But there was also some truly brilliant work from the likes of Harris Savides<\/a> (Zodiac), Martin Ruhe<\/a> (Control), Eric Gautier<\/a> (Into the Wild), Oleg Mutu<\/a> (4 Months, 3 Weeks and 2 Days), Edward Lachman<\/a> (I’m Not There) and Roderigo Prieto<\/a> (Lust, Caution), to name just a few who made their mark this year.<\/p>\n Kris Tapley over at InContention<\/a> has posted a wonderful list (in two<\/a> parts<\/a>) of his top shots of 2007<\/a>.<\/p>\n My favourites include:<\/p>\n Jesse James (Brad Pitt) about to rob the train in The Assassination of Jesse James by the Coward Robert Ford<\/a>:<\/p>\n Daniel Plainview (Daniel Day Lewis) mining for silver in There Will Be Blood<\/a>:<\/p>\n Drug dealers looking for their money in No Country for Old Men<\/a>:<\/p>\n Check out part 1<\/a> and part 2<\/a> of the list and some other notable shots here<\/a>.<\/p>\n > InContention<\/a> There is no doubt 2007 was an extraordinary year for movies. But a crucial part of what has made it such a rich year for visuals was the remarkable work of the Oscar nominated cinematographers: Robert Elswit (There Will Be Blood, Michael Clayton), Roger Deakins (No Country for Old Men, The Assassination of Jesse James […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,16],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/1393"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=1393"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/1393\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=1393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=1393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=1393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"The](\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2008\/02\/jesse_james_train.jpg\")
<\/a><\/p>\n![\"There](\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2008\/02\/twbb_silver_mining.jpg\")
<\/a><\/p>\n![\"No](\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2008\/02\/nocountry_dealers.jpg\")
<\/a><\/p>\n
\n> American Cinematographer Magazine<\/a> articles on Roger Deakins<\/a> and Robert Elswit<\/a>
\n> Movie Maker article on Janusz Kaminski’s work on The Diving Bell and the Butterfly<\/a>
\n> Camera Guild article on Robert Elswit’s work on Michael Clayton<\/a>
\n> Daily Film Dose<\/a> with a post from last year on the greatest tracking shots in movie history<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"