Categories
DVD & Blu-ray Reviews

DVD: Inside Job

One of the best documentaries in recent years was Charles Ferguson’s devastating examination of the financial crisis.

In just under two hours, Inside Job takes us on a journey through the full horror of how a deregulated Wall Street, aided and abetted by a compliant political system, wreaked havoc on the world.

Using interviews, graphics, editing and narration from Matt Damon, the film explores the causes of the current economic meltdown and speaks to a variety of experts and policy makers including Nouriel Roubini, George Soros, Eliot Spitzer, Barney Frank and Christine Lagarde.

After premiering at Cannes 2010, it was quickly acclaimed as one of the best reviewed films of the festival and eventually won the Oscar for Best Documentary back in March.

At the ceremony Charles Ferguson gave a pointed critique of Wall Street and the financial industry:

 

This DVD release will probably be the best opportunity for a wide audience to see the film and it hasn’t lost any of its power since coming out at cinemas.

Perhaps most depressingly, the financial and political systems examined by the film seem to be in denial about the corruption and short-term thinking that led to disaster in 2008.

The highlight of the extras on this disc is probably the audio commentary by Ferguson and his producer Audrey Marrs, which is an informative guide to not only the content of the film but how they put it all together.

There is also a 12-minute featurette called “Behind the Heist: The Making of ‘Inside Job'” that features Ferguson discussing the context of the film in more depth.

The deleted scenes feature outtakes of nine interviews with people featured in the film: Charles Morris (5m), Dominique Strauss-Khan (7m), Eliot Spitzer (8m), Gillian Tett (4m), Jerome Fons (2m), Lee Hsien Loong (1m), Satyajit Das (9m), Simon Johnson (1m) and Yves Smith (3m).

These outtakes could perhaps have delved a bit deeper, but it seems Ferguson’s aim was for the film itself to be clearest explanation of the financial crisis.

If you didn’t see this at cinemas, it is a film I would urge you to see, as it remains the most concise and powerful explanation of a key issue of our time.

Ferguson gave some interesting interviews around the release of the film which included this 35 minute discussion with Katie Couric:

 

Then there is this 15 minute chat with Charlie Rose:

 

There is also this hour long discussion Ferguson did with the Commonwealth Club in March:

 

Inside Job is out now on DVD from Sony Pictures Home Entertainment

> Buy Inside Job on DVD from Amazon UK
> Listen to my interview with director Charles Ferguson
> Read my full review of Inside Job from LFF 2010
> Official site
> Find out more about the late 2000s financial crisis at Wikipedia

Categories
Awards Season Thoughts

Oscar Special Mentions

As the awards season comes to a close, let’s forget about the campaigning and debate about what would or should win and reserve a special mention for some of tonight’s nominees.

In what has been a strong year these are various people I think deserve special mention, regardless of whether they win tonight.

SPECIAL MENTIONS

Javier Bardem in Biutiful: The most powerful performance of the year was Bardem’s searing portrait of a decent man on the edges of modern Barcelona.

Don’t Forget Me
Biutiful at MOVIECLIPS.com

Although the film’s relentless focus on death turned off dweeby critics, Bardem’s acting will be remembered for years to come.

Christopher Nolan for Writing and Directing Inception: The enormous commercial success of Nolan’s career has strangely obscured his very real creative accomplishments. Fashionable contrarians and elederly members of the Academy were turned off by the gorgeous labyrinth that was Inception, mainly because it was ‘too loud’ or ‘too clever for its own good’.

The fact that Nolan (as director) and his veteran editor Lee Smith were snubbed still hints that some Academy members don’t get his films. But for a generation of filmmakers it will be discussed, analysed and appreciated for years to come.

Angus Wall and Kirk Baxter for editing The Social Network: One of the crucial aspects of Fincher’s drama that makes it work is the phenomenal edit job by Angus Wall and Kirk Baxter.

It might take a couple of viewings to fully appreciate, but the criss-crossing timelines and overall construction of sequences is masterful. Some Academy voters might not have got the film on first viewing but repeated viewings highlight the dazzling, but often understated, work that went into it.

Roger Deakins’ cinematography for True Grit: Although already something of a legend for his amazing body of work, Deakins managed capture the haunting beauty of the west in True Grit whilst providing some indelible images.

Many people think it is his time to be awarded an Oscar and who would begrudge him a statuette this year?

The Visual Effects in Inception: The team at British SFX house Double Negative who worked on Nolan’s film (Paul Franklin, Chris Corbould, Andrew Lockley, and Peter Bebb) deserve a lot of credit for helping build convincing dreamscapes through live action and CGI.

The inventive blend of real locations, stuntwork and CGI were stunning and in the hotel fight sequence, limbo city and the overturning of Paris have set a new standard for effects work at this level.

The score for The Social Network by Trent Reznor and Atticus Ross: One of the most startling and arresting scores in recent memory was this wonderfully discordant electronic score. The way in which the dialogue driven opening scene gives way to the unsettling title sequence is one of the most memorable film transitions of the year.

Just a few minutes later the urgency of the Face Smash sequence is powered by an unforgettable frenzy of beats and noise. In some ways the score to the film is what gives the film it’s unique flavour, with no cliched strings or cliched tracks from the time, it gives the story a distinct and original feel.

The Sounds of Inception: People always get confused between sound mixing and sound editing. To simplify, editing involves how the parts are assembled, whilst mixing is about the whole soundscape is put together.

It is a crucial and often undervalued aspect of movies and in the case of Inception, Richard King did an incredible job of recreating the sounds of all the different dream levels, which involve trains, guns, explosions, punches, car chases. The construction of the audio landscape in Inception was one of the great unsung reasons as to why it worked so well.

Charles Ferguson’s Inside Job: The documentary category this year is incredibly strong but Charles Ferguson’s documentary about the financial crisis deserves special mention.

Brilliantly dissecting the way Wall Street has essentially captured a generation of politicians and held society hostage for their own ends, it is a chilling reminder of how the political orthordoxies of the last 30 years have wreaked havoc but largely gone unpunished.

Full list of Oscar nominations for 2010-11
Official Oscars site
83rd Academy Awards at Wikipedia
> Analysis at Awards Daily and In Contention

Categories
Documentaries Interviews Podcast

Interview: Charles Ferguson on Inside Job

This week sees the UK release of Inside Job, a documentary which examines the global financial crisis.

Directed by Charles Ferguson it explores the deeply troubling relationship between financial and political elites which triggered the current recession.

Opening with a startling prologue about how Iceland’s economy was ruined, it sets up in microcosm the wider story of how, over a period of 30 years, successive governments have allowed large financial institutions to inflate an economic system until it eventually burst in the autumn of 2008.

One of the most important documentaries in years, it was the most critically acclaimed film at the Cannes film festival last May and has been nominated for the Best Documentary Oscar.

I spoke with director Charles Ferguson and producer Audrey Marrs at the London Film Festvial last October and we discussed how they made the film and the issues it raises.

You can listen to the interview by clicking here:

Or here:

[audio:http://filmdetail.receptionmedia.com/Charles_Ferguson_on_Inside_Job.mp3]

You can also download our interview podcast via iTunes by clicking here.

Inside Job opens in selected UK cinemas from Friday 18th February

> Download this interview as an MP3 file
> Full Inside Job review from the LFF
> Official site
> Detailed press notes for the film (essential reading)
> Reviews of the film at Cannes from MUBi and Metacritic
> Get local cinema listings for the film via Google or FindAnyFilm

Categories
Documentaries Interesting

Charles Ferguson on CBS

Charles Ferguson recently sat down with Katie Couric of CBS to discuss his documentary Inside Job which explores the global financial crisis and the troubling relationship between financial and political elites.

It was one of the most acclaimed films at Cannes earlier this year and paints a devastating picture of the disaster unleashed by Wall Street greed and their connections with Washington.

The full 36-minute interview is here:

If you are in the US, it opens to its widest point this weekend and is arguably one of the most important films to be released this year.

> Follow the film on Facebook
> A full list of the US cinemas showing Inside Job
> Download the press kit for the film
> My LFF review of Inside Job

Categories
Documentaries Festivals London Film Festival Reviews

LFF 2010: Inside Job

Charles Ferguson’s documentary explores the global financial crisis with devastating clarity and paints a deeply troubling picture of the relationship between financial and political elites.

Within the space of just two hours, using interviews, graphics, impressive editing and a sober narration from Matt Damon, Inside Job takes us through the causes of the current economic meltdown.

Beginning with a startling prologue examining how Iceland’s economy was essentially ruined by big finance, it sets up in microcosm the the wider story of how, over a period of 30 years, successive governments have allowed large financial institutions to inflate an economic system until it eventually burst in the autumn of 2008.

Interviewing a variety of experts and policy makers including Nouriel RoubiniGeorge Soros, Eliot Spitzer, Barney Frank and Christine Lagarde it takes us step-by-step through the deregulation of the financial industry under successive presidents from Regan onwards.

We are presented with a non-partisan examination of how Republicans and Democrats were seduced by financial sector: the Reagan-era deregulation of Wall Street, which led to the Savings and loan crisis; the Clinton administration’s numerous mistakes in repealing key laws designed to minimize risk in the financial sector; the lack of regulation under Bushthe rise in derivatives (increasingly complex and dangerous financial ‘innovations’); and finally the Obama administration, which made the mistake of employing Clinton-era officials who were part of the original problem.

Although a lot of the information presented here has been explored in other books and TV programmes (such as the BBC’s The Love of Money), to see it presented in a single film is both constructive and chilling.

Ferguson himself cross-examines a number of government and private sector officials – though many of the key culprits refused to be interviewed – and his probing questions elicit some revealing requests to stop filming when they appear unexpectedly thrown by certain questions.

One startling aspect of the film is how much academics, supposedly independent from Wall Street banks, are actually paid by them for opinions or even serve on their boards – a clear conflict of interest which several of them appear oblivious to.

Using a sober tone throughout, the narration, interview footage and graphics all collate and explain the financial jargon of CDOs, credit default swaps and the policies which left much of the public scratching their head as they tried to process the full extent of what happened.

But this is more than just an academic primer: featuring widescreen lensing, aerial shots of New York and some appropriate music (the opening credits feature Peter Gabriel’s ‘Big Time’) it is a cinematic experience, which visually reflects the gravity of the subject.

The relentless approach is both appropriate and effective, although it also reveals some ghoulish comedy when exploring the widespread use of cocaine and prostitutes on Wall St and the stuttering angst of interviewees caught out by Ferguson’s well-researched questions.

One of the most damning aspects to arise from Inside Job is the incestuous nature of the relationship between Washington and Wall Street.

The revolving door connecting the political and financial worlds, along with figures such as Henry Paulson, Lawrence Summers and Robert Rubin, has effectively shielded large banks from any effective regulation.

The result of this has been the largest financial crash in history, which almost brought down the whole banking system in 2008 and resulted in millions of people losing their jobs and homes.

The only thing that prevented a full scale collapse was the bailout of the banks at the taxpayers expense.

But this was essentially socialism for the rich, in which the public paid the price for the irresponsible actions of political and financial elites.

Inside Job might appear to be an incendiary title, but it is wholly appropriate: two years on from the averted meltdown, there appears to be no meaningful financial reform and the governments appear to have little taste for prosecuting those who helped cause the crisis.

Partly this is down to the power and influence of the large banks, whose ex-employees litter government and shape policy, as well as pay for political campaigns.

Could the embattled Obama administration, currently suffering because of the economic collapse, find renewed energy in restoring the financial regulations lost over the last thirty years?

Bringing those responsible for the fraud that triggered trillions of dollars in losses would certainly be a vote winner, even if the Wall Street backlash was severe.

That may or may not happen, but in the mean time this documentary is a worthy call to arms: in examining the root causes of the crisis and emphasising the importance of restoring honesty to the global financial system, it is one of the most important films of the year.

Inside Job screened tonight (Oct 27th) and plays tomorrow (October 28th) at the London Film Festival.

It is currently out in the US in limited release and opens in the UK on February 18th February 2011

> Inside Job at the LFF
> Official site
> Detailed press notes for the film (essential reading)
> Reviews of the film at Cannes from MUBi

Categories
Trailers

Trailer: Inside Job

The new documentary Inside Job opens in the US weekend and it explores the causes and legacy of the current global financial meltdown.

Directed by Charles Ferguson (No End In Sight), it premiered at Cannes back in May to very strong buzz and the US reviews have also been equally effusive.

Narrated by Matt Damon, it features interviews with key politicians, bankers and journalists and arrives as one of the most acclaimed documentaries to come out of this year’s festival circuit.

Ferguson also recently spoke to Variety in Toronto about the film:

Inside Job is showing at selected US cinemas now and opens in the UK on February 18th 2011

> Official site
> Charles Ferguson at the IMDb
> More on the 2007-2010 financial crisis at Wikipedia