Notice the similarities:
I saw Iron Man last night and I’d be very surprised if it doesn’t open really big this weekend.
If you aren’t familiar with the character, it is one of the few remaining Marvel heroes who hasn’t made it to the big screen in the last decade.
When he returns to the US he decides to change his cynical arms-dealing ways and protect the world as Iron Man.
Various elements of the film click into place:
- The pace is brisk and despite being an origin story, it doesn’t get too bogged down in a sluggish plot.
- Director Jon Favreau has gone for a nice mix of humour and action – it doesn’t take itself too seriously, despite the terrorist and arms dealing elements.
- Robert Downey Jnr demonstrates what an engaging presence he can be in the lead role, with bursts of cocky wit and a nice strain of self-deprecating humour.
- Gwyneth Paltrow plays a more substantial supporting character than is usual for these kind of films.
- The mix of CGI and live action is expertly done – Stan Winston’s design of the Iron Man suit, the visual effects of him in action and the sound editing are all award worthy.
- The action sequences are impressive, particularly the first two big set pieces.
There are a couple of elements that don’t quite come off, notably the climax which is a little too standard given what has gone before it, but overall this is slick and smart summer blockbuster.
Given the effective marketing campaign and quality of the finished film I would be suprised if this didn’t open to about $80 million in the US this weekend.
Some are predicting it could be as high as $100 million, but it would have to do extremely well to reach that figure over the 3 day weekend.
That said, tracking and awareness for this film is reportedly huge and I think word of mouth from those who see it on the Thursday preview screenings and Friday night showings will convince others to check it out.
The big worry for Iron Man’s box office is that the key demographic for the film (young males) will be at home on their consoles all weekend.
It is clearly a concern – and may lead to studios watching computer game release schedules more closely in future – but I actually think that demo is going to want to see Iron Man as well.
There is also a hi-tech cool factor to the film that should play well to both a computer savvy audience and the wider public.
Less tech-savvy audience members are still going to like the action, SFX and his funny robot assistants.
Whatever happens, Marvel and Paramount should have a huge franchise on their hands.
> Official site for Iron Man
> Reviews for Iron Man at Metacritic
> Find out more about the Iron Man character at Wikipedia
> /Film and Deadline Hollywood Daily on whether or not Grand Theft Auto 4 will affect Iron Man’s box office
> Anne Thompson interviews Jon Favreau about the film in Variety
They remain one of the most enduring bands of the last 30 years and although their career was cut short by the tragic death of Curtis in 1980, the remaining members went on to form New Order.
Directed by Grant Gee, the documentary features interviews with all the surviving band members and explores the band’s history through never-before-seen live performance footage, personal photos, period films and newly discovered audio.
It also features contributions from the late Factory Records owner Tony Wilson, iconic Factory Records graphic artist Peter Saville, photographer/filmmaker Anton Corbijn, Belgian journalist Annik Honoré (speaking for the first time about her relationship with Ian Curtis) and many other connected with the band.
Listen to the interview here:[audio:http://filmdetail.receptionmedia.com/Stephen_Morris_on_Joy_Division.MP3]
Download it as a podcast via iTunes by clicking here.
Joy Division opens at selected UK cinemas on Friday 2nd May
Check out the trailer here:
[Image courtesy of The Works / © Paul Slattery / Retna Ltd.]
Listen to the review podcast here:[audio:http://www.filmdetail.com/podcast/get.php?fla=podcast-2008-04-25-75207.MP3]
Download and subscribe to the review podcast via iTunes by clicking here.