{"id":13486,"date":"2011-11-16T14:47:20","date_gmt":"2011-11-16T14:47:20","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=13486"},"modified":"2011-11-16T14:47:20","modified_gmt":"2011-11-16T14:47:20","slug":"wim-wenders-interview-career-pina-3d-new-york","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2011\/11\/16\/wim-wenders-interview-career-pina-3d-new-york\/","title":{"rendered":"Wim Wenders at the NYFF 2011"},"content":{"rendered":"<p><a href=\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2011\/11\/Wim-Wenders-at-the-NYFF-2011.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13487\" title=\"Wim Wenders at the NYFF 2011\" src=\"http:\/\/www.filmdetail.com\/wp-content\/uploads\/2011\/11\/Wim-Wenders-at-the-NYFF-2011.jpg\" alt=\"\" width=\"560\" height=\"280\" \/><\/a><\/p>\n<p>Last month at the 49th New York Film Festival director <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wim_Wenders\">Wim Wenders<\/a><\/strong> sat down for an extended talk about his career.<\/p>\n<p>He was their to screen his new film <a href=\"http:\/\/www.imdb.com\/title\/tt1440266\/\">Pina<\/a>, a 3D documentary about <a href=\"http:\/\/en.wikipedia.org\/wiki\/Pina_Bausch\">Pina Bausch<\/a>, and sat down for a lengthy chat with <a href=\"http:\/\/blogs.indiewire.com\/thompsononhollywood\/scott_foundas_joins_film_society_as_associate_programmer\">Scott Foundas<\/a> as part of their <a href=\"http:\/\/www.filmlinc.com\/films\/series\/nyff-hbo-directors-dialogues\">HBO Films Directors Dialogue<\/a> series.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/juX8en3X6Uo\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>They discuss a wide variety of topics, including:<\/p>\n<ul>\n<li>His early days as a child projectionist<\/li>\n<li>The importance of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Anthony_Mann\">Anthony Mann<\/a> westerns<\/li>\n<li>Using longer takes in his early work<\/li>\n<li>Why music rights have made his first film (<a href=\"http:\/\/en.wikipedia.org\/wiki\/Summer_in_the_City_(film)\">Summer in the City<\/a>) technically illegal<\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/New_German_Cinema\">The New German Cinema<\/a><\/li>\n<li>Working in America<\/li>\n<li>The problems shooting <a href=\"http:\/\/en.wikipedia.org\/wiki\/Hammett_(film)\">Hammett<\/a><\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Nicholas_Ray\">Nicholas Ray<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Lightning_Over_Water\">Lightning Over Water<\/a><\/li>\n<li>His collaborations with <a href=\"http:\/\/en.wikipedia.org\/wiki\/Sam_Shepard\">Sam Shepard<\/a><\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Paris,_Texas_(film)\">Paris, Texas<\/a> and it&#8217;s influence on independent filmmaking<\/li>\n<li>The six hour (!) cut of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Until_the_End_of_the_World\">Until the End of the World<\/a><\/li>\n<li><a href=\"http:\/\/en.wikipedia.org\/wiki\/Room_666\">Room 666<\/a> and the cinema of the 1980s<\/li>\n<li>The possibilities of newer filmmaking technologies<\/li>\n<li>Filming Pina in 3D<\/li>\n<li>Why 3D suits documentaries better<\/li>\n<\/ul>\n<p>&gt; <a href=\"http:\/\/www.wim-wenders.com\/\">Wim Wenders&#8217; official site<\/a><br \/>\n&gt; More on Wenders at <a href=\"http:\/\/en.wikipedia.org\/wiki\/Wim_Wenders\">Wikipedia<\/a>, <a href=\"http:\/\/mubi.com\/cast_members\/1528\">MUBi<\/a> and <a href=\"http:\/\/www.sensesofcinema.com\/2003\/great-directors\/wenders\/\">Senses of Cinema<\/a><br \/>\n&gt; <a href=\"http:\/\/filmlinc.com\/\">Film Society of Lincoln Center<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last month at the 49th New York Film Festival director Wim Wenders sat down for an extended talk about his career.<\/p>\n","protected":false},"author":1,"featured_media":13487,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[164],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/13486"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=13486"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/13486\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media\/13487"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=13486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=13486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=13486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}