Actors Cate Blanchett, Shia LaBeouf, Harrison Ford, Karen Allen, director Steven Spielberg and producer George Lucas attend the press call in the afternoon.
Producer George Lucas, director Steven Spielberg, actors Karen Allen,Harrison Ford, Shia LaBeouf and Cate Blanchett pose at the press call outside the Palais du Festivals.
THE RED CARPET
Later the cast and filmmakers walk the red carpet outside the Palais.
Photographers taking photos that will be seen around the globe.
Cast and filmmakers line up with their partners on the red carpet.
Steven Spielberg, Kate Capshaw, Karen Allen, Cate Blanchett and Shia LaBeouf walk the red carpet.
Kathleen Kennedy, Frank Marshall, Kate Capshaw, Steven Spielberg, George Lucas, Melody Hoffman, Calista Flockhart and Harrison Ford pose on the steps of the Palais des Festivals.
Kate Capshaw, Steven Spielberg, George Lucas, Harrison Ford, Karen Allen, Cate Blanchett and Brad Grey on the Palais steps.
THE AFTER PARTY
The after party on the beach.
Brad Grey (CEO of Paramount Pictures), George Lucas (producer), Steven Spielberg (director) and Cate Blanchett (actress) at the after party.
Actors Shia LaBeouf, Harrison Ford and Karen Allen at the after party
Actress Karen Allen, director Steven Spielberg and actor Harrison Ford at the party
Indiana Jones and the Kingdom of the Crystal Skull had its world premiere at Cannes at 1 PM May 18; the press anxiously streamed into the Lumiere early, afraid they would be shut out–and many were.
There were whoos and whistles before the screening started. The movie unspooled without the usual Cannes logo. The first hour plays like gangbusters and is really fun.
Harrison Ford has Indy down, even as a grizzled “gramps” dealing affectionately with Shia LaBeouf as a 60s greaser with a pompadour.
The movie will do blockbuster boxoffice, and whatever critical brickbats are still to come…
One of the most eagerly and long-awaited series follow-ups in screen history delivers the goods — not those of the still first-rate original, 1981’s “Raiders of the Lost Ark,” but those of its uneven two successors.
“Indiana Jones and the Kingdom of the Crystal Skull” begins with an actual big bang, then gradually slides toward a ho-hum midsection before literally taking off for an uplifting finish.
Nineteen years after their last adventure, director Steven Spielberg and star Harrison Ford have no trouble getting back into the groove with a story and style very much in keeping with what has made the series so perennially popular. Few films have ever had such a high mass audience must-see factor, spelling giant May 22 openings worldwide and a rambunctious B.O. life all the way into the eventual “Indiana Jones” DVD four-pack.
Indy 4 is a nicely satisfying continuation of the franchise, and will please most Indy fans.
Though the first act drags a bit, the latter two-thirds of the film pick up the pace, and the film is packed with all the familiar elements fans have come to expect from Indiana Jones.
Harrison Ford is older, of course (aren’t we all), but still brings the role all the charm, daring and humor Indy should have.
Loaded with moments referencing the earlier films and full of action sequences that don’t measure up to past highlights of the series, Indiana Jones and the Kingdom of the Crustal Skull feels simultaneously self-conscious and self-satisfied, as if a little warm glow of past glory will soothe our bumps and blows from the clumsiness of the script.
The action sequences are nothing to write home about, either; there’s nothing here with the inspired delight of the mine chase in Temple of Doom, or the sheer, guts-and-glory greatness of the truck chase in Raiders.
I think most of us want Indiana Jones and the Crystal Skull to be good, which it, sadly, is not.
Sections of Indiana Jones and the Kingdom of the Crystal Skull are a great deal of fun.
I felt jazzed and charged during a good 60% or even 70% of it. I was more than delighted at times.
What a pleasure, I told myself over and over, to swim in a first-rate, big-budget action film that throws one expertly-crafted thrill after another at you, and with plotting that’s fairly easy to understand, dialogue that’s frequently witty and sharp, and performances — Harrison Ford, Shia LeBouf and Cate Blanchett’s, in particular — that are 90% pleasurable from start to finish.
I heard some guys say as they left the theatre, “It’s okay…it’s fine…it’s good enough.”
I talked to a guy who kind of wrinkled his face and went, “Not really…not for me.” But nobody hates it. It gave me no real pain, and a healthy amount of serious moviegoing pleasure. (Although I was, from time time, slightly bothered.) Fears of a DaVinci Code-styled beat-down were, it turns out, unfounded.
The world can rest easy – the old magic still works in Indiana Jones And The Kingdom Of The Crystal Skull.
It may take some breathless, helter-skelter action to redeem the opening hour’s clunky storytelling, but the first Indy adventure in almost twenty years is like a fond reunion with an old friend and will not disappoint diehard fans or deter a new generation from embracing it as a summer blockbuster adventure ride.
This is money in the bank as far as exhibitors are concerned, but the relief of some critical support will do no harm to what is destined to stand as one of the year’s top moneymakers.
Director Steven Spielberg seems intent on celebrating his entire early career here.
Whatever the story there is, a vague journey to return a spectacular archeological find to its rightful home — an unusual goal of the old grave-robber, you must admit — gets swamped in a sea of stunts and CGI that are relentless as the scenes and character relationships are charmless.
…the fourth Indy installment isn’t really an attempt to retroactively create a Spielberg omniverse.
But David Koepp’s script, from a story by George Lucas and Jeff Nathanson and Herge and Edgar Rice Burroughs and Erik von Daniken and Carl Stephenson and…well, you get the idea…does tie together a good number of Spielbergian themes into an eventually pretty nifty package.
Yeah—this is, by my sights, the most fun and least irritating installment of the series since the first one.
Charles Ealy of the Austin Movie Blog says the film is ‘no Da Vinci Code’, likes the new characters and also describes the chaotic scramble of journalists getting into the screening :
There were plenty of justifiable reasons for such savagery toward “The Da Vinci Code.” There are few reasons for such a reaction to the new Indy.
The scene outside the Palais before the premiere was chaos. Dozens of journalists from top-flight publications — with the highest credentials possible for festival access — were shut out of the theater until just before the movie started. And many had to sit in uncomfortable, fold-down seats at the ends of the aisles.
Fans of the Indy series will enjoy the reunion of Harrison Ford and Karen Allen, as well as the introduction of Shia Labeouf.
Labeouf, who has stunts involving knives, vines, swords and motorcycles, is believable as the naive sidekick who is drawn into Indy’s wild world.
Cate Blanchett, as usual, is pitch-perfect as a villainous Soviet parapsychologist.
It is – as I understand it – the first newspaper review of the film, but did Paramount really give the exclusive first look to a UK newspaper (albeit a big one)?
All they do is drop a few spoilers and indicate that they liked the movie more than the buzz… the buzz that didn’t much exist and that they propagated!!!
Really… there is nothing much to read here, especially if you don’t want to read spoilers, albeit fairly minor ones. There is nothing approaching a single graph of critical argument about the film… not even hack level criticism.
I just don’t get it. Isn’t The Times Of London supposed to be Traditional Media? Aren’t they supposed to act like adults?
My guess – just a guess – is that they feared printing a full review before the Cannes screening because they had made an agreement with Paramount in order to get early access to the movie.
Indiana Jones and the Kingdom of the Crystal Skull has a gala premiere tonight and if you aren’t there you can follow the action via IFC’s Cannes webcam.
It is one of the most eagerly awaited releases of the summer and likely to be the highest grossing film at the box office this year.
I thought I’d post a few things in anticipation of the opening, ranging from images, videos and snippets of information related to the series.
THE CREATION OF INDIANA JONES
George Lucas created the character of Indiana Jones as a homage to the 1930 serials and pulp magazines he used to watch as a kid, such as those by Republic Pictures and the Doc Savage series.
But the movie started to become a reality when, in 1977, Lucas was on holiday in Hawaii with his friend Steven Spielberg. The director of Jaws told him that wanted to make a Bond film, but Cubby Broccoli (then producer of the franchise) had turned him down twice.
Lucas said that he had his own concept for a hero (then called ‘Indiana Smith’) along similar lines – an archaeologist and adventurer inspired by the serials and comics he – and Spielberg – had enjoyed as children.
The visual look of Indiana Jones was created by comic book artist Jim Steranko. Lucas suggested the flight jacket, the fedora (a nod to Humphrey Bogart in The Treasure of the Sierra Madre) and a whip (reminiscent of Zorro’s weapon of choice).
However, Selleck couldn’t get out of his contract with Universal television and had to pass on the role.
Ford was then cast just three weeks before production began on Raiders of the Lost Ark in the summer of 1980.
RAIDERS OF THE LOST ARK
The first film saw Indiana Jones searching for the Ark of the Covenant in 1936. In his search he discovers the Nazis are also keen to find and harness the Ark for their own ends.
Assisted by an old girlfriend named Marion Ravenwood (Karen Allen) he ends up in Egypt, where a rival archealogist named Belloq (Paul Freeman) is helping the Nazis.
Production was based at Elstree Studios just outside of London and also shot in various locations around the world including La Rochelle (for the Nazi submarine base), Tunisia (for Egypt section ), Hawaii (for the opening jungle sequence) and the United States from June to September of 1980.
The film was a huge hit when it was released in June 1981 and became the biggest film of that year, eventually grossing $384 million worldwide.
It was also nominated for 8 Oscars (including Best Picture) and ended up winning for Sound, Editing, Art Direction and Visual Effects.
Here are some quick facts about Raiders:
The name Indiana Jones was inspired by the name of George Lucas’ dog Indiana and Steve McQueen’s eponymous character in the 1966 film Nevada Smith.
The opening shot of a mountain peak in the jungle is a reference to the the Paramount Pictures logo. Similar shots open the following two films.
Alfred Molina has a small role in the opening scene (‘throw me the idol!’) and it was his screen debut. On his first day of filming he was covered with tarantulas – it was not the last time he had trouble with spiders as many years later in 2004, he would star as Dr Octopus in Spider-Man 2.
The airplane Indy escapes on in the opening sequence has the number ‘OB-CPO’, which is a reference to Obi-Wan Kenobi and C-3PO from Star Wars.
Toht, the sadistic Nazi interrogator (‘Good evening Frauline!’), was played by British actor Ronald Lacey. He also played the character of Harris in the TV series Porridge. There are two strange coincidences involving Lacey and the film: he played The Bishop of Bath and Wells in an episode of Blackadder II in 1985 – a character who threatens people with a red hot poker. In Raiders, his character threatens Marion with a red hot poker in the opening scene. Also, Lacey starred in an episode of Magnum, PI in 1984 (The Case of the Red-Faced Thespian) – the very series that prevented Tom Selleck from starring as Indiana Jones.
The scene where Indy shoots a swordsman in the Cairo marketplace was scripted as a long fight, but Harrison Ford was suffering diarrhea at the time, and asked if it could be shortened. Spielberg joked that they could only do that if Indy pulled out his gun and just shot the guy. The scene worked so well that they kept it in.
An amateur shot-for-shot remake of Raiders was made by Chris Strompolos, Eric Zala and Jayson Lamb, who were children in Mississippi. Filmed over 7 years (1982-1989) it was known as Raiders of the Lost Ark: The Adaptation, it was rediscovered in 2003 and even acclaimed by Spielberg himself, who said he was impressed with the “very loving and detailed tribute” and “appreciated the vast amounts of imagination and originality” of the film.
INDIANA JONES AND THE TEMPLE OF DOOM
Given the huge success of the first film, a sequel was an inevitability. In 1982 Spielberg made E.T., which even outstripped Raiders to become the biggest grossing film of all time.
When he unveiled E.T. at Cannes that year he was interviewed by Wim Wenders about the future of cinema:
Despite the financial pressures on studios and filmmakers in the early 80s, Spielberg had already established himself as the most successful filmmaker of his generation.
Anticipation for his next film was huge and all the more so because it would be the follow up to Raiders, entitled Indiana Jones and the Temple of Doom.
The film was technically a prequel as it is set in 1935, a year before the action in Raiders begins.
It opens with Indy in a Shanghai nightclub attempting to trade artifacts with a local gangster, only for it to go wrong. Indy escapes with the club’s singer, Wilhelmina “Willie” Scott (Kate Capshaw), with the help of a young sidekick called Short Round.
They get on a cargo plane and after it crashes in the Himalayan mountains they bail out and end up in a village in India ravaged by evil forces nearby. The villagers persuade Indy to retrieve the Sankara Stone and the kidnapped children of the village who are held captive at nearby Pankot Palace.
The production was again based at Elstree Studios and location shooting was done in Sri Lanka. However filming was disrupted when Harrison Ford injured his back. Despite this setback, Spielberg found a way to shoot around it, with stuntman Vic Armstrong as a stand in.
Here is the original theatrical trailer:
It was released in May 1984 amidst a blizzard of hype and expectation as this report from Ted Koppel’s Nightline shows:
Although it was rated PG, the violence on display led to the creation of the new PG-13rating as the MPAA came up with a category that covered the area between the PG and R ratings.
Some facts about the Temple of Doom:
The title was originally Indiana Jones and the Temple of Death
This was the first sequel Spielberg had ever made – outside the Indy series, the only other sequel he directed was the Jurassic Park follow up, The Lost World.
The club at the beginning is called ‘Club Obi Wan’, another reference to Star Wars character Obi-Wan Kenobi.
The scenes involving Indiana hiding behind a giant rolling gong, the mine cart chase sequence, and leaping out of an aeroplane in a rubber dinghy were in an early draft of Raiders and revisited for this film.
Indy’s associate in the opening night club scene is played by David Yip – best known to UK audiences for his role in the TV series The Chinese Detective.
Kate Capshaw would eventually become Steven Spielberg’s wife.
When the two swordsmen attack Indy on the cliff and he reaches for his gun, the music references a similar scene from Raiders.
INDIANA JONES AND THE LAST CRUSADE
After the second Indiana Jones film, Spielberg ventured into more serious and literary subject matter, directing The Color Purple (1985) and Empire of the Sun (1987).
However in 1989 he reunited with Lucas and Ford for what everone expected to be the final chapter of the trilogy with Indiana Jones and the Last Crusade.
Spielberg, Lucas and screenwriter Jeffrey Boam came up with a more humourous film that featured an extended prologue of the young Indy (played by River Phoenix), a story that saw him hunt down the Holy Grail and Sean Connery cast as his father.
It was shot in a variety of locations including Spain, London, Germany, Jordan, Venice and the US.
When it opened in May 1989 it broke box office records by grossing $50 million in a single week and was the second highest grossing film that year behind Tim Burton’s Batman.
Here is the original theatrical trailer:
Here are some facts about The Last Crusade:
The opening prologue with River Phoenix as the young Indy hiding in a circus train, shows how he learned to use a whip, scarred his chin and why he has a fear of snakes.
After the criticisms of Temple of Doom, Spielberg reportedly said he wanted to complete the trilogy for George and ‘to apologize for the second one’.
Tom Stoppard did an uncredited script polish and wrote the scenes in which Indy complains to his father about having abandoned him as a boy to go off on his own adventures.
Spielberg turned down Rain Man and Big to make this film.
The actor who plays Hitler in the book burning sequence is Michael Sheard. He also had a role as the U-boat Captain in Raiders and originally auditioned for the role of Gestapo agent Toht. He is known to UK audiences for playing the role of Mr Bronson in the TV series Grange Hill.
Even though he plays his father, Sean Connery is actually only 12 years older than Harrison Ford.
I built every clue into this movie I possible could think of to let George know that we should retire this guy’s number. I did all I could. But at the moment I think I’d like to quit.
At this point we all feel pretty much have a nice first, second and third act. Why go and create a forth act? We don’t need one.
However, rumours of another Indiana Jones film would surface from time to time over the next 15 years.
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL
During the 90s Spielberg made some of his most successful (Jurassic Park) and personal (Schindler’s List) films, winning his first Oscar for the latter.
Darabont had written several episodes of The Young Indiana Jones Chronicles tv series and between 2002 and 2004 wrote a script set in the 1950s, with surviving Nazis pursuing Jones.
Lucas rejected the draft despite Spielberg reportedly liking it. Jeff Nathanson was then hired in late 2004 to write a new draft, which was then passed over to David Koepp who is the credited writer for the new film (Lucas and Nathanson have story credit).
Finally in January 2007, Lucas and Spielberg announced that the fourth installment of Indiana Jones would definitely begin production that summer.
Shooting finally began on Indy 4 in New Mexico in June 2007 and the first image of Ford (taken by Spielberg) was officially released:
Footage of the first day’s filming in New Mexico was also released:
During Paramount Pictures’ presentation at Comic-Con in July, the audience got a special live video greeting from Hawaii as Steven Spielberg – along with Harrison Ford, Shia LaBeouf and Ray Winston – announced Karen Allen would be back as Marion Ravenwood:
Shooting then continued and on September 9th, Shia LaBeouf revealed (at the MTV Video Music Awards in Las Vegas) that the title would be:
Principal photography finished in October 2007 and this was the first trailer:
Yesterday in Cannes, the stars and Spielberg did a full day’s press at the Carlton Hotel and in the evening threw a small press cocktail party where the actors mingled with journalists.
According to Anne Thompson of Variety, producer Kathleen Kennedy explained why Spielberg wanted to do all the press before they had seen the film:
He really wants to try to preserve the experience for the audience, so they don’t know everything before they see the movie, like it was on the first three Raiders pics.
“If you learn everything, no one can get surprised anymore,” said Kennedy. “You can’t discover this movie until we let them discover it.”
Today, the film will get a world premiere at Cannes and on Thursday will be released worldwide.
![](http://www.filmdetail.com/wp-content/uploads/2008/05/the-after-party.jpg "General view of the atmosphere at the \\"Indiana Jones and the Kingdom of the Crystal Skull\\" party")
