{"id":11808,"date":"2011-05-03T01:31:25","date_gmt":"2011-05-03T00:31:25","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=11808"},"modified":"2011-05-03T04:13:10","modified_gmt":"2011-05-03T03:13:10","slug":"the-appeal-of-fast-five-furious","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2011\/05\/03\/the-appeal-of-fast-five-furious\/","title":{"rendered":"The Appeal of Fast Five"},"content":{"rendered":"

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It may not be a high point for the art of cinema but why has the latest instalment of the Fast and Furious franchise<\/a> tapped into a huge global audience?<\/p>\n

The first film in the series,\u00a0The Fast and the Furious<\/a> (2001), quietly worked its way to a global gross of $207m on a budget of $38m.<\/p>\n

But when star Vin Diesel<\/a> and director Rob Cohen<\/a> didn’t return for the ridiculously titled 2 Fast 2 Furious<\/a> (2003) I think the perception was that the franchise was basically over.<\/p>\n

After all, Diesel (then seen to be an emerging star) and Rob Cohen had gone on to make xXx<\/a> (2002) which was a significant action hit.<\/p>\n

But although the second film suffered from the perception that its main star had left, Universal’s accountants would have been impressed at the $236m worldwide gross on a budget of $76m.<\/p>\n

This was enough for a third film called The Fast and the Furious: Tokyo Drift<\/a> (2006), which didn’t feature Paul Walker or Vin Diesel (even though the latter had a small cameo).<\/p>\n

Despite the presence of a new director (Justin Lin<\/a>) it seemed that the series was running on fumes. But it still grossed $158m worldwide on a budget of $85m.<\/p>\n

By now the franchise was that strangest of things: a successful film series without a main character or star that was still making money.<\/p>\n