{"id":473,"date":"2007-02-27T15:45:03","date_gmt":"2007-02-27T15:45:03","guid":{"rendered":"http:\/\/www.filmdetail.com\/archives\/2007\/02\/27\/david-denby-on-film-narrative\/"},"modified":"2007-02-27T15:45:03","modified_gmt":"2007-02-27T15:45:03","slug":"david-denby-on-film-narrative","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2007\/02\/27\/david-denby-on-film-narrative\/","title":{"rendered":"David Denby on film narrative"},"content":{"rendered":"<p>David Denby has written an <a href=\"http:\/\/www.newyorker.com\/printables\/critics\/070305crat_atlarge_denby\">interesting piece on film narrative<\/a> for the <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_New_Yorker\">New Yorker<\/a>.<\/p>\n<p>He examines the non-linear structures of recent films like <a href=\"http:\/\/imdb.com\/title\/tt0449467\/\"><strong>Babel<\/strong><\/a>, <strong><a href=\"http:\/\/imdb.com\/title\/tt0338013\/\">Eternal Sunshine of the Spotless Mind<\/a> <\/strong>and <strong><a href=\"http:\/\/imdb.com\/title\/tt0365737\/\">Syriana<\/a> <\/strong>as well others like <a href=\"http:\/\/imdb.com\/title\/tt0110912\/\"><strong>Pulp Fiction<\/strong><\/a> and <a href=\"http:\/\/imdb.com\/title\/tt0209144\/\"><strong>Memento<\/strong><\/a>.<\/p>\n<p>> <a href=\"http:\/\/www.newyorker.com\/printables\/critics\/070305crat_atlarge_denby\">Denby&#8217;s article at The New Yorker<\/a><br \/>\n> <a href=\"http:\/\/archive.salon.com\/ent\/movies\/feature\/2001\/06\/28\/memento_analysis\/index.html?pn=1\">A lengthy analysis of <strong>Memento  <\/strong>at Salon.com by Andy Klein<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Denby has written an interesting piece on film narrative for the New Yorker. He examines the non-linear structures of recent films like Babel, Eternal Sunshine of the Spotless Mind and Syriana as well others like Pulp Fiction and Memento. > Denby&#8217;s article at The New Yorker > A lengthy analysis of Memento at Salon.com [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/473"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/473\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}