Categories
Cinema Lists

The Best Films of 2010

As usual these are my favourite films of the year in alphabetical order (just click on each title for more information).

THE BEST FILMS OF 2010

Animal Kingdom (Dir. David Michôd): The outstanding debut feature from director David Michôd is a riveting depiction of a Melbourne crime family headed by a sinister matriarch.

Another Year (Dir. Mike Leigh): A moving, bitter-sweet drama about relationships, filled with great acting, is arguably the peak of Mike Leigh’s career.

Biutiful (Dir. Alejandro González Iñárritu): Searing exploration of life and death in a modern European city, featuring a tremendous central performance from Javier Bardem.

Black Swan (Dir. Darren Aronofsky): Swan Lake is retold with glorious intensity, channelling Polanski and Cronenberg whilst giving Natalie Portman the role of a lifetime.

Carlos (Dir. Olivier Assayas): Scintillating and immersive depiction of a 1970s terrorist with a tremendous performance by Edgar Ramirez.

Enter the Void (Dir. Gaspar Noé): Technically dazzling depiction of a dead drug dealer that also features what is possibly the greatest opening title sequence of all time.

Exit Through The Gift Shop (Dir. Banksy): An ingenious and hilarious hall of mirrors which is brilliantly executed and so much more than a ‘Banksy documentary’.

Inception (Dir. Christopher Nolan): The ingenious puzzles of Christopher Nolan’s early films were given the scale of his blockbusters in this hugely ambitious sci-fi actioner.

Inside Job (Dir. Charles Ferguson): Devastating documentary about the financial crisis which plays like a heist movie, only this time it is the banks robbing the people.

Tabloid (Dir. Errol Morris): The media feeding frenzy surrounding a bizarre 1970s sex scandal provided Errol Morris with the raw material for one of the most entertaining documentaries in years.

The Fighter (Dir. David O’Russell): A boxing story which follows a familiar path but remains energetic, inspirational and funny, with Christian Bale on career-best form.

The Kids Are Alright (Dir. Lisa Cholodenko): A perfectly pitched comedy-drama that explores modern family life with genuine heart and humour.

The King’s Speech (Dir. Tom Hooper): Wonderfully crafted period drama with two brilliant lead performances and a moving story filled with hilarious one liners.

The Social Network (Dir. David Fincher): The inside story of Facebook is a riveting tale of ambition and betrayal, which sees Fincher, Sorkin and a young cast firing on all cylinders.

Toy Story 3 (Dir. Lee Unkrich): The ground breaking animated series gets a worthy final chapter whilst maintaining Pixar’s impeccable standards of story and animation.

HONOURABLE MENTIONS

127 Hours (Dir. Danny Boyle)
Blue Valentine (Dir. Derek Cianfrance)
Catfish (Dir. Ariel Schulman and Henry Joost)
Four Lions (Dir. Chris Morris)
Let Me In (Dir. Matt Reeves)
Restrepo (Dir. Tim Hetherington and Sebastian Junger)
Somewhere (Dir. Sofia Coppola)
The American (Dir. Anton Corbijn)
The Ghost Writer (Dir. Roman Polanski)
The Illusionist (Dir. Sylvain Chomet)
Winter’s Bone (Dir. Debra Granik)

> Find out more about the films of 2010 at Wikipedia
> End of year lists at Metacritic
> The Best DVD and Blu-ray Releases of 2010

Categories
Documentaries Interesting

Charles Ferguson on CBS

Charles Ferguson recently sat down with Katie Couric of CBS to discuss his documentary Inside Job which explores the global financial crisis and the troubling relationship between financial and political elites.

It was one of the most acclaimed films at Cannes earlier this year and paints a devastating picture of the disaster unleashed by Wall Street greed and their connections with Washington.

The full 36-minute interview is here:

If you are in the US, it opens to its widest point this weekend and is arguably one of the most important films to be released this year.

> Follow the film on Facebook
> A full list of the US cinemas showing Inside Job
> Download the press kit for the film
> My LFF review of Inside Job

Categories
Documentaries Festivals London Film Festival Reviews

LFF 2010: Inside Job

Charles Ferguson’s documentary explores the global financial crisis with devastating clarity and paints a deeply troubling picture of the relationship between financial and political elites.

Within the space of just two hours, using interviews, graphics, impressive editing and a sober narration from Matt Damon, Inside Job takes us through the causes of the current economic meltdown.

Beginning with a startling prologue examining how Iceland’s economy was essentially ruined by big finance, it sets up in microcosm the the wider story of how, over a period of 30 years, successive governments have allowed large financial institutions to inflate an economic system until it eventually burst in the autumn of 2008.

Interviewing a variety of experts and policy makers including Nouriel RoubiniGeorge Soros, Eliot Spitzer, Barney Frank and Christine Lagarde it takes us step-by-step through the deregulation of the financial industry under successive presidents from Regan onwards.

We are presented with a non-partisan examination of how Republicans and Democrats were seduced by financial sector: the Reagan-era deregulation of Wall Street, which led to the Savings and loan crisis; the Clinton administration’s numerous mistakes in repealing key laws designed to minimize risk in the financial sector; the lack of regulation under Bushthe rise in derivatives (increasingly complex and dangerous financial ‘innovations’); and finally the Obama administration, which made the mistake of employing Clinton-era officials who were part of the original problem.

Although a lot of the information presented here has been explored in other books and TV programmes (such as the BBC’s The Love of Money), to see it presented in a single film is both constructive and chilling.

Ferguson himself cross-examines a number of government and private sector officials – though many of the key culprits refused to be interviewed – and his probing questions elicit some revealing requests to stop filming when they appear unexpectedly thrown by certain questions.

One startling aspect of the film is how much academics, supposedly independent from Wall Street banks, are actually paid by them for opinions or even serve on their boards – a clear conflict of interest which several of them appear oblivious to.

Using a sober tone throughout, the narration, interview footage and graphics all collate and explain the financial jargon of CDOs, credit default swaps and the policies which left much of the public scratching their head as they tried to process the full extent of what happened.

But this is more than just an academic primer: featuring widescreen lensing, aerial shots of New York and some appropriate music (the opening credits feature Peter Gabriel’s ‘Big Time’) it is a cinematic experience, which visually reflects the gravity of the subject.

The relentless approach is both appropriate and effective, although it also reveals some ghoulish comedy when exploring the widespread use of cocaine and prostitutes on Wall St and the stuttering angst of interviewees caught out by Ferguson’s well-researched questions.

One of the most damning aspects to arise from Inside Job is the incestuous nature of the relationship between Washington and Wall Street.

The revolving door connecting the political and financial worlds, along with figures such as Henry Paulson, Lawrence Summers and Robert Rubin, has effectively shielded large banks from any effective regulation.

The result of this has been the largest financial crash in history, which almost brought down the whole banking system in 2008 and resulted in millions of people losing their jobs and homes.

The only thing that prevented a full scale collapse was the bailout of the banks at the taxpayers expense.

But this was essentially socialism for the rich, in which the public paid the price for the irresponsible actions of political and financial elites.

Inside Job might appear to be an incendiary title, but it is wholly appropriate: two years on from the averted meltdown, there appears to be no meaningful financial reform and the governments appear to have little taste for prosecuting those who helped cause the crisis.

Partly this is down to the power and influence of the large banks, whose ex-employees litter government and shape policy, as well as pay for political campaigns.

Could the embattled Obama administration, currently suffering because of the economic collapse, find renewed energy in restoring the financial regulations lost over the last thirty years?

Bringing those responsible for the fraud that triggered trillions of dollars in losses would certainly be a vote winner, even if the Wall Street backlash was severe.

That may or may not happen, but in the mean time this documentary is a worthy call to arms: in examining the root causes of the crisis and emphasising the importance of restoring honesty to the global financial system, it is one of the most important films of the year.

Inside Job screened tonight (Oct 27th) and plays tomorrow (October 28th) at the London Film Festival.

It is currently out in the US in limited release and opens in the UK on February 18th February 2011

> Inside Job at the LFF
> Official site
> Detailed press notes for the film (essential reading)
> Reviews of the film at Cannes from MUBi

Categories
Trailers

Trailer: Inside Job

The new documentary Inside Job opens in the US weekend and it explores the causes and legacy of the current global financial meltdown.

Directed by Charles Ferguson (No End In Sight), it premiered at Cannes back in May to very strong buzz and the US reviews have also been equally effusive.

Narrated by Matt Damon, it features interviews with key politicians, bankers and journalists and arrives as one of the most acclaimed documentaries to come out of this year’s festival circuit.

Ferguson also recently spoke to Variety in Toronto about the film:

Inside Job is showing at selected US cinemas now and opens in the UK on February 18th 2011

> Official site
> Charles Ferguson at the IMDb
> More on the 2007-2010 financial crisis at Wikipedia