{"id":15081,"date":"2012-12-01T15:26:02","date_gmt":"2012-12-01T15:26:02","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=15081"},"modified":"2012-12-01T16:14:42","modified_gmt":"2012-12-01T16:14:42","slug":"sight-and-sound-top-films-of-2012","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2012\/12\/01\/sight-and-sound-top-films-of-2012\/","title":{"rendered":"Sight And Sound\u2019s Top Films Of 2012"},"content":{"rendered":"

\"\"<\/a><\/p>\n

This year\u2019s Sight and Sound end-of-year poll has been topped by Paul Thomas Anderson’s The Master<\/a><\/strong>.<\/p>\n

As usual, the UK film magazine polled around 100 critics and but have refrained from publishing it online for now.<\/p>\n

But my print copy arrived in the post this morning and I can confirm that the list is as follows:<\/p>\n

1. The Master<\/strong><\/a> (Paul Thomas Anderson, USA)<\/p>\n

2. Tabu<\/strong><\/a> (Miguel Gomes, Portugal\/Germany\/France)<\/p>\n

3. Amour<\/strong><\/a> (Michael Haneke, France\/Germany\/Austria)<\/p>\n

4. Holy Motors<\/strong><\/a> (Leos Carax, France\/Germany)<\/p>\n

5. Beasts of the Southern Wild<\/strong><\/a> (Benh Zeitlin, USA)<\/p>\n

= \u00a0Berberian Sound Studio<\/strong><\/a> (Peter Strickland, UK\/Germany)<\/p>\n

7. Moonrise Kingdom<\/strong><\/a> (Wes Anderson, USA)<\/p>\n

8. Beyond the Hills<\/strong><\/a> (Christian Mungiu, Romania\/France\/Belgium)<\/p>\n

= Cosmopolis<\/strong><\/a> (David Cronenberg, Canada\/France\/Portugal\/Italy)<\/p>\n

= Once Upon a Time in Anatolia<\/strong><\/a> (Nuri Bilge Ceylan, Turkey\/Bosnia & Herzegovina)<\/p>\n

= This is Not A Film<\/strong><\/a> (Jafar Pahani & Mojtaba Mirtahmaseb, Iran)<\/p>\n

N.B. Because of the crossover of UK and US release dates some titles have been duplicated from last year’s list<\/a>.<\/p>\n

>\u00a0Sight and Sound<\/a>\u00a0on\u00a0Twitter<\/a>,\u00a0Facebook<\/a>\u00a0and YouTube<\/a>
\n> 2012 reviews at Metacritic<\/a>
\n>\u00a0Wikipedia on 2012 in film<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This year\u2019s Sight and Sound end-of-year poll has been topped by Paul Thomas Anderson’s The Master.<\/p>\n","protected":false},"author":1,"featured_media":15082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,2],"tags":[683],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/15081"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=15081"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/15081\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media\/15082"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=15081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=15081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=15081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}