{"id":12484,"date":"2011-07-23T23:58:36","date_gmt":"2011-07-23T22:58:36","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=12484"},"modified":"2011-07-24T00:37:41","modified_gmt":"2011-07-23T23:37:41","slug":"roger-deakins-talks-to-the-bsc","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2011\/07\/23\/roger-deakins-talks-to-the-bsc\/","title":{"rendered":"Roger Deakins talks to the BSC"},"content":{"rendered":"<p><a href=\"http:\/\/vimeo.com\/26568321\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12485\" title=\"Roger Deakins talks to the BSC\" src=\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2011\/07\/Roger-Deakins-talks-to-the-BSC.jpg\" alt=\"\" width=\"560\" height=\"280\" \/><\/a><\/p>\n<p>Cinematographer <strong><a href=\"http:\/\/www.rogerdeakins.com\">Roger Deakins<\/a><\/strong> recently sat down for a talk with <a href=\"http:\/\/www.bscine.com\/\">BSC<\/a> president <a href=\"http:\/\/www.imdb.com\/name\/nm0207532\/\">John de Borman<\/a> after a screening of The Shawshank Redemption (1994).<\/p>\n<p>The 50 minute discussion is a fascinating one and covers his career, including:<\/p>\n<ul>\n<li>His early years<\/li>\n<li>Jean-Pierre Melville<\/li>\n<li>The influence of documentary<\/li>\n<li>Using different approaches for different films<\/li>\n<li>Shooting night-time exteriors<\/li>\n<li>Lighting the train scene in The Assassination of Jesse James (2007)<\/li>\n<li>Shooting day and night sequences in True Grit (2010)<\/li>\n<li>How he used shadows in No Country For Old Men (2007)<\/li>\n<li>Differences between American and European cinematographers<\/li>\n<li>Switching to digital cameras<\/li>\n<li>Preparing for the new Bond movie with Sam Mendes<\/li>\n<li>Army of Shadows (1969)<\/li>\n<li>His break working for director Michael Radford<\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/26568321?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/26568321\">Roger Deakins talks with John de Borman.<\/a> from <a href=\"http:\/\/vimeo.com\/bscine\">BSC<\/a> on <a href=\"http:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p>&gt; Roger Deakins at the <a href=\"http:\/\/imdb.to\/lfS9OG\">IMDb<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Roger_Deakins\">Wikipedia<br \/>\n<\/a>&gt; <a href=\"http:\/\/www.rogerdeakins.com\/forum2\/\">Roger Deakins official forum<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roger Deakins talks about his career to the British Society of Cinematographers (50 mins)<\/p>\n","protected":false},"author":1,"featured_media":12485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[1819],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/12484"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=12484"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/12484\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media\/12485"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=12484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=12484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=12484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}