{"id":15595,"date":"2013-10-21T16:56:26","date_gmt":"2013-10-21T15:56:26","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=15595"},"modified":"2014-08-27T16:59:39","modified_gmt":"2014-08-27T15:59:39","slug":"london-film-festival-2013-saving-mr-banks-review","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2013\/10\/21\/london-film-festival-2013-saving-mr-banks-review\/","title":{"rendered":"LFF 2013: Saving Mr. Banks"},"content":{"rendered":"

\"Tom<\/a><\/p>\n

The story behind the film version of Mary Poppins<\/a> (1964) is the subject of a clever and charming new film about the clash between the English author Pamela ‘PL’ Travers<\/a> and famed studio head Walt Disney<\/a>.<\/p>\n

When we first see the elder Travers (Emma Thompson) in 1961 she is running short of money, due to declining book sales, and her agent is urging her to accept the offer of a trip to Los Angeles to meet Walt Disney (Tom Hanks), the mogul\u00a0who has pursued the rights to the project for 20 years.<\/p>\n

Having promised his two daughters to turn their favourite book into a movie, he is very keen on the idea of a big budget musical, granting her full creative input into the project, something he rarely did.<\/p>\n

Unfortunately, he doesn’t realise that Travers actively hates the idea of a musical and resists almost all the suggestions from the creative team at the studio (a trio played by Bradley Whitford, B. J. Novak and Jason Schwartzman).<\/p>\n

Gradually, through flashback, we discover the reasons for her reluctance may lie in her childhood, when she grew up in Australia with a loving but troubled father (Colin Farrell).<\/p>\n

On the surface, this may appear like another slickly produced Disney feel-good comedy.<\/p>\n

Whilst it is certainly all that, the film has its own interesting backstory.<\/p>\n

The origins of the project lie in a 2002 TV documentary about Travers<\/a>, which eventually led to Allison Owen coming on board as producer and eventually a script credited to Sue Smith<\/a> and Kelly Marcel<\/a> made 2011s ‘Black List’<\/a> (an unofficial survey of the years best unproduced scripts).<\/p>\n

Then, in a strange reverse parallel to the film, the producers had to persuade the notoriously sensitive Disney that they would not trample on Walt’s legacy.<\/p>\n