Stanley Kubrick in The New Yorker

Kubrick New Yorker profile

Audio recently surfaced online of Stanley Kubrick being interviewed by Jeremy Bernstein of The New Yorker in 1966 (listen to it here).

Sliated has some interesting PDF files which shed more light on the famous director who was then in the midst of filming 2001: A Space Odyssey.

One of them is a PDF of the final profile which ended up in the November 1966 issue.

But they also have an auction entry which shows the proofs of the profile with descriptions of the edits and annotations Kubrick wanted.

Last, but not least, there is a piece by Bernstein recalling the interview which include the following nuggets of information about the legendary director:

  • Kubrick had taken flying lessons but by the mid sixties never flew again as he considered it “too dangerous”.
  • For his move to England he transported his possessions in 140 Boy Scout foot lockers.
  • He considered leaving the USA during the Cuban missile crisis and booked a boat trip to Australia with his family – but cancelled when he discovered he would have to share a bathroom with a neighbouring cabin.
  • Before moving to St Albans Kubrick lived in a large apartment on Central Park West.
  • 2001 was shot at Elstree and during the filming Kubrick lived in a suite at the Dorchester Hotel.
  • Physics was the only course in high school in which he had gotten a decent grade.
  • Kubrick toyed with the idea of casting Jackie Mason (!) as the voice of HAL, although he may have been joking.
  • During one take of a scene when Keir Dullea (who played astronaut Dave Bowman) was talking to HAL he farted so loudly, it sounded like “a stupendous burst of machine gun fire”.
  • The interview was recorded on one of Kubrick’s tape recorders, upon which he did most of his screen writing.
  • When the film was first shown to the press and invited guests in New York Kubrick ran the projector himself and decided to cut around 17 minutes from this version.
Directors Interesting

Stanley Kubrick interview from 1966

A fascinating 75 minute interview with Stanley Kubrick conducted by Jeremy Bernstein in 1966.

Stanley Kubrick interview with Jeremy Bernstein, 1966 from vvL on Vimeo.

These audio recordings were used to assist in the writing of Bernstein’s long-form profile of Kubrick, published in the November 12, 1966 issue of The New Yorker.

If the above video doesn’t work, listen to it here:

The Daily Video

The Daily Video: Brian Eno on Barry Lyndon

Brian Eno discusses why he loves Stanely Kubrick‘s Barry Lyndon.

(I think this was from some TV show in the mid-90s)

> Barry Lyndon at the IMDb
> Find out more about Brian Eno at Wikipedia


Why Stanley Kubrick used ‘Daisy’ for HAL’s death in 2001

This video explains why Stanley Kubrick used the song Daisy Bell for the death of HAL in 2001: A Space Odyssey.

[Link via Digg]

> 2001: A Space Odyssey at the IMDb
> Stanley Kubrick at Wikipedia

Interesting TV

Stanley Kubrick season on More4

A Stanley Kubrick season starts this month on UK TV channel More4, with a series of his films screening between the 15th and 25th of July.

Channel 4 Creative Services have created this excellent TV spot to promote the season, which is a one shot recreation of The Shining set, shot from Kubrick’s point of view:

(If the video doesn’t work try this direct link over at The Guardian)

The season kicks off with a documentary called Citizen Kubrick, which screens on Saturday 15th at 10pm.

It is presented by Jon Ronson, who was invited to the director’s estate in 2001 to explore the many boxes the Kubrick had collected during his life at Childwickbury Manor in Hertfordshire.

The resulting documentary is the story of Kubrick and the archive, now housed at University of the Arts London.

The season continues over the next two weeks with the following films:

  • Day of the Fight (1951): An early documentary short about a day in the life of a middleweight Irish boxer named Walter Cartier and his fight with black middleweight Bobby James. (Saturday 15th July, 11.05pm)
  • Barry Lyndon (1975): Kubrick’s adaptation of William Makepeace Thackeray’s novel The Luck of Barry Lyndon went under-appreciated at the time but remains one of his most enduring and visually stunning films. The tale of an 18th Century Irish adventurer (Ryan O’Neal) is now regarded as one of his most important works and is notable for the remarkable cinematography from John Alcott. It is also Martin Scorcese’s favourite Kubrick film. (Screens on Sunday 16th July, time TBC.)
  • Paths of Glory (1957): One of Kubrick’s early classics – a searing anti-war film about innocent French soldiers sentenced to death after taking the blame for the mistakes of their superiors. Kirk Douglas gives an excellent central performance as Colonel Dax, an officer trying to prevent the soldiers’ execution. Watch out too for a cameo near the end from the actress who whould become his wife Christiane Kubrick, then credited as ‘Christiane Harlan’. (Screens 17 July, 11:55am).
  • Flying Padre (1951): Another documentary short about two days in the life of a priest in New Mexico called Father Fred Stadtmuller whose spreads the word of God with the aid of a mono-plane. (Screens on Friday 18th July, 12.55pm in the afternoon)
  • Lolita (1962): Kubrick moved to England in the early 1960s to film this adaptation of Vladimir Nabakov’s novel and stayed here for the rest of his life. James Mason stars as Humbert Humbert, a middle aged professor obsessed with a precocious young girl. Although aspects of the novel had to be toned down for censorship reasons, it is still a work of considerable interest. (Screens Friday 18th July at 9pm).
  • 2001: A Space Odyssey (1968): Kubrick’s adaptation of Arthur C Clarke‘s short story The Sentinel reimagined science fiction on film and inspired a generation of writers and directors. The story charts how a mysterious alien intelligence influences mankind from it’s earliest origins to a futuristic space mission involving two astronauts and an advanced computer named HAL 9000. The visual effects (overseen by Kubrick and engineered by Douglas Trumbull) are still dazzling and the use of classical music (especially¬†Richard Strauss’s Also sprach Zarathustra) is now inextricably linked with the film and it’s imagery. (Screens Saturday 19th July, 1.30pm)
  • Killer’s Kiss (1955): Kubrick’s second film is a short (only 67 mins), low budget film noir about a has-been boxer (Jamie Smith) who falls for a woman with a violent boyfriend. (Screens Monday 21st July, 11.30pm)
  • The Killing (1956): Notable for being Kubrick’s first feature with a professional cast and crew, this is a tautly plotted heist drama adapted from Lionel White‘s novel Clean Break by Kubrick and co-screenwriter Jim Thompson. Sterling Hayden (who would return in a key supporting role in Dr Strangelove) takes the lead. (Screens Wednesday 23rd July, 12.05am).
  • The Shining (1980): A remarkable and enduring adaptation Stephen King‘s novel about the winter caretaker (Jack Nicholson) of a remote hotel who slowly goes insane, endangering his wife (Shelley Duvall) and young son (Danny Lloyd). Although King was upset with Kubrick’s take on the material, there is much here to feast on, especially the meticulous production design, inventive sound editing and innovative visuals. It was the first time Kubrick used the Steadicam, which was invented by Garrett Brown – the cinematographer who achieved many of the remarkable tracking shots in the film. (Screens Friday 25th July, 9pm).

It is a great chance to catch up on the work of one of the most important directors in the history of cinema.

> Find out more about The Stanley Kubrick Season at More4
> Read more about how the More4 promo was created at Media Guardian
> Stanley Kubrick at the IMDb
> Official Kubrick site at Warner Bros
> Stanley Kubrick Archive at University of the Arts London Archives and Special Collections Centre
> Essay on Kubrick at Senses of Cinema by Keith Ullich
> An extensive set of links to interviews with Kubrick at Archivio Kubrick
> A Guardian feature and webchat with Jon Ronson about the Kubrick archive in 2004
> An exhibiton of Stanley Kubrick’s work in Germany
> An archive of the debate in the New York Times over A Clockwork Orange
> Stephen King discusses his first phone call with Stanley Kubrick
> Steven Spielberg talks about his admiration for Kubrick