It follows a musician named Jeffrey Marshall who was born without arms or legs, his feet growing almost directly from his hips.
Curious as to whether people come to his gigs for the music or to stare at a limbless man playing the bass guitar with his feet, he decided to explore his identity as a disabled performer by exhibiting himself in ‘The World of Wonders‘ – the last remaining ‘freak show’ in America.
The season continues over the next two weeks with the following films:
Day of the Fight (1951): An early documentary short about a day in the life of a middleweight Irish boxer named Walter Cartier and his fight with black middleweight Bobby James. (Saturday 15th July, 11.05pm)
Paths of Glory (1957): One of Kubrick’s early classics – a searing anti-war film about innocent French soldiers sentenced to death after taking the blame for the mistakes of their superiors. Kirk Douglas gives an excellent central performance as Colonel Dax, an officer trying to prevent the soldiers’ execution. Watch out too for a cameo near the end from the actress who whould become his wife Christiane Kubrick, then credited as ‘Christiane Harlan’. (Screens 17 July, 11:55am).
Flying Padre(1951): Another documentary short about two days in the life of a priest in New Mexico called Father Fred Stadtmuller whose spreads the word of God with the aid of a mono-plane. (Screens on Friday 18th July, 12.55pm in the afternoon)
Lolita (1962): Kubrick moved to England in the early 1960s to film this adaptation of Vladimir Nabakov’s novel and stayed here for the rest of his life. James Mason stars as Humbert Humbert, a middle aged professor obsessed with a precocious young girl. Although aspects of the novel had to be toned down for censorship reasons, it is still a work of considerable interest. (Screens Friday 18th July at 9pm).
2001: A Space Odyssey (1968): Kubrick’s adaptation of Arthur C Clarke‘s short story The Sentinel reimagined science fiction on film and inspired a generation of writers and directors. The story charts how a mysterious alien intelligence influences mankind from it’s earliest origins to a futuristic space mission involving two astronauts and an advanced computer named HAL 9000. The visual effects (overseen by Kubrick and engineered by Douglas Trumbull) are still dazzling and the use of classical music (especially Richard Strauss’sAlso sprach Zarathustra) is now inextricably linked with the film and it’s imagery. (Screens Saturday 19th July, 1.30pm)
Killer’s Kiss(1955): Kubrick’s second film is a short (only 67 mins), low budget film noir about a has-been boxer (Jamie Smith) who falls for a woman with a violent boyfriend. (Screens Monday 21st July, 11.30pm)
The Shining (1980): A remarkable and enduring adaptation Stephen King‘s novel about the winter caretaker (Jack Nicholson) of a remote hotel who slowly goes insane, endangering his wife (Shelley Duvall) and young son (Danny Lloyd). Although King was upset with Kubrick’s take on the material, there is much here to feast on, especially the meticulous production design, inventive sound editing and innovative visuals. It was the first time Kubrick used the Steadicam, which was invented by Garrett Brown – the cinematographer who achieved many of the remarkable tracking shots in the film. (Screens Friday 25th July, 9pm).
It is a great chance to catch up on the work of one of the most important directors in the history of cinema.