‘online theft’.

Hopefully part of their strategy won’t involve copying other people’s freely available work without credit, misleading readers and then charging them for the privilege.

Categories
News

Edward Woodward (1930-2009)

Veteran British actor Edward Woodward has died at the age of 79.

He’ll be best remembered on film for the lead role in The Wicker Man, as the police officer who ventures to a mysterious Scottish island.

As someone growing up in the 1980s, The Equalizer was a show I’d always sneak down to watch and, in retrospect, there was something pleasingly surreal about an ageing English actor becoming a star on US prime time TV.

His most recent role of note was in Hot Fuzz:

Categories
Box Office News

Paranormal Activity tops the US box office

Paranormal Activity

[ad]

Something remarkable happened this weekend at the US box office as the low budget horror film Paranormal Activity clinched the number 1 slot.

The movie is about a young couple haunted by a supernatural presence in their home and it is presented in a documentary style, using footage from the camera set up by the couple to capture what is haunting them.

Made for the tiny sum of $11,000 (yes, eleven thousand) in 2006 by director Oren Peli, it first screened at the Screamfest festival in 2007 and the Slamdance film festival in January, 2008 (the more high profile Sundance festival turned it down).

Despite garning some interest, no distributor picked it up until a copy of the film ended up at DreamWorks, where it was seen by production executive Ashley Brooks.

It went down so well with production chief Adam Goodman, studio head Stacey Snider and a certain Steven Spielberg, to the point where they greenlit a larger budget remake, with the original production to be included on the DVD as an extra.

However, the low budget nature of the original film was part of its allure and after screening it for international buyers in Santa Monica, the reaction was such that international rights were sold to 52 different countries.

With all this buzz Adam Goodman (who had since taken over as Paramount’s main exec) decided to release the original film in limited release during October.

Paranormal Activity posterIt was during this period that the marketing department felt that they could use internet buzz to their advantage.

Another stroke of good luck was when Paramount decided to postpone the release of Martin Scorsese’s latest film Shutter Island from an October 2009 release to February next year.

Presumably this was because they either felt it wasn’t Oscar-friendly enough, or because their pipeline of films needed some big name action in the first quarter of next year.

In any event, it meant that “Paranormal Activity” had the full attention of Paramount’s marketing folk and especially that of online marketing executive Amy Powell who, along with her team, adopted an innovative online grass roots campaign.

Inverting the way which mainstream films are usually released in thousands of theatres with a heavy TV and outdoor marketing campaign, Powell and her team opted for a very different strategy.

Playing on the idea that the film was ‘really scary’ and something of a cult in the making they asked film fans to demand a screening in their area via sites like eventful.com

The towns who got the most votes would ‘win’ a booking of the film. Furthermore the studio said that if Paranormal Activity got over a million votes, they would release it nationwide.

Eventful - Paranormal Activity

What’s particularly ingenious about this unconventional approach is how it built an army of dedicated fans and paying customers very cheaply.

Instead of being a big, bad studio making crap like G.I. Joe, Paramount had effectively taken the side of the average movie fan, helping them see this unbelievably scary horror film.

Like any marketing it was essentially smoke and mirrors, perhaps the Hollywood equivalent of Barack Obama’s efforts in utilising the open platform of the web in order to get elected against overwhelming odds.

Journalism students and media pundits might like to debate the following quote from the movie website Rope of Silicon:

I have obviously been shilling for Paramount’s Paranormal Activity more than I have for a movie in quite some time, but when you have a great time in the theater with a film you believe should only be experienced in the theater with a rowdy and on the edge of their seat audience you want others to get in on the fun.

I can’t quite see the New York Times of The Guardian openly admit they were ‘shilling’ for a movie but maybe it’s a sign of how the media landscape is changing in that outlets openly admit they’ve been co-opted into the selling of a film. But maybe that’s a debate for another day.

Although the studio felt that the initial buzz was limited to film geeks and fansites, they managed to break out from that particular ghetto, persuading people to use Twitter (“tweet your scream!“) and Facebook (112,653 fans so far) to get a million votes for the national release.

In their words, reminiscent of a slogan from John Carpenter’s They Live, web banners told potential audiences across America:

“Demand it!”

Demand it they certainly did. When they finally cracked the million (after just four days) the studio posted a message to the site saying “You did it!”. YOu could interpret this as also saying “gee, thanks for doing our marketing work for us – for free!”. User generated marketing anyone?

But of course, the official line was the more uplifting:

“The first-ever film release decided by you.”

Which in modern Hollywood terms wasn’t actually that far off the mark.

As Powell said recently:

“We have been able to galvanize the community online to actually drive the release strategy and the film has been released as a result of the fans support”

On October 9th it got a limited release in several U.S. cities and had a nationwide opening from last Friday (October 16th).

Notice how the trailer incorporates the marketing campaign:

This weekend the film went head to head with Saw VI (the hugely profitable horror franchise which has dominated the Halloween box office since 2004) and despite playing on a considerably lower number of screens (around a 1000 less in fact) it still managed to beat it – a truly remarkable feat for a film in its 5th week of release.

Saw VI will probably finish the weekend with a $15m gross compared to Paranormal Activity’s $21m. So far the latter has an overall gross (or cume to use industry speak) of $62m.

Again, incredible numbers for a micro-budget project that got promoted to the big league.

But it doesn’t just stop there, as the studio can now surf the buzz of being the number 1 movie and it will expand next week (Halloween weekend, appropriately enough) and some even think that it has a shot at grossing over $100M.

When you think that the film was made independently for $11,000, bought by Paramount for an estimated $300,000 and had around $10M spent on prints and advertising, the numbers add up to one of the most profitable films in recent Hollywood history.

The only comparison I can think of is The Blair Witch Project back in 1999. However, the fact that it took ten years for another low budget film to crash the mainstream suggests that they are rare beasts.

Or does it? Perhaps studios might be a little more keen to try out low budget films and more grass roots marketing via the web.

Of course you have to have the right kind of film, but if a few more releases like Paranormal Activity pop up over the next few years it may not be such a surprise.

Certainly rival studio execs and marketing departments will be looking at how this film became a hit and whether or not the marketing of it represents a future trend.

Paranormal Activity is released in the UK on November 25th

Categories
Box Office News

Where the Wild Things Are set to top US box office

Where the Wild Things Are / Warner Bros 2009

The long awaited film version of Maurice Sendak’s much loved children’s book Where the Wild Things Are is set to top the US box office this weekend.

Directed by Spike Jonze and scripted by Dave Eggers, it had a long and reportedly fractious journey to the screen at Warner Bros.

But there will be smiles and relief all around at Burbank this weekend as it seems likely to be a hit even though it was a costly and drawn out production, with the budget rumoured to be around $100 million.

On Friday it opened wide on 3,735 screens and Deadline is reporting a likely $33M weekend, whilst The Wrap thinks it could top $40 million.

I’m guessing that, like the book, it is going to be a perennial children’s favourite for years to come.

I’d also wager that it is going to be the surprise film at this year’s London film festival, but that’s only speculation of course.

Categories
News Random

Roger Ebert is now on Twitter

Ebert on Twitter

The Chicago Sun Times Pulitzer prize winning film critic is now on Twitter.

His username is @ebertchicago

[Link via Fimoculous]

Categories
News TV

David Letterman extortion plot

David Letterman dropped a bombshell on his audience last night by explaining that he has been the victim of an extortion plot and that he has been having affairs with staffers on his show.

The talk show host said he had been approached by a person who was going to write a screenplay which would reveal Letterman’s sexual affairs.

He went to the Manhattan district attorney’s office and in the course of the investigation, presumably a sting operation, was asked to write what he called a fake check for $2 million and a suspect was arrested on Thursday.

Letterman said that he had testified before a grand jury and had admitted to the relationships:

“My response to that is, yes I have. Would it be embarrassing if it were made public? Perhaps it would. I feel like I need to protect these people. I need to certainly protect my family.”

The name of the suspected extortionist has not yet been revealed but CBS have said the suspect was an employee of the CBS news program “48 Hours” and was arrested on charges of attempted grand larceny. He has since been suspended.

What’s interesting is how Letterman broke the news. By coming clean on his own show, rather than having the New York Post or National Enquirer break the story, he gets to essentially control the media message in a self-deprecating way.

As the victim of an alleged blackmail plot, commentators will possibly be less critical of him but it will be interesting to see how the story develops.

Aside from the fact that CBS could now stand for ‘Crime, Blackmail and Sex’, I’m sure Letterman is bracing himself for the inevitable kiss-and-tell stories that tabloid outlets will be busily preparing as we speak.

UPDATE 02/10/2009 1641 GMT: The New York Post is reporting that CBS producer Joe Halderman allegedly tried to extort the $2 million from Letterman. They also say that Halderman recently broke up with “Late Night” staffer Stephanie Birkett who admitted to him that she had previously had a fling with Letterman. Got that? Crikey.

Categories
News

Roman Polanski arrested in Zurich

Roman Polanski in Rush Hour 3 / Photo Credit: ©2007 Glen Wilson/New Line Cinema

Director Roman Polanski has been arrested in Zurich and faces possible extradition to the US for having sex with a 13-year-old girl in 1977.

The 76 year old was detained on Saturday as he travelled from France to the Zurich Film Festival, where he was to collect a lifetime achievement award.

The Swiss ministry spokesman Guido Balmer told the Associated Press that U.S. authorities have been seeking Polanski’s arrest since 2005:

“There was a valid arrest request and we knew when he was coming. That’s why he was taken into custody.”

Polanski is currently being held under ‘provisional detention for extradition’, but won’t be transferred to U.S. authorities until all the procedural boxes have been ticked and the director can contest his detention and any possible extradition in the Swiss courts.

The original case dates back to the late 1970s when the director was involved in a scandal involving a 13-year old girl named Samantha Gailey, now known as Samantha Geimer.

According to Geimer, Polanski asked her mother if he could take photos of the young girl for French Vogue, which the director had been asked to guest edit and her mother allowed a private photo shoot.

She then agreed to a second session on March 10th, 1977 which took place at the home of Polanski’s friend Jack Nicholson in the Mulholland area of Los Angeles.

Later Geimer testified that at this Polanski performed various sexual acts on her, after giving her a combination of champagne and Quaaludes.

In a 2003 article for the LA Times Geimer described what happened:

I met Roman Polanski in 1977, when I was 13 years old. I was in ninth grade that year, when he told my mother that he wanted to shoot pictures of me for a French magazine.

That’s what he said, but instead, after shooting pictures of me at Jack Nicholson’s house on Mulholland Drive, he did something quite different. He gave me champagne and a piece of a Quaalude. And then he took advantage of me.

It was not consensual sex by any means. I said no, repeatedly, but he wouldn’t take no for an answer. I was alone and I didn’t know what to do. It was scary and, looking back, very creepy.

Those may sound like kindergarten words, but that’s the way it feels to me. It was a very long time ago, and it is hard to remember exactly the way everything happened. But I’ve had to repeat the story so many times, I know it by heart.

The original charges against Polanski when he was arrested in March 1977 were: giving Quaaludes to a minor; child molestation; unlawful sexual intercourse with a minor; rape by use of drugs; oral copulation and sodomy.

Polanski never denied the charges, but in the legal negotiations that followed they were dismissed under the terms of a plea bargain by which he pleaded guilty to unlawful sex with a minor.

After 42 days’ in prison over the winter of 1977-78, Polanski was passed as fit to stand trial and reportedly expected that he would be freed under a deal with the presiding judge, Laurence J. Rittenband.

Geimer also recounted in her 2003 piece that this deal – agreed between the defence, prosecution and judge – was reneged upon at the last minute:

We pressed charges, and he pleaded guilty. A plea bargain was agreed to by his lawyer, my lawyer and the district attorney, and it was approved by the judge. But to our amazement, at the last minute the judge went back on his word and refused to honor the deal.

Worried that he was going to have to spend 50 years in prison — rather than just time already served — Mr. Polanski fled the country. He’s never been back, and I haven’t seen him or spoken to him since.

Looking back, there can be no question that he did something awful. It was a terrible thing to do to a young girl. But it was also 25 years ago — 26 years next month. And, honestly, the publicity surrounding it was so traumatic that what he did to me seemed to pale in comparison.

It was when Polanski got wind that Rittenband was ready to break the agreement – allegedly due to fears of a public backlash – he flew to London in February 1978 and a day later fled to France.

To this day he has never returned to the US for fear of arrest or travelled to certain countries with extradition treaties.

He subsequently moved to France, where he has lived ever since and currently holds citizenship, protected by their limited extradition policies with US.

Since then he has made all his films in Europe, which have included Tess (1978), Pirates (1986), Frantic (1988), Bitter Moon (1992), Death and the Maiden (1994) and The Pianist (2002).

When he won Best Director for The Pianist at the Oscars in March 2003, Harrison Ford collected the award on his behalf and there was even a standing ovation.

That response is reflective of many in Hollywood, who still revere him as one of the great post-war directors: the Polish refugee who overcame Nazi and Communist oppression to direct such landmark films as Repulsion (1965), Rosemary’s Baby (1968) and Chinatown (1974).

Many there – although they don’t always openly admit it – feel that Polanski was a great artist who had been through the double trauma of having his mother murdered by the Nazis at Auschwitz in 1942 and then his wife Sharon Tate brutally killed by the Manson gang in 1969.

Given where the 1977 incident happened, I’m sure that some stars and directors of that era who engaged in certain, illicit activities may well think that it could have easily been them in Polanski’s position.

If we go back even further, the history of Hollywood is one riven with dark secrets which would occasionally bubble up to the surface in the cases of Fatty Arbuckle, William Desmond Taylor or, more recently, Robert Blake.

And this doesn’t even begin to scratch the surface of what was going on in the 1970s when hedonism amongst some members of the showbiz community reached new heights – or lows, depending on your view – of excess.

Polanski’s arrest probably functioned as a sobering wake up call to others in Hollywood, but it remains a polarising case.

Within the industry he is still enormously respected by his peers and colleagues. Two widely read blogs within Hollywood are reflective of opinion within Hollywood: Nikki Finke of Deadline reports that Polanski was ‘double crossed by the Swiss‘, whilst Jeffrey Wells of Hollywood Elsewhere dismisses the case as being about ‘largely discredited, over-and-done-with 1977 charge‘.

However, a quick glance at the comments section on these websites will provide you with angry blasts of outrage at the fact that Polanski committed a crime and evaded justice for many years.

Defenders point out that the 2008 documentary Roman Polanski: Wanted and Desired, directed by Marina Zenovich, explored the case and highlighted “a pattern of misconduct and improper communications” between the district attorney’s office and Judge Rittenband back in 1977.

Polanski’s US lawyer wanted to use the evidence of judicial misconduct presented in the film in order to get the case dismissed and in a filing they said that the judge (now dead) violated the original plea bargain with communicating about the case with a deputy district attorney who was not involved.

The general picture painted by the film was that Polanski was unlucky to face a judge more interested in his own publicity than the rule of law, although detractors could argue that a bad judge doesn’t absolve Polanski from the crime he comitted.

To make things even muddier, the Los Angeles County Superior Court alleged that the documentary contained an error when it screened on HBO:

The Los Angeles Superior Court is aware of a documentary on film director Roman Polanski scheduled to air tonight on HBO.

The documentary makes an assertion that a Los Angeles Superior Court judge attempted to impose a condition on a reported sentencing agreement in 1997 under which Polanski would have had to agree to his sentencing being televised.

This assertion concerning televising of the sentencing hearing is a complete fabrication, entirely without any basis in fact and completely unsupported by the court record.

No such condition was ever suggested or proposed by the judge in question, either in 1997 or at any other time.

The Los Angeles Superior Court has made HBO aware of this egregious error and believes the network intends to rectify this misstatement of fact later today.

Back in January of this year, Polanski’s lawyer filed a further request to have the case dismissed, and to have it moved out of Los Angeles, as the courts there require him to be present there before any sentencing or dismissal.

In February 2009, Polanski’s request was denied by Judge Peter Espinoza, who said that he would rule if Polanski appeared in court before him.

In addition to publicly forgiving him Samantha Geimer has called for the charges against him to be dismissed from court, saying that decades of publicity as well as the prosecutor’s focus on lurid details (which The Smoking Gun published) continues to traumatize her and her family.

Now living in Hawaii, she even turned up at the US premiere of Wanted and Desired back in 2008.

In addition the French establishment are outraged at the arrest and possible extradition of the director with Culture Minister FrĂ©dĂ©ric Mitterrand saying that that he was ‘stupefied’:

“I strongly regret that a new ordeal is being inflicted on someone who has already experienced so many of them.”

Even President Sarkozy called for a ‘rapid solution’ to the situation, which could be seen as a coded way of saying send him back to France as soon as possible.

But why was he arrested now? The LA Times reports that the LA County district attorney’s office learned last week that Polanski was planning to travel to Zurich and they sent a provisional arrest warrant to the U.S. Justice Department, which then presented it to Swiss authorities.

He is being held under a 2005 international alert issued by the US and although he has been to Switzerland before, this time US authorities apparently knew of his trip in advance.

That gave them time to issue a provisional warrant for his arrest and send it to Swiss authorities.

It is still unsure whether he had had not known about Switzerland’s extradition treaty with the US, or had assumed that the country’s officials would turn a blind eye when he arrived in Zurich to receive an award for his work.

His agent Jeff Berg told BBC Radio 4’s Today programme that the arrest was “surprising because Roman for the last 12, 15 years has lived in Switzerland, he has a home, he travels there, he works there”.

Mr Mitterand also told France-Inter radio that he and his Polish counterpart Radek Sikorski have written to US Secretary of State Hillary Clinton, and said there could be a decision as early as Monday if a Swiss court accepts bail.

British novelist Robert Harris, who was set to work with the director on an adaptation of his novel The Ghost, described the arrest as “disgusting treatment” and said the production team were “reeling from the news”.

The organisers of the festival, Nadja Schildknecht and Karl Spoerri, issued a statement saying they were shocked at the arrest of “one of the most extraordinary film-makers of our times”.

If extradited Polanski could face a sentence of between 18 months and three years although his lawyer, Georges Kiejman, said he planned to challenge his client’s arrest.

> BBC News report on his arrest in Zurich
> Peter Bradshaw and David Thomson of The Guardian analyse the story
> The Wikipedia page for Roman Polanski, which has been locked due to an edit war, still has useful references and links
> The Smoking Gun have the transcript of the grand jury minutes from 1977
> Lorenzo Semple (who worked with Polanski) and Marcia Nastir discuss Roman Polanski: Wanted and Desired

Categories
Cinema News

Rage

Rage poster

Director Sally Potter‘s new film Rage is getting an interesting release this week.

The film will be having a premiere at the BFI in London this Thursday (September 24th) which will be satellite broadcast to over 35 screens across the UK and Ireland, followed by the release on DVD next Monday.

Using a narrative structure focused on individual performances, it is a series of interviews from a New York fashion show, filmed from the perspective of a schoolboy on his mobile phone.

Fourteen characters each have a role in the show, the designer (Simon Abkarian) and his models (Lily Cole and Jude Law), the fashion critic (Judi Dench) and photographer (Steve Buscemi), the financier (Eddie Izzard) and his bodyguard (John Leguizamo).

Audience members can be part of the satellite broadcast of the Q&A after the film, sending questions by Skype and SMS direct to Sally and members of the cast at the BFI.

You can also submit them via Twitter at www.twitter.com/ragemovie

In addition Babelgum will premiere the film on mobile phones and internet at the same time as the cinema and DVD release.

Apparently it is the world’s first feature film to debut on mobile phones, although I wonder what David Lynch would make of this.

> Official site
> Sally Potter’s site

Categories
News

Patrick Swayze dies aged 57

Patrick Swayze

Patrick Swayze has passed away at the age of 57.

Although someone at BBC News missed out the ‘Y’ in his name (see above), the AP report:

Patrick Swayze, the hunky actor who danced his way into viewers’ hearts with “Dirty Dancing” and then broke them with “Ghost,” died Monday after a battle with pancreatic cancer. He was 57.

“Patrick Swayze passed away peacefully today with family at his side after facing the challenges of his illness for the last 20 months,” said a statement released Monday evening by his publicist, Annett Wolf.

No other details were given.

Fans of the actor were saddened to learn in March 2008 that Swayze was suffering from a particularly deadly form of cancer.

He had kept working despite the diagnosis, putting together a memoir with his wife and shooting “The Beast,” an A&E drama series for which he had already made the pilot. It drew a respectable 1.3 million viewers when the 13 episodes ran in 2009, but A&E said it had reluctantly decided not to renew it for a second season.

Swayze said he opted not to use painkilling drugs while making “The Beast” because they would have taken the edge off his performance. He acknowledged that time might be running out given the grim nature of the disease.

Swayze came to prominence in Francis Ford Coppola’s 1983 adaptation of S.E. Hinton’s novel The Outsiders alongside Rob Lowe, Tom Cruise, Matt Dillon, Ralph Macchio, Emilio Estevez and Diane Lane. In the mid-80s he also starred in Red Dawn, Grandview U.S.A. and Youngblood.

But he really found worldwide fame in 1987 with his performance as Johnny Castle in Dirty Dancing. As the son of a choreographer with a background in musical theatre, the role was tailor made for him.

The coming-of-age romance also starred Jennifer Grey as a young woman on holiday with her family who falls for Swayze’s dance instructor.

It became an unexpected hit in the summer of 1987, spawning an Oscar-winning hit song in “(I’ve Had) the Time of My Life” and eventually becoming the most rented film of 1988 and the first video to sell over a million copies.

A major crowd pleaser, especially amongst female audiences, it went on to be an enduring cult phenomenon with reissues and stage musicals being performed well into this decade.

Swayze followed that up with the 1989 action film Road House in which he played a bouncer at a rowdy bar alongside Sam Elliott.

But it was his performance in 1990’s Ghost that showed a more vulnerable side, as a murdered man trying to contact with his fiancĂ©e (Demi Moore) with the help of a psychic (Whoopi Goldberg).

He originally had to fight for the role (as director Jerry Zucker originally wanted Kevin Kline) but it went on to become the sleeper hit that summer at the US box office and it led to The Righteous Brothers’ ‘Unchained Melody’ becoming a hit again (and forever being associated with a pottery wheel) as well as an Oscar for Goldberg.

In his career Swayze earned three Golden Globe nominations, for Dirty Dancing, Ghost and 1995’s To Wong Foo, Thanks for Everything! Julie Newmar.

In the ’90s, he starred in Point Break (1991) as a bank robbing surfer, but his career would tail off from the highs he reached in the 1980s, with a period in rehab for alcohol abuse.

In 2001, he appeared in the cult classic Donnie Darko, and in 2003 he returned to musical theatre in New York with Chicago; whilst in 2006 was in the London production of Guys and Dolls.

Swayze was married since 1975 to Niemi, a fellow dancer who took lessons with his mother; they met when he was 19 and she was 15.

According to People magazine Niemi is a licensed pilot who would fly her husband from Los Angeles to Northern California for treatment at Stanford University Medical Center.

Categories
Festivals News

Lebanon wins the Golden Lion at Venice

Lebanon wins Golden Lion at Venice 2009

The Israeli war film Lebanon has won the Golden Lion at the 66th Venice Film Festival.

Directed by Samuel Maoz, it was shot almost entirely inside an Israeli tank and is set against the backdrop of the 1982 invasion of Lebanon.

In the other big awards Best Director went to Shirin Neshat for Women Without Men, whilst Colin Firth won Best Actor for A Single Man, the adaptation of Christopher Isherwood’s novel.

Here are the other winners in full:

VENEZIA 66

  • Golden Lion for Best Film: Lebanon (Dir. Samuel Maoz  / Israel, France, Germany)
  • Silver Lion for Best Director: Shirin Neshat for Zanan Bedone Mardan (Women Without Men) (Germany, Austria, France)
  • Special Jury Prize: Soul Kitchen (Dir. Fatih Akin / Germany)
  • Coppa Volpi for Best Actor: Colin Firth in A Single Man (Dir. Tom Ford / USA)
  • Coppa Volpi for Best Actress: Ksenia Rappoport in La Doppia Ora (Dir. Giuseppe Capotondi / Italy)
  • Marcello Mastroianni Award for Best New Young Actor or Actress: Jasmine Trinca in Il Grande Sogno (Dir. Michele Placiso / Italy)
  • Osella for Best Technical Contribution: Sylvie Olive for Mr. Nobody (Dir. Jaco  Van Dormael / France)
  • Osella for Best Screenplay: Todd Solondz for Life During Wartime (Dir. Todd Solondz / USA)

ORIZZONTI

  • Orizzonti Prize: Engkwentro (Dir. Pepe Diokno / Philippines)
  • Orizzonti Prize for Best Documentary: 1428 (Dir. Du Haibin / China)
  • Special Mention: Aadmi Ki Aurat Aur Anya Kahaniya (The Man’s Woman and Other Stories) by Amit Dutta (India)

CONTROCAMPO ITALIANO

  • Controcampo Italiano Prize: Cosmonauta (Dir. Susanna Nicchiarelli / Italy)
  • Special Mention: Negli Occhi (Dir. Daniele Anzellotti and Francesco Del Grosso / Italy)

CORTO CORTISSIMO

  • Corto Cortissimo Lion for Best Short Film: Eersgeborene (Dir. Etienne Kallos / South Africa, USA)
  • Venice Nomination to the European Film Awards 2009: Sinner (Dir. Meni Philip / Israel)
  • Special Mention: FelicitĂ  (Dir. SalomĂ© Aleksi / Georgia)

Luigi De Laurentiis Award for a Debut Film

  • Lion of the Future Venice Award for a Debut Film: Engkwentro (Dir. Pepe Diokno / Philippines)

Persol 3-D Award for the Best 3-D Stereoscopic Film of the Year

  • Persol 3-D Award: The Hole by Joe Dante (USA)
Categories
Images News

Wall Street 2 starts filming in New York

Wall Street 2 starts filming

Wall Street 2: Money Never Sleeps has started filming in New York and the Daily Mail has got some paparazzi pictures (courtesy of Splash) of Michael Douglas, a sockless Shia LeBeouf, Frank Langella and director Oliver Stone filming on location.

The plot is the modern-day story of Gordon Gekko, who has recently been sprung from prison and re-emerges into the current chaos of the financial markets, whilst trying to rebuild a relationship with his estranged daughter (Carey Mulligan).

Meanwhile Shia LaBeouf plays a young trader and Frank Langella stars as his mentor, whilst Josh Brolin has a key supporting role as a hedge fund manager.

Check out the pictures here.

[Images are from Splash / © 2009]

Categories
Festivals News

Lineup for London Film Festival 2009

London Film Festival 2009

The official lineup for this year’s London Film Festival has been announced.

Featuring 191 features and 113 shorts from almost 50 countries, it takes place next month from 14th-29th October.

The big news angle is that George Clooney stars in three of the major films, including: the world premiere of Wes Anderson’s Fantastic Mr. Fox (as the voice of the title character); The Men Who Stare at Goats as a self-proclaimed “Jedi warrior” leading paranormal experiments for the U.S. military, and as a management consultant addicted to air travel in Jason Reitman’s Up in the Air.

The festival’s artistic director Sandra Hebron said that Clooney provided the closest thing there is to a theme at the 53rd annual festival.

“There are three George Clooney films and four films with nuns in them. That’s about it”.

On a more serious note she said that if there was a trend to be gleaned from this year’s selection of films, it would be “the return of the auteur”, which was also what some commentators felt about Cannes this year.

Some of the biggest names in world cinema are in a lineup that includes Austrian director Michael Haneke’s The White Ribbon which won the Palme d’Or at Cannes; the acclamed prison drama A Prophet from France’s Jacques Audiard; Jane Campion’s John Keats biopic Bright Star; Steven Soderbergh’s whistle-blower saga The Informant; Ang Lee’s Taking Woodstock; Joel and Ethan Coen’s A Serious Man; and Lone Scherfig’s An Education the Nick Hornby-scripted adaptation of Lynn Barber’s memoir about coming of age in the 1960s.

Among the stars coming over to attend screenings are the aforementioned Clooney, Meryl Streep, Bill Murray, Julianne Moore and Emma Thompson.

For the first time, the festival will give out a best-picture award and Amanda Nevill, director of festival organizer the BFI, said her goal was “to take the (London) film festival into the top tier.”

British films in the schedule include Lucy Bailey’s documentary Mugabe and the White African; Julien Temple’s documentary Oil City Confidential; and Sam Taylor-Wood’s biopic about the young John Lennon Nowhere Boy, which closes the festival.

Here are the lineups for the two major strands of the festival:

GALA & SPECIAL SCREENINGS

  • Fantastic Mr Fox (Dir. Wes Anderson): Animated adaptation of Roald Dahl’s popular children’s book.
  • The Boys are Back (Dir. Scott Hicks): Drama starring Clive Owen about a modern family coping in the aftermath of a tragedy.
  • Bright Star (Dir. Jane Campion): Biopic exploring the romance between John Keats and Fanny Brawne.
  • Chloe (Dir. Atom Egoyan): Drama about a woman investigating her husband’s alleged infidelity starring Julianne Moore and Liam Neeson.
  • An Education (Dir. Lone Scherfig): A coming of age tale adapted from Lynn Barber’s memoir with Carey Mulligan and Peter Sarsgaard.
  • Father of My Children (Dir. Mia Hansen-LĂžve): French drama inspired by the life of film producer Humbert Balsan.
  • The Men Who Stare At Goats (Dir. Grant Heslov): Based on Jon Ronson’s book about bizarre US military techniques, it stars Ewan McGregor, George Clooney, Jeff Bridges and Kevin Spacey.
  • MICMACS (Dir. Jean-Pierre Jeunet): A ‘fantastical satire’ on the arms trade starring AndrĂ© Dussolier, Dominique Pinon and Yolande Moreau
  • Nowhere Boy (Dir. Sam Taylor Wood): A biopic about the early years of John Lennon, starring Kristin Scott Thomas, Aaron Johnson, Anne-Marie Duff and David Morrissey.
  • A Prophet (Dir. Jacques Audiard): Hugely acclaimed French prison drama that many tipped for the Palme d’Or this year.
  • The Road (Dir. John Hillcoat): Long anticipated adaptation of Cormac McCarthy’s bleak best-selling novel with Viggo Mortensen and Charlize Theron.
  • A Serious Man (Dir. The Coen Brothers): Drama set in 1967 about a Jewish academic living in a Minneapolis suburb.
  • Toy Story 2 in 3D (Dir. John Lasseter, Ash Brannon): A 3D reissue for Pixar’s 1999 sequel to the ground breaking animated film that established them as the leading animated studio of the modern era.
  • Underground (Dir. Anthony Asquith): A reissue of this 1920 film about love, treachery and murder on the London Underground.
  • Up in the Air (Dir. Jason Reitman): Adapted from Walter Kim’s 2001 novel about a US businessman (George Clooney) addicted to air travel, this has already been attracting Oscar buzz.
  • The White Ribbon (Dir. Michael Haneke): The winner of this year’s Palme d’Or at Cannes is the tale of mysterious events in a German village on the eve of World War I.

[ad]

FILM ON THE SQUARE

These are the other notable films from around the world that will be screening in cinemas in Leicester Square during the festival.

  • 44 Inch Chest (Dir. Malcolm Venville)
  • About Elly (Dir. Asghar Farhadi)
  • Adrift (Dir. Heitor Dhalia)
  • Air Doll (Dir. Hirokazu Kore-eda)
  • Astro Boy (Dir. David Bowers)
  • Balibo (Dir. Robert Connolly)
  • Bellamy (Dir. Claude Chabrol)
  • Bluebeard (Dir. Catherine Breillat)
  • Bunny and the Bull (Dir. Paul King)
  • Cold Souls (Dir. Sophie Barthes)
  • Cracks (Dir. Jordan Scott)
  • La Danse: The Paris Opera Ballet (Dir. Frederick Wiseman)
  • Eccentricities of a Blonde-Haired Girl (Dir. Manoel de Oliveira)
  • Enter the Void (Dir. Gaspar NoĂ©)
  • Extract (Dir. Mike Judge)
  • From Time to Time (Dir. Julian Fellowes)
  • Glorious 39 (Dir. Stephen Poliakoff)
  • The Informant! (Dir. Steven Soderbergh)
  • Lebanon (Dir. Samuel Maoz)
  • Life During Wartime (Dir. Todd Solondz)
  • The Limits of Control (Dir. Jim Jarmusch)
  • The Milk of Sorrow (Dir. Claudia Llosa)
  • Mother (Dir. Bong Joon-Ho)
  • No One Knows About Persian Cats (Dir. Bahman Ghobadi)
  • Paper Heart (Dir. Charleyne Yi)
  • Precious: Based on the Novel Push by Sapphire (Dir. Lee Daniels)
  • Samson & Delilah (Dir. Warwick Thornton)
  • A Single Man (Dir. Tom Ford)
  • Taking Woodstock (Dir. Ang Lee)
  • Tales from the Golden Age (Dir. Hanno Höfer, Cristian Mungiu, Constantin Popescu, Ioana Uricaru)
  • Tell Me Who You Are (Dir. Souleymane CissĂ©)
  • The Time That Remains (Dir. Elia Suleiman)
  • Vincere (Dir. Marco Bellocchio)
  • We Live in Public (Dir. Ondi Timoner)
  • When You’re Strange: A Film About The Doors (Dir. Tom DiCillo)

For a full list of films showing at the festival, including the New British Cinema, French Revolutions, Cinema Europa, World Cinema, Experimenta, Treasures from the Archives and Short Cuts and Animation strands go to the official LFF website.

> The Times report on this year’s lineup
> Official LFF website
> Check out our LFF reports from last year

Categories
Interesting News

Avatar vs Delgo

The makers of Delgo are apparently thinking of a lawsuit against Fox for the similarities between their film and the upcoming Avatar.

They feel there are visual similarities between the two and given that Delgo was a $40 million film that grossed just over $0.6 million, perhaps they are also hoping to make a little money.

Avatar vs Delgo 1

Avatar vs Delgo 2

[Image comparisons via http://img.denihilation.com/delgovatar.html]

Categories
Lists News

Top Rated Films of the New Millennium as voted by IMDb users

IMDb Best of the new Millenium list

As this decade winds to a close, the IMDb has compiled a list of the best movies since 2000 as voted by its users.

They are:

  1. The Dark Knight (2008)
  2. The Lord of the Rings: The Return of the King (2003)
  3. City of God (2002)
  4. The Lord of the Rings: The Fellowship of the Ring (2001)
  5. Up (2009)
  6. Memento (2000)
  7. The Lord of the Rings: The Two Towers (2002)
  8. Wall-E (2008)
  9. Amélie (2001)
  10. The Departed (2006)
  11. The Lives of Others (2006)
  12. The Pianist (2002)
  13. Spirited Away (2001)
  14. Eternal Sunshine of the Spotless Mind (2004)
  15. Requiem for a Dream (2000)

Apart from Amelie, I would find it hard to leave out any of these as significant films of the past ten years although clearly some are greater than others.

Categories
News

John Hughes dies aged 59

John HughesDirector John Hughes has died aged 59 after suffering a heart attack in New York.

His best known films were The Breakfast Club (1985), Ferris Bueller’s Day Off (1986) and Planes, Trains and Automobiles (1987).

Whilst no-one serious is going to claim that he was one of the greats of his era, he definitely tapped in to the 1980s zeitgeist and his films became cultural touchstones for anyone who grew up in that decade.

Interestingly, after the mammoth success of Home Alone (1990), which he wrote and produced, he retreated from Hollywood with his last film as director being Curley Sue (1991).

Over the last two decade he spent more time with his family and maintained a farm in northern Illinois.

Earlier this year he was photographed enjoying a hockey game at Wrigley Field in Chicago.

He is survived by his wife Nancy and two sons, John and James and four grandchildren.

This is a fan montage of some of his most famous films:

Here are some original trailers:

> John Hughes at the IMDb
> BBC News report on his death
> LA Times article from 2008 on the influence of John Hughes

Categories
Images News

Watchmen art on the Southbank

Watchmen 6

Last week I wrote about the 3D graffiti art installation by Watchmen illustrator Dave Gibbons and CHU on the Southbank in London.

It happened yesterday and here are some images of Dave and the artwork, which is of The Comedian getting defenestrated near the beginning of the story.

Watchmen 5

Watchmen 1

Watchmen 9

> Listen to our interview with Dave about Watchmen
> Find out more about Dave and his work at Wikipedia
> Buy Watchmen on Blu-ray or DVD at Amazon UK

Categories
Directors Interesting News

Peter Jackson and James Cameron at Comic-Con

Peter Jackson and James Cameron took part in a ‘visionaries’ panel at Comic-Con recently where they discussed the future of films and filmmaking.

Here are video extracts from the session:

> Peter Jackson and James Cameron at the IMDb
> Official Comic-Con site

Categories
News

James Cameron talks Avatar at Comic-Con

James Cameron on Avatar set

James Cameron screened about 25 minutes of his new sci-fi film Avatar at the Comic-Con in San Diego yesterday.

Budgeted at a reported $240 million, the 3-D computer-generated epic is probably the most hotly anticipated film of the year.

It has an added aura due to the fact that it is Cameron’s first proper feature film since Titanic (1997) and that so many details have been kept under wraps.

According to Wikipedia, here is the basic premise:

Avatar is set during the 22nd century on a small moon called Pandora, which orbits a gas giant, and is inhabited by the tribal Na’vi, ten foot tall, blue humanoids that are peaceful unless attacked.

Humans cannot breathe Pandoran air, so they genetically engineer human/Na’vi hybrids known as Avatars that can be controlled via a mental link.

A paralyzed Marine named Jake Sully (Sam Worthington) volunteers to exist as an Avatar on Pandora, falling in love with a Na’vi princess and becoming caught up in the conflict between her people and the human military that is consuming their world.

Cameron introduced the footage by asking “Who wants to go to another planet?” before screening a few expositional sequences.

Apparently they showed the main character Jake Sully, played by Sam Worthington, becoming an avatar (a blue-skinned human-alien hybrid) before segueing into a series of jungle battle scenes in which Worthington and co-star Zoe Saldana fight with prehistoric-looking creatures.

Jeffrey Wells of Hollywood Elsewhere was one of many observers in the hall impressed with what he saw:

…it should come as no surprise to report that this taste of James Cameron’s 3-D action fantasy, set on a foreign planet and involving a primal conflict between militaristic humans and a race of ten-foot-tall aliens called Na’vi, played serious wowser.

As in “Jesus, this is something…oh, wow!…crap, this is new…oh, that’s cool…this is so friggin’ out there and vivid and real…love it all to hell.”

Cameron announced at the end of the presentation that the rest of the world will have a chance to sample Avatar in a similar way on Friday, August 21, which he called “Avatar Day.”

On that day IMAX theatres coast to coast (and, I presume, in various foreign nations) will show about 15 minutes worth of 3-D IMAX footage of Avatar to the public for free.

This is an ingenious way of spreading buzz – almost like drug dealers giving out free samples.

Anyway, Wells goes on:

I guess the footage will be shown at successive shows all day and into the night, and that some kind of ticket reservations system will be set up.

20th Century Fox will open Avatar all over on 12.18.09.

The 3-D photography that I saw this afternoon is clean and needle-sharp and easy on the eyes, and the CG animation looks as realistic and organically genuine as anything anyone might imagine, and which certainly seems to represent the best we’ve seen thus far.

6,000 people watched the show inside the San Diego Convention Center’s great Hall H, and then sat for a brief but informative presentation by Cameron, producer Jon Landau and costars Zoe Saldana, Sigourney Weaver and Stephen Lang with a video apearance by costar Sam Worthington.

He also shot some footage of the presentation with Cameron and the cast:

Lewis Wallace of Wired reports:

So, what did Comic-Con attendees see in between the oohs, ahs and applause?

A first look at a movie formerly shrouded in secrecy; a film that builds on Cameron’s impressive cinematic track record (Aliens, Titanic, the first two Terminator movies); and a project that boasts the kind of big-budget, mind-blowing sci-fi with a conscience that a new franchise could be built upon.

In other words, Avatar could be Cameron’s Star Wars.

Avatar is a mind-expanding adventure on a beautiful world filled with plants and creatures both ferocious and whimsical.

Giant, dinosaur-type beasts; jellyfishlike creatures that float through the air; and all manner of other imaginatively bizarre beings that fight and fly through the bioluminescent, black-light forest Cameron and his talented artists have brought to life.

Perhaps the most amazing creatures are the avatars themselves: 10-foot-tall, slender blue beings, genetically engineered to look like the planet’s indigenous people, the Na’vi.

It is hard to say how well this film is going to do, but if Cameron really delivers the eye-popping visual goods some are expecting, then it could be something really special.

Avatar opens on December 18th later this year.

> Official website
> LA Times on the presentation

Categories
Interesting News

Apollo 11 Moon Landing Videos

It is the 40th Anniversary of the Apollo 11 Moon Landings today and here are some videos to commemorate the event.

A brief introductory snapshot:

This is NASA footage of the launch on July 16th, 1969:

This is when Neil Armstrong made ‘one giant leap for mankind’:

Buzz Aldrin becomes the 2nd man on the moon:

A montage:

Slate have done a clever job of using contemporary news footage (especially of last year’s US election) to imagine how news media would cover a moon landing today:

If you want to check out two films about the Apollo moon landings then I would recommend For All Mankind (1989) and In The Shadow of the Moon (2007).

> Official NASA site
> Find out more about the Moon landings and Apollo 11 at Wikipedia
> An interview I did last year with David Sington, the director of In the Shadow of the Moon
> For all the conspiracy goons, check out the trailer for the film that helped launch all those theories