{"id":21,"date":"2005-02-28T05:02:25","date_gmt":"2005-02-28T05:02:25","guid":{"rendered":"http:\/\/www.filmdetail.com\/archives\/2005\/02\/28\/the-oscars-live\/"},"modified":"2005-03-05T13:24:12","modified_gmt":"2005-03-05T13:24:12","slug":"the-oscars-live","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2005\/02\/28\/the-oscars-live\/","title":{"rendered":"The Oscars – Live"},"content":{"rendered":"

Million Dollar Baby wins Best Picture. All the technical awards for The Aviator didn’t in the end lead to a cleansweep and the lower key drama of Eastwood’s film triumphs. As usual the best film in the five nominated (Sideways) didn’t win, although it has got a lot of valuable and unexpected exposure from the awards season. <\/p>\n

As for Million Dollar Baby I think it is a fine piece of work but in a year that saw such films as Eternal Sunshine of the Spotless Mind, Before Sunset and Vera Drake miss out on Best Picture and marginalised to only a few nominations, well, something has to be clearly wrong. Ray and Finding Neverland were good but certainly not Best Picture material in my view. <\/p>\n

Well, that’s it for another year. Not a great one to be perfectly honest as the two main contenders were not outstanding. The highlight was probably the two screenwriting awards. Charlie Kaufman winning Best Original Screenplay for the dazzling Eternal Sunshine of the Spotless Mind and Alexander Payne and Jim Taylor winning Best Adapted Screenplay for Sideways. <\/p>\n

That’s it from me. Good night.<\/p>\n","protected":false},"excerpt":{"rendered":"

Million Dollar Baby wins Best Picture. All the technical awards for The Aviator didn’t in the end lead to a cleansweep and the lower key drama of Eastwood’s film triumphs. As usual the best film in the five nominated (Sideways) didn’t win, although it has got a lot of valuable and unexpected exposure from the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/21"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/21\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=21"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=21"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}