Categories
DVD & Blu-ray

UK DVD & Blu-ray Releases: Monday 13th June 2011

DVD & BLU-RAY PICKS

Apocalypse Now (Optimum Home Entertainment): Francis Ford Coppola’s classic 1979 drama about a special forces mission during the Vietnam War gets an incredible 3-disc edition, featuring 9 hours of extras, including the making-of documentary Hearts of Darkness. [Buy the Blu-ray from Amazon UK] [Read our full review here]

True Grit (Paramount Home Entertainment): The Coen Brothers adaptation of the Charles Portis novel (previously made in 1969 with John Wayne) is the tale of a young girl (Haliee Steinfeld) who recruits a grizzled lawman (Jeff Bridges) and a Texas Ranger (Matt Damon) to hunt down her father’s killers. [Buy the Blu-ray and DVD from Amazon UK] [Full review]

Ice Cold in Alex (Optimum Home Entertainment): World War II drama about a group of Allied troops who escape the siege of Tobruk and have to escape to Alexandria. Directed by J. Lee Thompson, it stars John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews. [Buy the Blu-ray from Amazon UK]

The Cruel Sea (Optimum Home Entertainment): Unusually gritty 1953 drama about a naval crew struggling to survive the Battle of the Atlantic in World War II. Directed by Philip Frend, it stars Jack Hawkins, Donald Sinden and Denholm Elliot. [Buy the Blu-ray from Amazon UK]

Witchfinder General (Odeon Entertainment): Vintage 1968 British horror film about witch hunter Matthew Hopkins (Vincent Price) and his reign of terror during the English Civil War. Directed by Michael Reeves, it co-stars Ian Ogilvy and Hilary Dwyer. [Buy the Blu-ray from Amazon UK]

Inside Job (Sony Pictures Home Entertainment): A searing and fascinating documentary about the financial crisis from director Charles Ferguson, is a reminder of the social and financial costs wrought on the world by the Wall Street elite. Voiced by Matt Damon, it won Best Documentary at the Oscars earlier this year. [Buy the DVD from Amazon UK] [Listen to our interview with Charles Ferguson]

ALSO OUT

5 Days of War (Entertainment One) [Blu-ray / Normal]
Age of Heroes (Metrodome Distribution) [Blu-ray / Normal]
Hereafter (Warner Home Video) [Blu-ray / Normal]
Jackass 3.5 (Paramount Home Entertainment) [Blu-ray / Normal]
Le Mans (Paramount Home Entertainment) [Blu-ray / Normal]
Paul (Universal Pictures) [Blu-ray / Normal]
Psychoville: Series 1 and 2 (2 Entertain) [Blu-ray / Normal]
Sanctum (Universal Pictures) [Blu-ray / Normal]
Sex Pistols: There’ll Always Be an England (Fremantle Home Entertainment) [Blu-ray / Normal]
Straightheads (Verve Pictures) [Blu-ray / Normal]
Superman: The Ultimate Collection (Warner Home Video) [Blu-ray / Box Set]
The Bird With the Crystal Plumage (Arrow Video) [Blu-ray / Normal]

> UK Cinema Releases for Friday 10th June 2011
> The Best DVD & Blu-ray releases of 2010

Categories
Cinema

UK Cinema Releases: Friday 11th February 2011

NATIONAL RELEASES

True Grit (Paramount): This beautifully crafted Western from the Coen Brothers is a much richer adaptation of the Charles Portis novel than the 1969 film version. It begins in Arkansas during the 1870s with a young girl named Mattie Ross (Hailee Steinfeld) hiring grizzled US Marshal Rooster Cogburn (Jeff Bridges) to track down her father’s killer (Josh Brolin).

A Texas Ranger named Le Beouf (Matt Damon), who is also after Chaney, joins them as they head out into Indian Territory (present day Oklahoma) and, despite their differences in age and temperament, gradually form a close bond. Although regarded by some as a remake of the film that finally won John Wayne his first Oscar, this is actually more faithful to the original novel, preserving the point of view of Mattie and its distinctive depiction of the Wild West.

Both the town of Fort Smith and the rugged surrounding landscape are recreated with consummate skill: regular cinematographer Roger Deakins shoots the terrain with a harsh beauty and Jess Gonchor’s production design helps create a detailed, but never romanticised, world.

Coming off positive reviews, Oscar nominations and surprisingly strong box office in the US, it stands a good chance of doing decent business here, although UK audiences are notoriously resistant to the Western genre. But the sheer quality and the fact that The King’s Speech has peaked in popularity could be factors in discerning audiences going to see this. [Vue West End & Nationwide / 15] [Read our full review]

Never Let Me Go (20th Century Fox): Adapted from Kazuo Ishiguro’s novel this is an exquisitely crafted drama set in an alternate timeline of England, where a young woman named Kathy (Carey Mulligan) looks back on her childhood when she grew up with two friends, Ruth (Keira Knightley) and Tommy (Andrew Garfield). As youngsters they attend Hailsham, a boarding school sheltering them from the outside world, and as they grow older it slowly dawns on them that they have been excluded from mainstream society for a reason.

From the opening credits director Mark Romanek establishes a carefully controlled mood, and for the early section we see younger actors (Isobel Meikle-Small, Ella Purnell and Charlie Rowe) convincingly play the three leads as children in 1978. Hints are dropped fairly early on about the mysterious nature of their youth, alongside a developing love triangle as Kathy realises Tommy, who she bonded with from an early age, is in love with Ruth.

The recreation of an ageing English boarding school is thoroughly convincing, with some first rate costume and production design, and the transition to their teenage years in the mid-1980s is fairly seamless. Romanek handles the material with considerable skill and technically the film is exquisitely made: Adam Kimmel’s widescreen cinematography and Barney Pilling’s editing all help to create a rich mood of sadness and regret.

Although it seemed like an early contender for BAFTAs and Oscars, the early reactions on the festival circuit were mixed and it ended up dying a quick death at the US box office. Its UK release was timed for BAFTA nominations which never materialised. It will probably suffer the same fate here as the nature of the story will put some viewers off. Nevertheless, it is a film of considerable craft, emotion and intelligence that deserves to find a wider audience over time. [Curzon Mayfair, Vue West End & Nationwide / 12A] [Read our full review here]

Paul (Universal): A new comedy about two British comic geeks (Simon Pegg and Nick Frost) who go on a road trip through America only to discover an alien named Paul (voiced by Seth Rogen) who has escaped from Area 51. [Nationwide from Monday 14th / 15]

Yogi Bear (Warner Bros.): A live-action film adaptation of the Hanna-Barbera cartoon series directed by Eric Brevig and featuring Dan Aykroyd as the voice of Yogi Bear, and Justin Timberlake as the voice of Boo-Boo Bear. [Vue West End & Nationwide / U]

Gnomeo & Juliet (Entertainment One UK): An animated animated family film based on William Shakespeare‘s play Romeo and Juliet, directed by Kelly Asbury and featuring the voices of James McAvoy and Emily Blunt. [Empire Leicester Square & Nationwide / U]

Just Go With It (Sony Pictures): A romantic comedy starring Adam Sandler and Jennifer Aniston based on the 1969 film Cactus Flower about a plastic surgeon who pretends to be unhappily married in order to get women. [Nationwide / 12A]

ALSO OUT

Son Of Babylon (Dogwoof): A Iraqi drama directed by Mohamed Al-Daradji set in 2003 about a 12-year-old boy and his grandmother who go on a cross-country journey to find a loved one. [Empire Leicester Square & Key Cities]

Nothing To Declare (Pathe): A comedy written and directed by Dany Boon set in 1993, about two customs officers, one Belgian and the other French, who find out their small customs post is to be closed. [Showing exclusively at Cine Lumiere]

The Flying Machine (Break Thru Films): A a part animation part live action production, celebrating the life of Frederic Chopin. [Royal Festival Hall / 12th & 13th Only]

Two In The Wave (New Wave Films): A documentary about Jean-Luc Godard and Francois Truffaut and their creative and personal differences. [BFI Southbank, ICA & Key Cities / ]

My Kidnapper (Renegade Pictures): Documentary about Mark Henderson, one of eight backpackers taken hostage in Colombia during 2003. [Ritzy Picturehouse & selected Key Cities]

Tantric Tourists (Independent/Slack Alice Films): A documentary about a tantric guru and 10 US students who go to India in search of a life-changing tantric experience. [Opens on February 14th in Key Cities]

> Get local cinema showtimes at Google Movies or FindAnyFilm
> UK DVD & Blu-ray releases for Monday 7th January 2011, including Once Upon A Time in America

Categories
Behind The Scenes Interesting

The Cinematography of True Grit

Paramount have released this video detailing the cinematography of Roger Deakins in True Grit.

A longtime collaborator of The Coen Brothers, Deakins has shot films including Barton Fink (1991), The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), The Man Who Wasn’t There (2001), The Assassination of Jesse James by the Coward Robert Ford (2007) and No Country for Old Men (2007).

He also acted as a visual consultant for WALL-E (2008) and How to Train Your Dragon (2010).

UPDATE: David Poland has posted this lengthy interview with Deakins over at MCN

> Official site for Roger Deakins (includes an active forum where Roger frequently posts)
> IMDb entry

Categories
Cinema Reviews Thoughts

True Grit

This beautifully crafted Western from the Coen Brothers is a much richer adaptation of the Charles Portis novel than the 1969 film version.

It begins in Arkansas during the 1870s with a young girl named Mattie Ross (Hailee Steinfeld) hiring grizzled US Marshal Rooster Cogburn (Jeff Bridges) to track down her father’s killer (Josh Brolin).

A Texas Ranger named Le Beouf (Matt Damon), who is also after Chaney, joins them as they head out into Indian Territory (present day Oklahoma) and, despite their differences in age and temperament, gradually form a close bond.

Although regarded by some as a remake of the film that finally won John Wayne his first Oscar, this is actually more faithful to the original novel, preserving the point of view of Mattie and its distinctive depiction of the Wild West.

Both the town of Fort Smith and the rugged surrounding landscape are recreated with consummate skill: regular cinematographer Roger Deakins shoots the terrain with a harsh beauty and Jess Gonchor’s production design helps create a detailed, but never romanticised, world.

The wintry setting makes for palette which emphasizes blacks, browns and greys, which is in stark contrast to the garish Technicolor of the Henry Hathaway film.

Aspects of the setting such as the rough way of life and the violence also mark this out from the previous version.

Not only does this help make the current film distinctive but also provides a convincing backdrop for the actors to shine, although it might surprise some audiences how much of a presence Steinfeld has in the film.

In what is effectively the lead role, she anchors the narrative and acts as a surrogate for the audience, as we see much of the action through her perspective.

A precocious performance, it is amongst the best any child actor has given in recent years and bodes well for her future career.

As Cogburn, Bridges banishes any lingering memories of Wayne in the role, mixing the grizzled, boozy charm of his country singer in Crazy Heart with the believable tough streak of a hardened lawman.

Damon has the slightly lighter role of Le Beouf (pronounced ‘Le Beef’), but his comic timing is impeccable and provides an excellent foil for Bridges and Steinfeld.

All three main actors cope well with the affected dialogue, which the Coens have gleefully taken straight from the novel, and this is mirrored by quirky ‘Coenesque’ behaviour, which involves characters shooting at cornbread and arguing about Confederate guerrillas.

With less screen time, actors such as Brolin and Barry Pepper (as ‘Lucky’ Ned Pepper) make a strong impression and there are the usual array of distinctive, odd-looking minor characters that often crop up in the work of the Coens.

Carter Burwell’s plaintive score is moving without ever being sentimental and provides a highly satisfying mix of hymns, strings and piano to augment the action.

Despite featuring the ironic tone so beloved of the Coen Brothers, there is a pleasing sincerity to Mattie’s quest, as her scripture-fuelled journey captures her determination and spirit, which rubs off on the men around her.

This is something that is movingly depicted as the film reaches its latter stages.

Certain memorable sequences, such as a group hanging or the climax, skilfully weave humour in with genuine tension, showing the light and shade of the West as originally imagined by Charles Portis.

Since the book and previous film came out in the cultural tumult of the late 1960s, the image of John Wayne cast a long shadow over the source material, obscuring the way in which Portis slyly undercut the very traditions of the Western that ‘Duke’ embodied.

The Coens have translated this humour and pathos for a time of similar cultural transition, making a Western that both celebrates and wryly debunks the genre.

A reminder of their prodigious filmmaking talent, it is also an evocation of a distant time and place that feels strangely radical in the current era of Hollywood.

True Grit is out in the US and opens in the UK on Friday 11th February

> Official site
> Reviews of True Grit at Metacritic
> More on the Charles Portis novel at Wikipedia
> The Coen Brothers at the IMDb
> NY Times profile of Charles Portis

Categories
Trailers

Trailer: True Grit

The first trailer for the Coen Brothers’ True Grit has been released and it looks like a more serious adaptation of the Charles Portis novel than the 1969 version with John Wayne.

Is it just me or is there a vague No Country For Old Men vibe to this?

UPDATE 05/10/10: Paramount have now released a longer version of the trailer:

True Grit is released in the US on December 25th

> True Grit (2010) at the IMDb
> Find out more about the 1968 novel at Wikipedia