{"id":9297,"date":"2010-10-03T20:11:27","date_gmt":"2010-10-03T19:11:27","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=9297"},"modified":"2010-10-03T20:11:27","modified_gmt":"2010-10-03T19:11:27","slug":"the-opening-titles-of-seven-david-fincher","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2010\/10\/03\/the-opening-titles-of-seven-david-fincher\/","title":{"rendered":"The Opening Titles of Seven"},"content":{"rendered":"

\"\"<\/a><\/p>\n

The opening titles of Se7en<\/a><\/strong> (1995) are amongst the most striking and influential in modern cinema.<\/p>\n

As part of their video series on David Fincher<\/a> for the Museum of the Moving Image<\/a>, Matt Zoller Seitz and Aaron Aradillas<\/a> have taken an in-depth look at the opening credits of his second film.<\/p>\n

<\/embed><\/object><\/p>\n

According to Art of the Title<\/a>, the sequence was done by Kyle Cooper in 1995 whilst he was creative director at R\/Greenberg Associates<\/a> in LA.<\/p>\n

Note that the music which accompanies the credits is ‘Closer (Precursor)<\/a>‘, a NIN remix by Coil and Danny Hyde from the ‘Closer to God’ EP.<\/p>\n

Trent Reznor (of NIN fame) has scored Fincher’s latest film The Social Network.<\/p>\n

> David Fincher<\/a> at Wikipedia
\n>
Watch the Seven title sequence in HD<\/a> at Art of the Title<\/p>\n","protected":false},"excerpt":{"rendered":"

As part of their video series on David Fincher for the Museum of the Moving Image, Matt Zoller Seitz and Aaron Aradillas have taken an in-depth look at the opening credits of Seven.<\/p>\n","protected":false},"author":1,"featured_media":9298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,16],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/9297"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=9297"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/9297\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media\/9298"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=9297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=9297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=9297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}